Tag Archives: arid

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes, Shadows, and Morning Light

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Dunes, Shadows, and Morning Light
Morning light on sand dunes and desert mountains, Death Valley National Park.

Dunes, Shadows, and Morning Light. © Copyright 2023 G Dan Mitchell.

Morning light on sand dunes and desert mountains, Death Valley National Park.

It is impossible to resist photographing these dunes, though doing so can be a little more complicated than it might seem at first glance. It often initially seems like finding photographs here would be super easy… but it often turns out to be a little more complicated. It isn’t just about the difficulties of working in the sand. I also find that bits and pieces of this landscape are often intriguing but can be a challenge to fit into a successful composition.

This photograph comes from an early morning visit on a clear-sky day, just as the early light was slanting across the landscape. At this moment, direct light was hitting the sun-facing surfaces, but there were still a lot of shadows. In particular, the distant mountain range was just beginning to pick up a little light aloe the ridges but was otherwise still rather dark.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Ranges

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Desert Ranges
A view from the Panamint Mountains across Death Valley toward mountains near Las Vegas.

Desert Ranges. © Copyright 2023 G Dan Mitchell.

A view from the Panamint Mountains across Death Valley toward mountains near Las Vegas.

This is another in the “very long views” series. Like another recent photograph, it also comes from the crest of the Panamint Mountains, though this time looking generally east. As such, the view extends across Death Valley (over 6000 feet below), then over the Black Mountains, the Amargosa Range, and across the Amargosa Valley to a snow-capped ridge close to Las Vegas, Nevada. (in the full size version of this photograph remarkable details become visible — a parking lot near Artist Palette, utility poles along the road out of Death Valley.)

There is a bit of a story about the lighting in this scene. It is essentially front-lit, with the light coming from behind my camera position and shining directly on the subject. Typically, this would be about the worst kind of lighting for a landscape subject, especially when haze is present, since it produces almost no shadows and very little visibility of details. But here something compensates, namely the shadows of broken clouds which introduce some shadows into the scene and help us sense its depth.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains, Evening Haze

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Desert Mountains, Evening Haze
The view from the Panamint Mountains across Death Valley on a hazy evening.

Desert Mountains, Evening Haze. © Copyright 2023 G Dan Mitchell.

The view from the Panamint Mountains across Death Valley on a hazy evening.

We visited this high place in Death Valley National Park on our late-March trip. It is a location I have been to many times, virtually always very early or very late in the day when the light is the most interesting. It can be crystal clear up here, providing distinct views stretching from the Sierra Nevada crest to distant mountains in southwest Nevada. But it can also be hazy, as it was on this evening.

Such haze is a mixed blessing. It obscures some distant details, but it also lends a softness and perhaps a bit of mystery to the scene. I made the photograph just before sunset, when the warm golden hour light was building. The foreground ridge is nearby, the intermediate stratified ridge is perhaps a few miles away, and in the distance mountains on the far side of Death Valley are faintly visible.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Entering the Dunes

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Entering the Dunes
Footprints lead into the sand dune landscape.

Entering the Dunes. © Copyright 2023 G Dan Mitchell.

Footprints lead into the sand dune landscape.

Most of our landscape photographs try to present the landscape without obvious human presence. I write “obvious” because it is hard to find any place where no human effects are present. Sometimes photographers are criticized for presenting the illusion that this isn’t so. While I think the point is important, the criticism is unwarranted and based on its own untenable notion of what wilderness is. In any case, the inclusion of a more overt human element in photographs can encourage us to think of these places in a different way.

We often strive to photograph dunes after sand storms, when footprints have been erased. But including such things can also engage us in the landscape in useful ways — if nothing else they urge viewers to imagine themselves in these places. The footprints here are somewhat subtle, but I think that we relate to the scene differently when we see a line of footprints leading into it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.