Trees grow on a peninsula at a Yosemite subalpine lake, late summer
We have passed nearly halfway though our annual circuit around the sun since I made this photograph. It is now slightly past midwinter, and the photograph was made in late summer, a few weeks before the arrival of solar fall, though the signs of autumn were already everywhere in this drought-affected portion of the Sierra backcountry.
The haze in the atmosphere beyond the peninsula with its sunlit trees comes from wildfires that were burning all over Yosemite and the rest of the Sierra. One small one was burning just across a nearby ridge and a more distant but larger fire periodically fill the air with thick smoke. Wildfire smoke is a normal feature at the end of the season, but this year it was much worse than normal. Fortunately, every day the winds shifted, the smoke moved away, and we got some beautiful near-autumn weather — time to enjoy the golden-brown meadow grasses, walks around the lake, and the occasional climb up onto grants slabs that rose from its shoreline.
Photographer Scot Miller at work on a ridge in the backcountry of Yosemite National Park
I have been fortunate to get to know photographer Scot Miller over the past few years. I write “photographer,” but a more complete accounting would include videographer, author, and much more. I met Scot through my association with a group of photographers who have been photographing in the Yosemite backcountry for the past 15 years or so — sometimes referred to as the “First Light” photographers in recognition of their beautiful book, First Light: Five Photographers Explore Yosemite’s Wilderness. (The others are Charles Cramer, Karl Kroeber, Mike Osborne, and Keith Walklet.)
This past September three of us (Scot, Charlie, and myself) spent a bit more than a week base-camped at a backcountry Yosemite National Park lake making photographs. By staying in one location for so long we become acquainted with the location in ways that would not be possible in the normal backpacking mode, in which one tends to move from place to place daily. Instead we have the opportunity to let the character of the place sink in, to wander slowly, to return to spots we saw earlier, and to experience a range of conditions — which on this trip included everything from Sierra sun, though wildfire smoke, to a couple of days of rain. One morning, without planning to do so, Scot and I ran into one another high on this ridge above our lake.
A group of small trees find a marginal existence growing along a crack at the edge of an exfoliated slab of granite, Yosemite National Park
It took me three tries, on successive days, to finally get the photograph of this little bit of granite slab and trees that I was looking for. On evening of our first day camping in the vicinity we were under the thick smoke plume from the early September “Meadow” fire in Yosemite, which was burning some miles away in the Little Yosemite Valley area — but also sending dense smoke towards us and dropping ash from the sky. I did make a few photographs in this eerie light the first night, but it was a very tricky situation that did not work well for this subject. I went back on the second evening, when the smoke had diminished at our location to the point that it wasn’t a major factor in “intimate landscape” photographs like this one. I went to the top of a large granite bowl before the light was good and scouted for likely photographs to make as the evening light improved. I spotted this lengthy crack at the edge of an exfoliated granite slab, in which a number of small trees had taken tenuous root and decided that it could be an interesting subject with evening sidelight. I wasn’t the only one, however, and three members of our party had the same idea! We are a cooperative bunch, so I photographed some other things while my partners worked this spot, and then returned to set up a shot that looked more directly up the length of the crack that curves through the composition in this version. Later that evening I was quickly reviewing my shots from the day, and I realized that one of my buddies had cast a long shadow into part of the frame! Ah, well, such things happen.
So I made plans to go back yet again on our final evening in the area and try once more. In the end, I’m glad that I did. I’m now convinced that by going back I found a more interesting composition that accomplished several things. First, no one’s shadow is in the image! Second, I think that positioning the large crack so that it curves more diagonally through the frame works better than my original composition. Third, due to this different camera position and somewhat different light, I was able to let the shadow of the tree create a sort of mirror image of its form, resulting in a relationship between the tree and the shadow that I like. There are spots much like this one all over the place in Yosemite — smooth slabs of granite on which tiny but often mature trees manage to find just enough sustenance. In this little spot, a somewhat unusual number of these trees seem to have made a success of it.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A small timberline lake sits on a bench in front of rugged summits of the Great Western Divide
This is yet another in series of photographs from a 2010 backpack trip into the far reaches of the Kern River drainage in Sequoia National Park. For reasons that I’m not certain that I can identify, last week I decided to go back and take a look at these old photographs, few of which have not previously shared. They exemplify one of the reasons that I rarely delete old raw files, even if they don’t look all that interesting at the time — too often I return to the photographs months or even years later and find things that make me glad I kept them. Sometimes I find photographs that I simply passed over or didn’t understand at the time, and other times I simply have the joy of reliving an experience that had largely slipped from my mind.
On this trip a group of close friends with whom I have backpacked for years were on yet another summer adventure, this time into the remote backcountry of Sequoia National Park. We traveled a popular but long trail over several very high passes to get to the general area, and then we left that trail and headed west to a place that is visited much less frequently, a location tucked back up beneath the Great Western Divide. I had touched the edges of this area a few times before but never had gone straight there — and now I wish that I had visited earlier, as we found an infrequently visited region of monumental mountains and valleys and a stupendous alpine setting. This photograph overlooks a lake on a bench in an area where we camped, and the view extends westward toward the crest of the divide.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
