Feet, legs, carpet, and a bit of white wall at the museum
Yes. It is at the museum…
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Visitors pass through Gallery 160, Metropolitan Museum of Art, New York
It was a cold and rainy day in New York. For the most part we were fairly lucky with the weather when we visited between Christmas and New Years, with mostly fair though cold weather. But we finally encountered a day on which it was not going to be pleasant to travel around a lot on the subway, so we decided to head to the Metropolitan Museum of Art. Apparently about half of the people in New York City had the same idea! Although we arrived reasonably early, there was already a large line of umbrella-carrying folks standing in line, and once inside we found crowds everywhere. We were obviously not the only people to seek shelter in indoor activities. (For the most part the crowds in New York City don’t bother me too much, but on our subway trip back to our hotel after the museum visit I encountered the worst jam-packed subway that I had run into… and realized that this is not a place where I’m ever likely to live. Visit? Yes, and with pleasure!)
We have visited several times before, so we are starting to be familiar with a few sections of this huge museum. We visited a wonderful exhibit of Julia Margaret Cameron photographs (and realized how much of photographic portraiture she already understood more than a century ago) and a small exhibit of photographs from the past 40 years (some of which I liked a lot and some of which leaves me cold). We also wandered a bit, and when we entered this room not far from the main lobby, I spotted a stairway and though that it would be interesting to photograph the room from above. I was intrigued by the lighting, the crowds of people walking in every direction, their shadows, and the large figure of the statue in the center of the room. (As I photographed, using a small mirrorless camera, a guard must have thought that I was shooting video – which is apparently forbidden – and he started yelling at me from the lower level! I finished my shots and moved on.)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
“Paint on Metal Wall” — Colorful patches of spray paint on a metal wall, Brooklyn, New York
While wandering around in the DUMBO area of Brooklyn, between a walk in one direction on the Brooklyn Bridge and a walk back in the other direction on the Manhattan Bridge, we walked up some streets under the flyover at the Brooklyn end of the Manhattan Bridge. This is not what you might think of as a “special” area, being beneath a bridge and containing at least some of the expected forms of urban decay. Surprisingly though there were some interesting things to see here – nice light on this day and some urban/street subjects.
As we walked up one narrow street we passed, as I recall it, some storage yards and similar that were fenced off from the roadway and sidewalks. I think this was part of a section of metal fencing along the sidewalk. I remember looking at this very bizarre pattern of colorful paint and wondering how it got there. There were no signs on the wall at this point, but it looked like someone must have spray-painted some objects in front of the wall, and done so more than once and with a wild variety of colors – blue, hot pink, fluorescent green, several shades of hello, orange, black, and more. This accidental art seems to be the result of the creation of something else that was nowhere to be found.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Grafitti on urban roofs beyond cyclone fence near the Manhattan Bridge, New York City
This is another photograph from our “hiking day” in New York City during our December 2013 visit. It wasn’t quite our plan when the day started, but we ended up walking from our Canal Street Hotel down to the Brooklyn Bridge and across, then around the DUMBO area of Brooklyn, and back across the Manhattan Bridge to the city again. The two bridges are a study in contrasts. Brooklyn Bridge is, of course, a huge tourist destination and walking across it is almost a requirement for New York visitors and others. Even on this very cold – sub freezing – winter day there were thousands of people crossing. The Manhattan Bridge, on the other hand, is a rather lonely place for pedestrians. we had been warned that it is tremendously noisy, since above ground transit trains cross it only feet from the narrow pedestrian walkway.
Probably because it has not been spiffed up to be a tourist attraction, the Manhattan Bridge also has a lot more aesthetic rough edges. The bridge structure seems mostly to be utilitarian steel, trains run constantly and not far from the walkway, and especially at the Manhattan end the bridge passes above some neighborhoods that don’t appear to be exactly upper class. Looking down from the bridge I saw some of the most extensive graffiti I have seen… on the roofs of buildings, where it is only visible from the bridge and not at all from the streets below. Most of the time I make it a rule to not photograph graffiti, but here it was so extensive and so established that it seemed worth it to make a few photographs through the cyclone fence protecting the bridge walkway.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
