Tag Archives: bay

Launch For Hire Building

Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

San Francisco Skyline, Bridge Cables

San Francisco Skyline, Bridge Cables
San Francisco Skyline, Bridge Cables

San Francisco Skyline, Bridge Cables. San Francisco, California. March 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Golden Gate Bridge Cables silhouetted against hazy morning light on San Francisco Bay and city skyline

Back in March I took a day to go up into Marin County to do some early spring photography, thinking about the possibility of shooting in the redwood forest at Muir Woods – which was, in fact, where I ended up. I left well before dawn, and crossed the Golden Gate Bridge right about the time the sun was coming up. Being a big fan of shooting in atmospheric haze of all sorts, the very thin layer of fog spreading across the entrance to the bay was enough to make me pull over and make a few photographs of the bay and the city.

This was an unusual sort of fog. We are more familiar with the banks of thick fog coming in off of the Pacific and flowing in through the Golden Gate, covering the bridge and rising over the shoulders or even the summits of the hills, often with a fairly sharp boundary between fog and clear air. This fog, however, was thin and more widespread and did not form the familiar “bank.” It was closer to translucent than to opaque, and the outline of the downtown San Francisco skyline was visible, though all details were muted. The identity of the foreground structure probably needs no explanation!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pier at China Camp

Pier at China Camp
Pier at China Camp

Pier at China Camp. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The old fishing pier at China Camp, California

This is another photograph from my first visit to the China Camp site along the northern San Francisco Bay, a place I had thought about visiting and photographing for several years. It was a Chinese immigrant settlement in the 1800s and apparently there was a thriving shrimp harvesting operation there. Today it is essentially ghost town, though one that has been stabilized and fixed up and which incorporates some “interpretive” facilities. I ended up there in conjunction with a “long-exposure photo walk” weekend that photographed a number of Bay Area locations over the course of three days. Though I did not participate in the entire event, I did join up with them on one morning to photograph dawn at the Golden Gate and then to travel up to China Camp.

This pier was the subject of several of my photographs on this day. It is an interesting and compelling subject in a bunch of ways. Its historical context of course makes it interesting, but there are several interesting visual aspects to it, too, and the overall feelings are of quiet and space and perhaps a bit of desolation. The pier itself is unlike most that I’ve seen. Power poles with utility lines run along its length. Ladders descend to the waterline for entry into small boats. Birds sit on top of high points along the pier. The water in the China Camp lagoon is almost completely still, and there is a great expanse of open water beyond with only low hills on the far horizon. (This quality reminded me just a bit of some views of Mono Lake.) For this photograph I used a 9-stop neutral density filter so that I could extend the exposure to last many seconds, further smoothing the surface of the water. I made about a half-dozen exposures, trying to get on in which the darned birds would hold relatively still for 5-10 seconds… and they finally cooperated on the last shot.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Shoreline Trees and Mist

Shoreline Trees and Mist
Shoreline Trees and Mist

Shoreline Trees and Mist. Tomales Bay, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Silhouettes of shoreline trees on a misty morning at Tomales Bay, California

This photograph was made along the shoreline of Tomales Bay, near Inverness, California and north of San Francisco very near to the Point Reyes National Seashore. I was there, in fact, to visit Point Reyes. As I passed through the Inverness area, the sun rose over the fog-shrouded hills of Marin County, and I decided to stop right there, short of my actual goal, and make some photographs in this interesting early morning light.

Looking to my left and toward the northern entrance to Tomales Bay, everything was front- or side-lit, the sun shone brightly, colors were intense, and the fog was clearing. Looking to my right, I was facing directly into the rising sun and seeing it through the misty remnants of fog along the Marin hills, and the colors were washed out by the atmosphere and bright light. I used a long lens to pick out this row of shoreline trees from the larger landscape and to be able to make a photograph that excluded the sun itself. But it was still very bright. Mist rises off of the foreground water of the bay and a bit of fog still lurks beyond the trees. To look at this photograph you might think you are seeing a monochrome image that has been sepia toned… but this is the actual color of the light in these conditions.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.