Tag Archives: architecture

Manhattan Bridge

Manhattan Bridge
Manhattan Bridge

Manhattan Bridge. Brooklyn, New York. August 8, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The Brooklyn end of the Manhattan Bridge above the East River and the old Domino Sugar plant

I photographed this from the water taxi — not always an easy trick, and often resulting in a lot of skewed horizons! For those who wonder, it is possible to make sharp, handheld photographs from the deck of a bouncing water taxi… if your are careful, do lots of safety shots, have good light, and keep the ISO up. The real tricks are to put yourself in the right places on the boat, where you’ll have a good view of your subject and won’t be blocked by others, and then to be able to very quickly spot and respond to momentary juxtapositions of elements.

I knew I wanted to photograph the Manhattan Bridge as we went underneath it, so I had already found myself a place from which to get a good line of sight. The initial idea was to show the mass of this bridge as it stretches out over the water, but I quickly saw that the iconic (and abandoned) Domino Sugar plant was making an appearance beyond the bridge, so I watched for this conjunction of the two features.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Museum Atrium

Museum Atrium
Museum Atrium

Museum Atrium. New York City. August 11, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Light patterns on the atrium wall at the New York Museum of Modern Art

I think I end up visiting the Museum of Modern Art (MOMA) every time I visit New York City. It may be partly out of habit, but it is also because there are always things there to see. MOMA always features photography — though the work on display this time was not quite my cup of tea. There are special exhibits, and we were especially surprised and please by the Lygia Clark show. It is always hard to resist — we inevitably fail — visiting the regular collection of famous work in the main galleries.

For me, the space itself is an interesting photographic subject. To some extent it is a good place to photograph people, and I did a bit of that in one particular gallery displaying work that did not particularly impress me — though I noticed one particular museum attendant keeping a very close eye on me. She never said a word, but it seemed like she was always watching me, to the extent that she shows up in perhaps half of the photos I made in that exhibit! The building itself is fascinating, in terms of its own architectural details, how people inhabit the space, and how light plays on its shapes and surfaces. This photograph features the central atrium, which I have photographed in the past, crisscrossed by light patterns stretching down from the roof.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Walking Man, Columns

Walking Man, Columns
Walking Man, Columns

Walking Man, Columns. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A man walks between architectural columns, San Francisco

This is what I think of as a “compose and wait” shot, something I often do when shooting street photography. I find an interesting composition — here the series of columns, with shadows falling across them, and the mottled foreground light reflected from the windows of nearby downtown buildings — and then I wait for a person to walk into the frame and provide a center of visual interest.

This approach provides an interesting combination of intentional and carefully composed elements (the selection of overall subject and its composition) with elements that are almost completely out of my control — I have no idea who will walk into the frame, exactly where they will be, or what they will be doing. Things tend to happen very quickly, too. Obviously, I could not really track this subject into the frame, as he was behind these large columns, so I have to react quickly. In truth, when I work this way I often end up making quite a few exposures that just don’t quite work… but if I’m lucky it may all fall together in a single frame.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Room 160, Metropolitan Museum of Art

Room 160, Metropolitan Museum of Art
Room 160, Metropolitan Museum of Art

Room 160, Metropolitan Museum of Art. New York City. December 29, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Visitors pass through Gallery 160, Metropolitan Museum of Art, New York

It was a cold and rainy day in New York. For the most part we were fairly lucky with the weather when we visited between Christmas and New Years, with mostly fair though cold weather. But we finally encountered a day on which it was not going to be pleasant to travel around a lot on the subway, so we decided to head to the Metropolitan Museum of Art. Apparently about half of the people in New York City had the same idea! Although we arrived reasonably early, there was already a large line of umbrella-carrying folks standing in line, and once inside we found crowds everywhere. We were obviously not the only people to seek shelter in indoor activities. (For the most part the crowds in New York City don’t bother me too much, but on our subway trip back to our hotel after the museum visit I encountered the worst jam-packed subway that I had run into… and realized that this is not a place where I’m ever likely to live. Visit? Yes, and with pleasure!)

We have visited several times before, so we are starting to be familiar with a few sections of this huge museum. We visited a wonderful exhibit of Julia Margaret Cameron photographs (and realized how much of photographic portraiture she already understood more than a century ago) and a small exhibit of photographs from the past 40 years (some of which I liked a lot and some of which leaves me cold). We also wandered a bit, and when we entered this room not far from the main lobby, I spotted a stairway and though that it would be interesting to photograph the room from above. I was intrigued by the lighting, the crowds of people walking in every direction, their shadows, and the large figure of the statue in the center of the room. (As I photographed, using a small mirrorless camera, a guard must have thought that I was shooting video – which is apparently forbidden – and he started yelling at me from the lower level! I finished my shots and moved on.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.