Tag Archives: arid

Creosote and Dunes in Morning Light

Creosote and Dunes in Morning Light
Shadows and early morning light on creosote plants and sand dunes, Death Valley National Park.

Creosote and Dunes in Morning Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Shadows and early morning light on creosote plants and sand dunes, Death Valley National Park.

Yes, I know. I keep suggesting that I’m done with the new photographs from this year’s early-April visit to Death Valley. And then I decide to look at them again before moving on. And I find another that I want to work up. And then another. I really do think I may be done with them. For now. Maybe. But maybe not…

These creosote plants are among the Death Valley plants that seem to thrive, or at least survive, in the least likely places. Here they grow on the sand dunes and are among the largest plants you’ll find here. As they battle this harsh environment of heat, intense light, strong winds, and blowing sand they not only manage to live here but they even affect this landscape. Clumps of creosote like this one obstruct the blowing sand enough to begin a process of building small mounds at their base, and this seems to allow additional shoots of the plant to fill in until some examples are quite large.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Alkali Flats and Dunes, Morning

Alkali Flats and Dunes, Morning
A solitary creosote bush on sand dunes above remnants of old alkali flats, Death Valley National Park.

Alkali Flats and Dunes, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

A solitary creosote bush on sand dunes above remnants of old alkali flats, Death Valley National Park.

Perhaps this scene looks a bit familiar? It is the same subject as in another black and white photograph that I shared recently, though this time composed a bit differently to fit the portrait orientation and include the curving alkali flats in the foreground. I often photograph such a subject in more than one way. At a minimum I’ll try to find a portrait and a landscape mode version of the scene if possible. In the landscape version of this scene I omitted most of the lighter foreground material, but by using portrait mode here I was able to use the leading curve in the foreground.

These old alkali formations among the dunes fascinate me. So far I have not found too much information about them, though it seems that they are layers of material that must have been created from silt that was once liquid and which dried and cracked. In places the formations are thick and quite solid, but in others they are incredibly thin and fragile. (I may walk on the thicker formations occasionally, but I always try to detour around the thinner ones so as to avoid damaging them.) Unlike other playa surfaces, these are often also shaped by the forces of wind-blown sand.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning Haze, Dunes and Mountains

Morning Haze, Dunes and Mountains
A long desert vista, from creoste growing in the dunes to distant mountains shrouded byh morning haze.

Morning Haze, Dunes and Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

A long desert vista, from creoste growing in the dunes to distant mountains shrouded byh morning haze.

There are still a few more photographs in the series from this year’s foray to Death Valley National Park, though I suspect that they will wind down soon as I move to other subjects. It is hard to believe that I was there only a bit more than a month ago — it seems like much longer. When I was there around the beginning of April it was still only moderately (by DEVA standards!) warm, with temperatures only touching the low nineties. I’m sure it is hotter now, and it will remain so until late in the year. That’s my way of saying that I won’t be headed back there until many months from now!

This photograph comes from my one morning foray into the well-known dunes not far from Stovepipe Wells. As I have previously mentioned, I often head to somewhat less “busy” areas of these dunes — partly to avoid running into other visitors, but also to find views that are not the familiar, iconic ones. This view looks across a long view from the close creosote to the distant haze-obscured desert mountains that rim the valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Creosote and Dunes

Creosote and Dunes
A clump of creosote among the sand dunes in morning light, Death Valley National Park.

Creosote and Dunes. © Copyright 2021 G Dan Mitchell – all rights reserved.

A clump of creosote among the sand dunes in morning light, Death Valley National Park.

Perhaps surprisingly, that bit of dry surface in the foreground is what initially attracted me to this intimate landscape scene among the sand dunes. These surfaces are found in many places around and between the dunes, and at first their relationship to water is surprising in such a place. Some of the forms look much like what we find on desert playas, but in other places they are quite fragile and appear to have been smoothed and sculpted by wind-borne sand. (I try to avoid walking on them unless they are the more durable playa-type of formations.)

I had just photographed a closer subject, some dead creosote bushes, when I saw this larger and thriving specimen positioned among some beautifully curving dunes and casting a shadow onto them. It was a tricky exposure — the backlit “sky” (which is actually glowing haze in front of distant mountains) was extremely bright, while the shadows were quite dark. This was definitely a case of exposing to capture image data with the intention of using the post-processing stage to bring things back to something closer to what I saw.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.