Tag Archives: backcountry

Colorful Granite Cliff and Trees

Colorful Granite Cliff and Trees
A colorful High Sierra granite cliff and trees in soft light

Colorful Granite Cliff and Trees. Yosemite National Park, California. September 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A colorful High Sierra granite cliff and trees in soft light

Sitting here on a late-winter day, this late September week spent photographing in the Yosemite back-country seems so far away. (At the same time, as I watch the inevitable progress of the seasons, the upcoming summer season seems closer and closer!) Three photographers headed out to a back-country lake, where we set up a base-camp for something like nine days of photography. It might seem like photographing in one tiny area for a week might exhaust its possibilities. In fact, at the start of such a trip I often harbor such fears — but by the end of every one of them I am again reminded that it virtually never works that way. The more time spent looking in such a place, there more there is to see, and at the end of such a trip there are, inevitably, things left to be photographed on the next visit.

Not far from our camp was a rocky area that we often crossed in order to make our way around the perimeter of a nearby lake and to get to areas a bit further away. After climbing slabs the route dropped into the lower extent of a deep gully traveling down from higher terrain, and eventually I began to know these rocks and this gully very well. We had “interesting” weather during our stay, and on the day I made this photograph the light was muted by various factors including clouds and wildfire smoke.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Lake and Peninsula

Lake and Peninsula
Trees grow on a peninsula at a Yosemite subalpine lake, late summer

Lake and Peninsula. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Trees grow on a peninsula at a Yosemite subalpine lake, late summer

We have passed nearly halfway though our annual circuit around the sun since I made this photograph. It is now slightly past midwinter, and the photograph was made in late summer, a few weeks before the arrival of solar fall, though the signs of autumn were already everywhere in this drought-affected portion of the Sierra backcountry.

The haze in the atmosphere beyond the peninsula with its sunlit trees comes from wildfires that were burning all over Yosemite and the rest of the Sierra. One small one was burning just across a nearby ridge and a more distant but larger fire periodically fill the air with thick smoke. Wildfire smoke is a normal feature at the end of the season, but this year it was much worse than normal. Fortunately, every day the winds shifted, the smoke moved away, and we got some beautiful near-autumn weather — time to enjoy the golden-brown meadow grasses, walks around the lake, and the occasional climb up onto grants slabs that rose from its shoreline.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer Scot Miller, Yosemite Backcountry

Photographer Scot Miller, Yosemite Backcountry
Photographer Scot Miller at work on a ridge in the backcountry of Yosemite National Park

Photographer Scot Miller, Yosemite Backcountry. Yosemite National Park, California. September 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Photographer Scot Miller at work on a ridge in the backcountry of Yosemite National Park

I have been fortunate to get to know photographer Scot Miller over the past few years. I write “photographer,” but a more complete accounting would include videographer, author, and much more. I met Scot through my association with a group of photographers who have been photographing in the Yosemite backcountry for the past 15 years or so — sometimes referred to as the “First Light” photographers in recognition of their beautiful book, First Light: Five Photographers Explore Yosemite’s Wilderness(The others are Charles Cramer, Karl Kroeber, Mike Osborne, and Keith Walklet.)

This past September three of us (Scot, Charlie, and myself) spent a bit more than a week base-camped at a backcountry Yosemite National Park lake making photographs. By staying in one location for so long we become acquainted with the location in ways that would not be possible in the normal backpacking mode, in which one tends to move from place to place daily. Instead we have the opportunity to let the character of the place sink in, to wander slowly, to return to spots we saw earlier, and to experience a range of conditions — which on this trip included everything from Sierra sun, though wildfire smoke, to a couple of days of rain. One morning, without planning to do so, Scot and I ran into one another high on this ridge above our lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Crack System

Trees, Granite Slabs
Trees, Granite Slabs

Trees, Granite Slabs. Yosemite National Park, California. September 9, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A group of small trees find a marginal existence growing along a crack at the edge of an exfoliated slab of granite, Yosemite National Park

It took me three tries, on successive days, to finally get the photograph of this little bit of granite slab and trees that I was looking for. On evening of our first day camping in the vicinity we were under the thick smoke plume from the early September “Meadow” fire in Yosemite, which was burning some miles away in the Little Yosemite Valley area — but also sending dense smoke towards us and dropping ash from the sky. I did make a few photographs in this eerie light the first night, but it was a very tricky situation that did not work well for this subject. I went back on the second evening, when the smoke had diminished at our location to the point that it wasn’t a major factor in “intimate landscape” photographs like this one. I went to the top of a large granite bowl before the light was good and scouted for likely photographs to make as the evening light improved. I spotted this lengthy crack at the edge of an exfoliated granite slab, in which a number of small trees had taken tenuous root and decided that it could be an interesting subject with evening sidelight. I wasn’t the only one, however, and three members of our party had the same idea! We are a cooperative bunch, so I photographed some other things while my partners worked this spot, and then returned to set up a shot that looked more directly up the length of the crack that curves through the composition in this version. Later that evening I was quickly reviewing my shots from the day, and I realized that one of my buddies had cast a long shadow into part of the frame! Ah, well, such things happen.

So I made plans to go back yet again on our final evening in the area and try once more. In the end, I’m glad that I did. I’m now convinced that by going back I found a more interesting composition that accomplished several things. First, no one’s shadow is in the image! Second, I think that positioning the large crack so that it curves more diagonally through the frame works better than my original composition. Third, due to this different camera position and somewhat different light, I was able to  let the shadow of the tree create a sort of mirror image of its form, resulting in a relationship between the tree and the shadow that I like. There are spots much like this one all over the place in Yosemite — smooth slabs of granite on which tiny but often mature trees manage to find just enough sustenance. In this little spot, a somewhat unusual number of these trees seem to have made a success of it.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.