Tag Archives: and

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Ship Yard Structures, Night

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Ship Yard Structures, Night - Night photography of steel towers at the historic Mare Island Naval Ship Yard, Vallejo, California.
Night photography of steel towers at the historic Mare Island Naval Ship Yard, Vallejo, California.

Ship Yard Structures, Night. Mare Island Naval Ship Yard, Vallejo, California. March 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Night photography of steel towers at the historic Mare Island Naval Ship Yard, Vallejo, California.

It had been a while since I last shot at the Mare Island Naval Ship Yard, one of my favorite places to do night photography. But in early March the opportunity came up to join friends from the Nocturnes, the San Francisco Bay Area night photography group currently celebrating its 20th year. We met in the afternoon for the traditional social stuff – tour of the island, sharing photographs, and pizza – and then headed out after the sun set. (Night photographers are probably the only people who look out the window and mutter, “Ah, it’s still golden hour. Let’s not go out yet…” ;-)

These giant steel towers are among the most iconic structures at the historic ship yard. As I understand it, they were originally part of a system used to move very heavy materials (such as ship engines) from shops to the water’s edge. Virtually everyone who photographs here indulges in photographing these towers and even after you have photographed the place as many times as I have they are still a source of interest. Recent work on the island has opened up a section of the water front that was previously off-limits, so it was possible to walk right beside these shell towers as they stretched out toward the water. Working from almost directly beneath them, I lined up a couple of the towers in night darkness, in which the towers were lit by nearby security lights.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California

Birds, Trees, Ponds – California Central Valley

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Birds, Trees, Ponds - California Central Valley - Migratory birds fly over a group of trees at the Merced National Wildlife Refuge as others congregate in a pond.
Migratory birds fly over a group of trees at the Merced National Wildlife Refuge as others congregate in a pond.

Birds, Trees, Ponds – California Central Valley. Merced National Wildlife Refuge. February 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Migratory birds fly over a group of trees at the Merced National Wildlife Refuge as others congregate in a pond.

In my continuing mission to share as many photographs of this little grove of trees in as many ways as possible, I now present – The Trees In Black and White… ;-) I have shot this little group on two successive weeks now, and I’m starting to almost regard them as personal friends. They are located out along the “auto tour” route at the Merced National Wildlife Refuge in California’s Central Valley. From certain angles late in the day they stand in front of a beautiful, luminous glowing sky as the sun moves to the west.

I made this photograph in the early evening, before the golden hour light. Due to these lighting conditions and the typical characteristics of the Valley at this time of year, there was a great deal of atmospheric haze. While later light would reveal the ridge of the coast range in the distance, at this time the glowing haze blocked that view, and its effect can even be seen on the trees along the far levee. As large flocks of birds flew by – I think they were geese – they would pass behind and above the trees. Often they were in odd positions – too low to be visible behind the trees or so high that I would have had to expand the angle of view more than I wanted. But patience helps. I figure that eventually some birds will almost always fly past in the more or less right position, and here a lower string of birds was accompanied by a few flying higher. As I often do with this sort of subject, I compose a landscape around a combination of what I do see (the foreground water and birds, the levees, the trees) and what I imagine I might see if I’m lucky (birds occupying the space on either side and above the trees). Then I wait. I recall pressing the shutter release when the central three birds were centered above the tallest trees.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Imaginary Landscapes

Imaginary Landscape – Death Valley

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Imaginary Landscape - Death Valley - An imaginary landscape derived from subjects photographed in Death Valley National Park.
An imaginary landscape derived from subjects photographed in Death Valley National Park.

Imaginary Landscape – Death Valley. Photographic components from Death Valley, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An imaginary landscape derived from subjects photographed in Death Valley National Park.

“Imaginary Landscapes” are images most often derived from photographs of natural scenes and objects, but modified in ways that are not intended to be realistic.

While working on this photograph, I was experimenting with some techniques for post processing images, particularly to control the visibility of features at the very light and very dark ends of the luminosity scale. One thing led to the next, and soon I had darkened the sky, enhanced the dynamic range in the clouds, and tried a monochrome interpretation of the scene. Then I got the idea to play around a bit with the sky and clouds and before long things had progressed to a point that was well beyond believable.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Publications, Reviews

Exposure for Outdoor Photography, by Michael Frye

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Exposure for Outdoor Photography by Michael Frye

Craft and Vision has just released Michael Frye’s new ebook, Exposure for Outdoor Photography. The book seems to be directed at the many folks who own DSLRs or non-DSLR cameras and are striving to advance beyond the point and shoot approach to their photography. The book takes a straightforward approach to some of the most important topics related to exposure. It begins with a basic description of, well, the basics of exposure – shutter speed, aperture, and ISO and some of the important terminology and concepts related to these factors. Michael keeps the level of detail to a minimum, but the basics are all there, including an explanation of the how and why of using the histogram display – which is probably just about exactly the right approach for his intended audience.

After getting the basics out of the way, the book moves to a series of ten “cases studies,” each of which uses one of his photographs to explore a particular aspect of exposure. The subjects of the case studies include using the histogram, dealing with both large and small depth of field, freezing motion or controlling motion blur, the tradeoffs of moving to higher ISO, recovering highlights in bright scenes, how to handle extremely bright highlights such as direct sun, and a nod to the zone system (in very simplified form) and HDR and exposure blending concepts. Rather than presenting the concepts in theoretical form, he uses his one photographs to provide practical examples for the case studies.

There are a number of things I appreciate about the book, and I think many readers may also agree:

  1. Rather than presenting rules that you must follow, Michael presents the concepts and explains/demonstrates the effects of some of the choice under discussion. He is careful to point out that there usually is no “perfect” exposure, and that there are different ways to get the result you have in mind. (Near the end of the book he even provides some examples of photographs that intentionally “violate” the exposure rules.)
  2. He strikes a good balance between too little and too much detail. He avoids the pitfalls of trying to make things so simple that they end up being simple-minded and of trying to cover all possibilities to the extent that many readers simply end up confused. This is probably an ideal balance for photographers who are taking first steps towards fuller understanding and control of exposure in their photographs.
  3. The case study photographs effectively illustrate the concepts that he covers. In addition, many of them are just plain fine photographs. (Two of my favorites are the Tuolumne Meadows photograph and one of geese in beautiful morning light.)

The ebook concept seems to be catching on quickly and there are plenty of good reasons for this. The visual quality of the text and illustrations is excellent. The books can be read on a laptop or a tablet. They are easy to purchase, and the cost is very low.

The book is now available from site affiliate Craft And Vision, and I understand that there may be a discount price during the first few days of availability.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.