Tag Archives: base

Trees and Sandstone Cliffs

Trees and Sandstone Cliffs
“Trees and Sandstone Cliffs” — Trees near the base of sandstone cliffs, Zion Canyon.

There is a lot going on here related to textures and colors. Color first: the cliff and tree colors are almost complementary. The green trees at the base of the cliff are in full shade. The further cliff face is getting both direct and reflected light. The cliffs seem massive and solid, but the surfaces are surprisingly varied. We see lighter and redder sections contrasting with almost-blue darker areas.

I was a little surprised to see trees growing so close to the base of he cliff. Often these areas are littered with accumulated rockfall debris, but here the trees don’t show any signs of that. It isn’t easy to tell from the photograph, but some of the trees are actually growing from cracks in the rock wall.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Trees in Morning Light, Granite Dome

Trees in Morning Light, Granite Dome
“Trees in Morning Light, Granite Dome” — Trees grow on a bit of talus at the base of a Yosemite dome.

Scenes like this are a big part of what characterizes Yosemite, especially the park’s high country: trees growing on granite, domes, forests, and that “range of light” atmosphere. The features are so common that it is possible for a longtime visitor to almost take them for granted.

I have paused at this spot on virtually every visit to the Yosemite high country for decades. The dome rising to the left in the photograph was my original interest — it is a beautiful dome in an especially aesthetic location. But later on the trees became an equal attraction — easy to overlook among millions of other trees, but once you see them you don’t forget.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Base of the Red Cliffs

Base of the Red Cliffs. Death Valley
“Base of the Red Cliffs” — Gullies, folds, strata, and morning shadows at the base of the Red Cliffs.

The title says “Red Cliffs,” but you might be thinking, “They don’t look very red to me!” In more neutral light the formations in the upper part of the photograph, and even more so the formations above the margins of the photograph, do have the familiar red rock quality — though it would be fair to say that they are as much brown as red. But in this stark early morning light, just after sunrise, the colors are warmed so much that they are more yellow or orange.

In many ways the geology of Death Valley produces a blank canvas for photographers who want to work with varied light. For the most part, Death Valley’s colors are subtle. The lighter portions of the formations in this photograph are a sort of muted tan in midday light. But as with so many other subjects here, this muted, neutral quality allows them to pick up the colors of sunrise/sunset, twilight, colorful clouds, and reflections from nearby formations.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Three Trees

Three Trees
Three conifer trees near the base of El Capitan, Yosemite Valley.

Three Trees. © Copyright 2023 G Dan Mitchell.

Three conifer trees near the base of El Capitan, Yosemite Valley.

This was a fruitful camera position on my late-May one-day visit to Yosemite Valley. I made several photographs within perhaps a 100-foot radius here by a little season lake that filled a small meadow. There was forest in all directions, and on two sides cliffs, including the very base of El Capitan as seen in this photograph.

There’s another hidden surprise in this photograph. A stream of water drops across the rock outcropping along the right edge. It is, as best as I can tell, the point where Horsetail Fall — yes, THAT fall — reaches the base of El Capitan and from there make a very short trip to join the Merced River.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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