Tag Archives: beach

At the Wrack Line

At the Wrack Line
Material washed up by the tide at Weston Beach, Point Lobos

At the Wrack Line. © Copyright 2022 G Dan Mitchell.

Material washed up by the Pacific Coast tide.

It had been too long since my last visit to the coast. The Pacific Ocean is barely more than a half hour away, and the Big Sur coast is only about twice that far. This coast has been part of my life since my parents took our family there when I was a child. When traveling, two things make me nervous – being too far from mountains and being too far from the coast. So this morning, after too long of an interval, I headed over there and ended up at Point Lobos.

Much to my surprise, my first stop was at the place known as Weston Beach. (It always feels like it should be called Weston Cove, but I digress.) As I began photographing I felt a bit like perhaps I was revisiting a place that has been done, and overdone, and overdone again. But I have a personal connection to this little cove and its rocks and pebbles, and I ended up enjoying a rather long period of slowly poking around, checking out rocks, looking for stuff washed up on the shore. (About that title: I had to look up what to call this stuff, and I learned that the closet thing to an official term for natural things washed up on the beach is “wrack.”)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mouth of the LIttle Sur

Mouth of the LIttle Sur
Sun breaks through morning fog along the Big Sur coast at the Little Sur River on a spring morning.

Mouth of the LIttle Sur. © Copyright 2022 G Dan Mitchell.

Sun breaks through morning fog along the Big Sur coast at the Little Sur River on a spring morning.

Try as I may, I cannot pass this spot without at least a brief stop. The hill (a future sea stack?) sits at the terminus of the Little Sur River, where it takes a meandering route across the beach before emptying into the Pacific Ocean. Backed by the rugged cliffs of the Big Sur coast, it is a remarkable little scene, especially on a day like this when I found myself at the edge of the fog bank, and light came and went as the fog oscillated back and forth. Beams of light traversed the face of the distant faces and raced across the beach.

If you follow my posts you know that I live close enough to the Pacific Coast to go there and photograph for the morning, and that I’ve been going there for decades. The coast is as beautiful as always, especially when I arrive early enough to beat the tourist traffic, but it is showing some rough edges these days. The extent of recent wildfires is concerning, and areas still suffer from washouts that occurred during flooding. Given that last fact, it is ironic that drought is also affecting the landscape, and places that should be in the middle of their intensely green spring growth are already turning brown.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wave-Filled Bay, California Coast

Wave-Filled Bay, California Coast
Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.

Wave-Filled Bay, California Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.

We were recently in Southern California for the Thanksgiving holiday, and we decided to extend our drive back to Northern California, taking an extra day to drive up the Pacific Coast Highway along the Big Sur Coast. The question of just what is and is not “Bug Sur” comes up in a photograph of a location like this one. My working definition of “Big Sur” is larger than the town by that name much further north, and it encompasses everything south of roughly Carmel, down to the area below Ragged Point where the coastal landscape is much gentler. This photograph comes from the very southern end of that area — the vantage point is very close to Ragged Point, but it looks south toward those coastal lowlands.

Recently I was involved in a discussion in which someone asked about photographing some specific icons along this part of the California coast where one person chimed in with, to paraphrase, “there’s nothing left to photograph there.” While I agree that just re-photographing that handful of familiar icons is a doubtful enterprise, this hundred-mile section of coast is so complex and diverse that I cannot imagine anyone ever being “done” with it or discovering everything it offers. I’ve photographed there for decades, and I still encounter things I haven’t seen before — including this view of the coast and successive beaches and peninsulas stretching to the south.

(Note: I’m experimenting with some changes to the way I format and present photographs online. You may see some differences in how this photograph appears.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Bluffs and Mist, Morning Light

Bluffs and Mist, Morning Light
Coastal bluffs, morning fog and mist along the Big Sur coast.

Bluffs and Mist, Morning Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Coastal bluffs, morning fog and mist along the Big Sur coast.

Photographing along the Big Sur Coast in the early morning presents some challenges and some special opportunities. The challenge is straightforward — in almost all locations there are mountains to your east that block the morning light. This means that you won’t see the earliest eastern sunrise sky at all, and that the landscape is frequently all or partly in shadow. But one of the opportunities comes from the same source — light arriving along the coast just as the sun clears these obstructions often passes through narrow clefts and valleys, and when the air is full of fog and mist this can create a plethora of light beams.

Those beams are what I saw in this scene. The process of finding the composition here is one that I use a lot. I stopped at a familiar location that presents a very large and panoramic landscape featuring a famous icon. My first instinct was to photograph anything but that icon, so I framed a composition that took in a section of coast and surf running away from me to the south. After I made a few exposures of that subject, each of which tried to capture a different state of the surf, I became interested in the bluff at the far end of the scene. So I went with a very long focal length and honed in on this small part of the larger landscape, focusing on the beautiful shaft of light between the bluffs that lit up the fog and spray and highlighted sections of the surf.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.