Tag Archives: backcountry

Photographs: Nature, Photographs: Sierra Nevada

Boulder and Cascade

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Boulder and Cascade
A subalpine brook cascades over rocks and past a small boulder.

Boulder and Cascade. © Copyright 2021 G Dan Mitchell – all rights reserved.

A subalpine brook cascades over rocks and past a small boulder.

No landscape photographer I know is quite able to completely resist the lure of photographing moving water cascading over rocks. I can imagine quite a few reasons for this. The miniature landscapes in Sierra creeks like this one hold an infinity of potential compositions. Unlike so much of the landscape, the water is in constant motion, to the point that one almost needs to make many exposures to get it just right. There are interesting technical questions to resolve, including just how much blur is the right amount.

Beyond all of that photographic stuff, these streams are just fun places to spend some time. Many years ago I still took fishing gear into the backcountry. I stopped once I realized that I didn’t need the excuse of fishing in order to justify time spend wandering up and down these creeks, with their attractions of wildflowers, green plants, and the constant sound of moving water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Stream and Peak

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Stream and Peak
A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Stream and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Sometimes I manage to tweak some people a bit by saying, “All photographs lie.” I probably should explain. Too often there is an assumption that photographs are about showing the objective qualities of subjects, and that the best photographs simply convey the reality of these things. I think that is mistaken, and that photographs are literally incapable of being objective analogs of their subjects. Almost everything about a photograph is subjective. How did we choose to frame it? What did we choose to leave out? What time of day did we make it? What lens did we choose? Did we choose color or black and white? If there is a “truth” in a photograph it is the truth about the photographer’s subjective response to the subject. (This is a partial explanation of why two photographers who photograph the same subject usually end up with quite different photographs.)

Beyond that, there are many aspects of a subject that a photograph simply cannot contain. The sound of little mountain streams is central to my experience of places like this, but it is not found in a photograph. A photograph cannot capture the breeze or the slight chill of the shade in high mountains. The knowledge of what lies between this small stream and the lake at the base of those peaks isn’t found here. How I came to find myself at this place is not known to the viewer. Where is this place, and does that even matter?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Afternoon Haze, Ridges

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Afternoon Haze, Ridges
Forested ridges, silhouetted in the afternoon Sierra haze, on opposite sides of the Tuolumne River Canyon.

Afternoon Haze, Ridges. © Copyright 2021 G Dan Mitchell – all rights reserved.

Forested ridges, silhouetted in the afternoon Sierra haze, on opposite sides of the Tuolumne River Canyon.

A group of us were camped at a backcountry lake in Yosemite National Park for the better part of a week a few years back. Actually, we’ve done that a few times now that I think of it. This lake is a quiet and gentle place, surrounded by forest, but with a few nearby peaks and on one side a huge vista into and across a deep river canyon. Our little group photographed the heck out of this place, working the landscape morning and evening, and gradually working outwards to learn more of the surroundings.

On this evening I had hiked up from the lake through a narrow band of forest, then continued to ascend across granite slabs through more open country. Arriving at a high point I turned around and looked back over the basin holding “our” little lake and waited for the colorful evening light. Of course “waiting” doesn’t mean sitting and doing nothing — it means photographing other things, including this other tree-covered rocky ridge running down toward the lake and the further landscape whose details are muted by late-season haze. If you look very closely you might just make a sort of “Where’s Waldo” discovery in this scene….

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Commentary

Cirque In Shadow

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Cirque In Shadow
A high country cirque in shadows, surrounded by a landscape of talus, cliffs and late-season patches of snow.

Cirque In Shadow. © Copyright 2021 G Dan Mitchell – all rights reserved.

A high country cirque in shadows, surrounded by a landscape of talus, cliffs and late-season patches of snow.

Over the past decade-plus I have traveled into the Sierra backcountry almost annually with a group of fellow photographers each summer. We’ve photographed from Yosemite to Sequoia-Kings Canyon and some non-park areas along the eastern edge of the range. Our practice has been to take a day or two to get to a suitable spot where we set up a basecamp and then photograph the heck out of the surrounding area. One plus of this approach, as contrasted with trying to cover more ground by moving daily, is that we get to become more intimately familiar with the rhythms of the place.

I made this photograph a few years ago on one of these trips. We camped in thin forest at a nice high-country lake mostly surrounded by rocky terrain. Over the course of the week we explored the surroundings, gradually uncovering what the area had to offer. This lake is one of several along the course of a small stream coming down from much higher country, and it lies in an east-facing cirque more or less at timberline. The late-season snow field in the talus field attracted me from the first time I saw it, and it was only after several visits that I decided to try photographing it in the deep shade from the surrounding peaks and ridges.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.