Tag Archives: arid

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Twisting Desert Canyon

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Twisting Desert Canyon
A deep desert canyon winds between tall cliffs, Death Valley National Park.

Twisting Desert Canyon. © Copyright 2023 G Dan Mitchell.

A deep desert canyon winds between tall cliffs, Death Valley National Park.

In a recent post I mentioned that I had finished sharing photographs from my January visit to Death Valley. What I did not mention was that we were heading back in late March to make more photographs. With this post I begin sharing photographs from this second trip. Death Valley is never the same twice, and on this visit we encountered rain, snow, high winds, and much more. In fact, our visit to this canyon was partially intended to avoid the winds sweeping through the valley that day.

I am making an exception to my policy of usually not naming specific locations: this is from Titus Canyon. A long, popular, and quite remarkable road traverses this route, starting in Nevada, climbing through high mountains, then descending a deep canyon to emerge in Death Valley. Last year’s historical rainfall damaged the road, and the only access is now by hiking. I write “damaged,” but the truth is that, at least in the lower canyon that we visited, the road was actually “obliterated.” There are literally no traces of it at all. It was a rare treat to experience this canyon as it must have been before automobiles.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Butte, Morning Haze

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Butte, Morning Haze
A desert butte and mountins stretch into the distance in morning haze, Death Valley National Park.

Butte, Morning Haze. © Copyright 2023 G Dan Mitchell.

A desert butte and mountains stretching into the distance in morning haze, Death Valley National Park.

With all that haze, this may not be your typical Death Valley photograph, but it is my favorite kind of light. I love haze, backlight, and scenes full of interesting shapes, curves, and lines. I’m also fond of including elements that are barely visible, as is the case with the furthest hills beyond the rounded butte.

The photograph is an example of the “don’t forget to look behind you” school of photography. We naturally focus on the main subject in front of us, the one that brought us to a place. But frequently something else is lurking nearby, often to one side or behind us. That was the case here, as this scene was almost 180 degrees opposite the very different subject that I had been photographing before I turned around to see this view.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Red Cliffs, Dawn

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Red Cliffs, Dawn
Red Cliffs, in dawn light, in front of Death Valley and distant desert mountains.

Red Cliffs, Dawn. © Copyright 2023 G Dan Mitchell.

Red Cliffs, in dawn light, in front of Death Valley and distant desert mountains.

During my January visit to Death Valley National Park I ended up exploring this scene over a period of several days. My ability to travel more widely in the park was limited by storm-related road closures, so I took a closer look than usual at areas nearer main attractions. The first time I was in this area I missed the good light but saw potential, so I returned later on scout more thoroughly. (That led to a lovely, solitary hike up a long wash that doesn’t seem to get many visitors.) I went back for a third time, arriving well before sunrise and photographing until the light became less compelling.

There’s a whole lot of “Death Valley stuff” in this photograph. The foreground includes eroded badlands terrain with multi-colored soils. Above this a band of rugged red cliffs catches the day’s first direct sunlight. Further in the distance immense salt flats are still in shadow, and near the limits of visibility another big mountain range rises through the atmospheric haze.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Distant Mountains

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Distant Mountains
The east escarpment of the Panamint Range rises above Death Valley Hills in morning light.

Distant Mountains. © Copyright 2023 G Dan Mitchell.

The east escarpment of the Panamint Range rises above Death Valley Hills in morning light.

As I keep saying when I post Death Valley photographs (yeah, broken record…) the distances there are immense. As a result, atmospheric haze often has a distinct effect on photographs of the larger landscape. This can be challenging — the effect on colors is not always attractive. But it also can enhance the sense of depth in the image. A friend of mine refers to the effect as “atmospheric recession,” though I understand that the better known term may be “atmospheric perspective.” The colors shift, contrast decreases, and fine details can be diminished.

This photograph clearly makes use of the effect. I was photographing across Death Valley from an elevate position with a very long focal length. The low foreground hills are a good distance away, but not so far that they are strongly affected by haze — thus the greater contrast and especially the dark shadows. But the lower slopes of the Panamint are many miles away, and the haze has a big effect of their appearance.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.