Tag Archives: ansel adams

Photographs: Nature, Photographs: Sierra Nevada

Treeline Meadow

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Treeline Meadow
A green mid-summer subalpine Sierra Nevada meadow surrounded by glaciated granite and sparse trees.

Treeline Meadow. © Copyright 2022 G Dan Mitchell.

A green mid-summer subalpine Sierra Nevada meadow surrounded by glaciated granite and sparse trees.

We recently returned from a week in the Eastern Sierra backcountry, base-camping with good friends and fellow photographers in an area of exceptional beauty and photographic opportunities. I made this photograph one morning in an area of extensive meadows a short distance from our home base. I always think of scenes like this as epitomizing the “range of light” Sierra — high, open country on comfortable, sunny days.

Truth be told, in addition to these conditions, we also encountered some extraordinary weather that was unusual for this time of year. Within the first hours of arriving here a powerful electrical storm arrived and pinned us down in tents for hours as lightning flashed, thunder boomed, rain and hail poured down, and the landscape flooded. I don’t recall a similar summer experience in these mountains in decades of backcountry travel.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographers, Shows

Micheal Frye: Color Light and Form Exhibit at the Ansel Adams Gallery

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Micheal Frye (author of the well-known book on photographing in Yosemite, “The Photographer’s Guide to Yosemite”) reports at his web site that the Ansel Adams Gallery in The Valley will feature an exhibit of his work, “Color Light and Form,” from August 20 through October 4, with a reception for Frye on Friday, August 28th, from 3:30 to 5:30 p.m.

Commentary, News, Photographers, Workshops

News From Charles Cramer

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I got an email from Charles Cramer last week, meant to pass some of his news along right away, and then became very busy and forgot. (My excuse is a combination of having a ton of papers to grade and about 40 prints to make!) Anyway, better late than never…

The Ansel Adams Gallery in Yosemite Valley is having a show of Charlie’s work through May 27th. You can see some examples of his work from the show here. (I’m fond of most all of his photographs, but the luminous photograph of an aspen grove found in this series is one of my favorites.) If you are in the Valley during the next week and a half, be sure to stop by the Gallery and linger for a while  – if nothing else it sounds like a great way to spend some time during the midday non-shooting interval! (It would certainly be more edifying than what I usually do in the middle of my epic One-Day Bay Area to Yosemite and Back marathons: nap for an hour in my car!)

Charlie does workshops. He reports that almost all of them are currently sold out, but that are still some openings for a workshop in Santa Clara, California on June 26-28. Highly recommended – more information online. I’ve been fortunate to have Charlie share some of his vast knowledge of photography and printing with me, and I know personally how well he explains important concepts and techniques and how insightful he is when it comes to seeing and critiquing your photographs. He also has a great – though slightly twisted – sense of humor as well. If you have a chance to read his Photoshop Techniques booklet, you know what I mean.

Photographs: Sierra Nevada

Precipice Lake – Imaginary Landscape

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Precipice Lake - Imaginary Landscape
Precipice Lake – Imaginary Landscape. Sequoia National Park, California. August 6, 2008. © Copyright G Dan Mitchell – all rights reserved.

A very subjective view of Precipice Lake, Sequoia National Park, California.

Another take on Precipice Lake, this one is not intended to be a literal depiction of the scene. The image has been manipulated in several ways such that it perhaps belongs in the same category with some of my other photos that I describe as “imaginary landscapes.” Part of the “game” with this one was to reduce saturation to the point where it may seem almost but not quite like a black and white image. I like to think of it as being “subjectively true” without being objectively accurate. (Though, frankly, you can say that about essentially any photograph – I suppose this one may just be a bit further from the objective reality that some others I’ve done.)

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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