Tag Archives: base

Photographs: Nature, Photographs: Southern California

Spring Wildflowers, Temblor Range

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Spring Wildflowers, Temblor Range
Spring wildflowers in bloom at the base of the Temblor Range

Spring Wildflowers, Temblor Range. © Copyright 2019 G Dan Mitchell – all rights reserved.

Spring wildflowers in bloom at the base of the Temblor Range.

Let’s start with the “Temblor Range.” (First a confession: I’ve always thought that the word referring to earthquakes should be “tremblor,” not temblor. Don’t judge me!) The area of the Carrizo Plain National Monument is one of those locations where the monumental nature of the San Andreas earthquake fault, arguably the most consequential bit of geology in the state, lies out in the open where it is easy to see. The Temblor Range runs from northwest to southeast along the edge of the plain, and its base marks the precise location of the fault. Visitors can easily observe some very powerful evidence of fault movement where creeks have been offset to the north over many thousands of years. From what I read, the geological record shows a leap of over 20 feet in the 1800s and a prior movement of well over 40 feet!

Earthquake faults aside, during the spring this can be the site of truly stupendous wildflower displays. The area is normally very dry and very hot. Most summer or early fall visitors would be struck by how empty and arid the place looks — little vegetation, most of it appearing to be dead, evaporated lake beds, and lots of dust. But when the winter rains are exceptional – as there were during the middle and latter parts of this season — there can be an explosion of wildflowers. This year’s display is quite impressive, though it may not quite equal the “super bloom” of a couple of years ago. The wildflowers were my main reason for going this time, so I headed over towards this likely spot late in the day. Clouds blocked the light an hour or so before sunset, but I thought there might be a bit of light at the last minute when the sun dropped below the cloud’s lower edge before setting. It turned out that this happened… and I had all of about two minutes of soft, warm-colored light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Snow Field, Reflection

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Snow Field, Reflection
A late-season snow field at the base of rugged cliffs, reflected in the surface of a High Sierra lake

Snow Field, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A late-season snow field at the base of rugged cliffs, reflected in the surface of a High Sierra lake

I can say a few things concerning both the objective facts about this scene and about my subjective reaction to it. The facts: We walked to this lake frequently during our September photographic sojourn in the Eastern Sierra backcountry. It wasn’t far from our base camp at another nearby lake, and if we walked directly there it might take all of 10-15 minutes — though, as photographers, our walks are hardly ever direct, more often devolving into stop-and-go affairs as we are distracted by various subjects. The snow bank and the steep wall above the lake were most often in shadow, and by evening the light could become quite dim.

There are many ways I could (and perhaps did) photograph this subject, but here I wanted to focus on the contrast between the form of the bright snow field and the much darker surroundings of cliffs, talus, and shadowed lake. Late in the day a long shadow began along the talus field and gradually advanced across the lake, darkening the water and the surrounding forest and rocks. After sunset, my impression of the place was of stillness and oncoming darkness, and I wanted this version of the photograph to suggest these things.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Two Trees and Granite

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Two Trees and Granite
Two old trees grow at the base of a granite dome

Two Trees and Granite. Yosemite National Park, California. July 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two old trees grow at the base of a granite dome

This is a slightly different treatment of the same subject I posted a few days ago. These trees grow on the broken talus at the base of this large expanse of glaciated granite. I’m astonished that they have managed to become so massive, given the rather difficult terrain upon which they grow.

These trees are familiar friends at this point. I’ve photographed them for quite a few years, usually with a bit of a wider perspective that includes more of their surroundings, from the dome itself to some large foreground trees that are out of the frame in this photograph. This time I decided to eliminate much of that surrounding material and let the trees appear more isolated from the competing subjects.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Cliff, Trees, Snow

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Cliff, Trees, Snow
A band of trees at the snowy base of the face of Half Dome

Cliff, Trees, Snow. Yosemite National Park, California. February 25, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A band of trees at the snowy base of the face of Half Dome

Very early on two late February mornings, I was up and out the door well before sunrise, walking though shallow snow and sub-twenty-degree air to a nearby meadow to photograph that start of the Yosemite Valley day. On both occasions, my main strategy was to look upwards toward the cliffs and use a long lens to pick out small scenes that might otherwise be missed in the immensity of the scene.

Eventually the sun came up and light broke over the upper rim of the Valley, gradually working its way down the steep walls, first on the north side and eventually on the south side where I was focusing my attention. But it would be a long time — probably noon at least — until the direct light made it to this spot at the base of Half Dome. The low contrast and blue tone of the light along with the banks of snow reinforces the frigid feeling of this scene, with a row of straight and tall trees managing to make a living on this ledge at the bottom of the giant face of the mountain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.