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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Subalpine Meadow, Evening – Evelyn Lake

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Subalpine Meadow, Evening - Evelyn Lake

Subalpine Meadow, Evening – Evelyn Lake. Yosemite National Park, California. September 8, 2009. © Copyright G Dan Mitchell – all rights reserved.

Late summer evening light in a subalpine meadow near Evelyn Lake in the Yosemite National Park back-country.

I’m pretty certain that my favorite time of year in the Sierra starts right about when this photograph was made – early September right after the Labor Day Holiday. I’m also certain that my favorite terrain – I call in “my Sierra” – is this sort of open timberline country with a mixture of subalpine meadow, stunted forest, and open views of surrounding higher terrain.

On this day I had come up to Evelyn Lake – located very near the Vogelsang High Sierra camp – from Lyell Canyon. After a late arrival at my Lyell Canyon camp the night before and the rather stiff morning climb up the Ireland Lake trail, I arrived here feeling pretty tired. I pretty much set up my bivy sack camp and took a big nap! Later in the day as evening approached I came back to life and decided to make a few photographs. This photograph of the meadow and a bit of a meandering stream in the meadow was made within a few yards of my campsite on the shoreline of the lake.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California

Red Alder Leaves, Autumn

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Red Alder Leaves, Autumn

Red Alder Leaves, Autumn. Muir Woods National Monument, California. October 25, 2009. © Copyright G Dan Mitchell – all rights reserved.

Sunlight filtering through the canopy of the redwood forest back-lights overhead red alder leaves at Muir Woods National Monument.

I posted a black and white version of this photograph yesterday – and I still go back and forth on which I prefer. The luminescent green color of the backlit alder leaves against the pattern of the branches on which they grow is what first attracted me to this subject, but I like the more abstracted nature of the black and white version. I probably won’t be able to decide until I print the photographs… if I can even decide then!

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California, Photographs: Textures

Red Alder Leaves, Autumn

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Red Alder Leaves, Autumn

Red Alder Leaves, Autumn. Muir Woods National Monument, California. October 25, 2009. © Copyright G Dan Mitchell – all rights reserved.

Sunlight filtering through the canopy of the redwood forest back-lights overhead red alder leaves at Muir Woods National Monument.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

I made a black and white and a color version of this image – since I think I prefer the black and white version I’m posting it first.

This year I have been returning to Muir Woods in all seasons and, among other things, I’ve watched the red alder trees as they have gone through the cycle from the first spring leaves to the deterioration of the leaves as they begin to change color before dropping from the trees as winter approaches. In many places along the main trails at Muir Woods the path travels directly beneath a canopy of these trees and when the light comes through the trees, filtered by passing through the upper levels of the forest, it highlights the curving and twisting shapes of the branches.

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keywords: muir, woods, national, monument, recreation, area, golden, gate, marin, san francisco, california, usa, forest, tree, leaf, leaves, branch, twig, spider, web, thread, glow, bokeh, nature, flora, foliage, landscape, black and white, red, alder, redwood, coast, sun, light, sunlight, filter, canopy, back, overhead, stock

Commentary, Equipment

Wherever We Are Headed, We Certainly Are Not There Yet

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Contrary to those who feel that with the introduction of multiple reasonably-priced 20+MP full frame DSLR camera there isn’t much room left for advancement and change, I think that the camera market is still truly dynamic.

One assumption that many make is that the high photosite density full-frame DSLR cameras will “take over” the part of the photographic world previously occupied by medium format (MF) film cameras. Several observations seem to support this notion. The resolution available from carefully used high end DSLRs with the best lenses certainly can compete with that of medium format film, and the arguable advantages of the larger format in terms of image quality would not be enough to convince many to give up the conveniences and lens choices of the best DSLR systems. Even those who might prefer to shoot medium format digital back systems – and I count myself as among those who are interested – are often not in a position to be able to afford the stratospheric cost of the best medium format systems, despite the fact that they compete with large format for image quality.

Some have argued that the costs of the high end systems cannot possibly come down. Some argue (falsely, I believe) that the high costs can not drop because, unlike the costs of computer memory, they are determined by factors that are not subject to scaling. Some argue that the market will never be big enough. However, these folks made the same arguments about the very types of cameras that are now becoming available in the DSLR market – the 20MP and higher full frame sensor camera. Not long ago these cameras cost roughly $8000 and were available from only one manufacturer. They now cost a third of this and are available from at least three vendors.

If you think this cannot happen in the medium format market, perhaps you need to watch a bit more closely. Recently Mamiya introduced a basic medium format digital system (admittedly not one defining the high end of this market segment) at a cost of around $14,000 if memory serves. This week Phase One announced 40 MP medium format backs at cost in roughly the upper teens ($15,000 or thereabouts) range. There are certainly higher priced backs available, but it was only a year or two ago that the 35MP MF backs were the high end – and cost perhaps two or three times this much.

It seems to me that these developments are moving toward bringing MF digital systems to a price point where some who might now get a high-end DSLR system may be able to instead think about going MF.

(Note added later: I just want to acknowledge that I do understand that there are reasons besides pixel dimensions – e.g. number of photosites/MP – to choose MF, and that I also understand that there are reasons other than cost to choose a DSLR. :-)