Tag Archives: area

Photographs: Nature, Photographs: Sierra Nevada

Rocky Shoreline, Reflections

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Rocky Shoreline, Reflections
Talus boulders and their reflection at the edge of a Sierra Nevada lake.

Rocky Shoreline, Reflections. © Copyright 2021 G Dan Mitchell – all rights reserved.

Talus boulders and their reflection at the edge of a Sierra Nevada lake.

Three summers ago a group of us (yes, THAT group) spent a week camped at a little backcountry lake on the east side of the Sierra Nevada. The lake is a pretty one, with forest on one side, rocks on the other, and a few areas of meadow and granite slabs here and there. All in all, a fairly typical sort of scene in the range. Beyond the lake itself, the valley that holds in also contains many other small lakes and is surrounded by ridges and peaks, all of which gave us plenty to photograph.

This photograph comes from the rocky side of this lake. A common pattern with high country lakes is for there to be some flat area(s) along one side and perhaps at the inlet and outlet streams, and for one side to be close to some sort of slope. Anyone who tries to circumnavigate such lakes is familiar with the difficulties of finding a way along that rocky side. The rocky slope next to this lake was exceptionally rough, with large boulders extending right down to the shoreline. What it lacked in “walkability” it made up for in reflections. A much higher ridge above the rocks left this area in shadow late in the morning, producing a nice blue tonality to the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

Railings and Fog, Battery Spencer

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Railings and Fog, Battery Spencer
“Railings and Fog, Battery Spencer” — Fog at the historic Battery Spencer, Marin Headlands

There are old forts and batteries all over the West Coast and especially around the San Francisco Bay Area. Many of them have long histories, though we tend to associate them with World War II, the most recent time when the country through they might be put to use. I know of a number of these sites, but I’m most familiar with those in the Marin Headlands, across the Golden Gate to the north of San Francisco. If you have visited a particular and iconic overlook of the famous bridge you have likely been near to this place.

It is one thing to visit these spots on a sunny day when they are overrun with visitors. But if you go early on a cold and foggy morning you may bet a better sense of what it might have been like to be stationed at one of these sites. When I visited on this fogged-in morning, I was attracted by the relationships and angles of the railings.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Tower, Night Sky

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Tower, Night Sky
A tower against night sky at the historic Mare Island Naval Ship Yard.

Tower, Night Sky. © Copyright 2013 G Dan Mitchell – all rights reserved.

A tower against night sky at the historic Mare Island Naval Ship Yard.

This is not the first nor the only photograph I’ve made of this structure. It comes from the historic Mare Island Naval Ship Yard in the San Francisco Bay Area, the place where I did my first serious night photography almost two decades ago. (It happened on more or less a lark when I saw an announcement of a free event, showed up, and became hooked.) This structure is one half of a pair of gigantic overhead tracks that I believe originally supported some sort of lift mechanism that moved heavy mechanical systems (probably engines) to ships that were under construction. The buildings were originally various shops connected to the shipbuilding work, though today, years after the facility was decommissioned, many of them have been taken over for other purposes.

The relationship between night photographs and objective reality is a complex thing. I think of it as revealing “what the camera sees” more than as capturing what we see at night. In truth, in places like this and in lightning like this… we can’t really see much at all. But by extending the exposure times we can make images out of what is largely unseen. (A close examination of this photograph will reveal star trails made as the earth rotated beneath the night sky over the course of a several minute exposure.) In the end, many decisions about such images — luminosity, color, and more — must be subjective, since there really is no objective reality that corresponds to what the camera sees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Winter Mist, Tomales Bay

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Winter Mist, Tomales Bay
Morning mist rises above Tomales Bay on a cold winter morning.

Winter Mist, Tomales Bay. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning mist rises above Tomales Bay on a cold winter morning.

One advantage of living near iconic locations (in this case, the Point Reyes National Seashore) is that I can go there on short notice at times when few other visitors are around. Being only a short distance north of San Francisco and less than an hour’s drive from some populated areas of the greater Bay Area, a visit here on a summer weekend can be considerably less than a solitary experience. But on a freezing cold (literally!) late-winter weekday morning you might find yourself all alone in such a place.

I have passed by this spot many times, and this was not the first time I stopped to make photographs here. (Nearby and just out of sight are a couple of iconic regional photographic subjects.) On this morning it was the light that stopped me, along with the new grass on the coastal hills along the far shore. (Winter is our green season in much of California.) As I worked, the thin morning fog above the waters of Tomales Bay drifted slowly, backlit by the low-angle morning light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.