Tag Archives: bench

Red Pants

Red Pants
People and their reflections on a walkway at SFMOMA

Red Pants. San Francisco, California. May 6, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

People and their reflections on a walkway at SFMOMA

In my continuing effort to make my landscape photograph fans uncomfortable — just kidding! — here is another urban/street photograph from a recent day in San Francisco. As members of SFMOMA (San Francisco Museum of Modern Art) we got tickets for the members’ pre-opening this week. (The museum officially reopens on May 14, following two years of a major renovation and expansion project.) To answer the obvious first question… the new building is beautiful in almost all ways. (It isn’t perfect, but what is.) We greatly enjoyed our visit, during which we managed to spend time in mostly the new areas, but also revisited a lot of the older structure as well.

I love museums, especially art museums, and I can spend hours in them, looking and thinking and making mental associations. But I also like photographing them — for the interesting architectural features which often produce a lot of very interesting light and geometry, but also as places to watch people. But I often have to be very quick, and that was the case here. I first saw this fellow in the red pants walking my direction, against a background of mostly colorless architecture and flat light. I had just time to make two very quick exposures. Initially I wasn’t hopeful about this one, as I felt that I had almost missed him as he walked out of the frame — but in the end that positioning ended up seeming to be the most interesting to me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Couple on Bench

Couple on Bench
A couple sitting on a bench outside the San Francisco Museum of Modern Art

Couple on Bench. San Francisco, California. May 6. 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A couple sitting on a bench outside the San Francisco Museum of Modern Art

A couple of years ago, the San Francisco Museum of Modern Art (SFMOMA) closed for work on a major expansion and remodeling project. We have been members for some time, and I recall squeezing in one last visit before the long closure — viewing favorite works and making photographs inside the place. The big news is that the remodel is virtually finished now, and the museum officially reopens very soon, on May 14. But an opening like this doesn’t take place all at once. There is a sort of run-up to the actual event that brings people into the new facility over a period of time. As members, it was our turn (along with thousands of others) to get a preview this week.

I may have more to say about the museum in the future, but for now I’ll just say that I like it a lot — both the work exhibited (not that we saw all of it in one day!) and the building itself. There are a number of wonderful touches — many visual connections to the surrounding city (where the previous facility felt more walled off from San Francisco), lots of light, a brilliant system of stairways and spaces along the eastern side, and more. Oddly, almost none of that is in this first photograph I made at the new SFMOMA, which depicts an almost deserted new entrance and seems to show more of the surrounding city environment than the museum itself. More to come eventually…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Woman Photographing Brick Wall

Woman Photographing Brick Wall
A woman stands on a bench to photograph a brick wall along the High Line Park, New York.

Woman Photographing Brick Wall. New York City. © Copyright 2015 G Dan Mitchell – all rights reserved.

A woman stands on a bench to photograph a brick wall along the High Line Park, New York.

I made this photograph on a winter’s day walk along the High Line Park in western Manhattan — the increasingly well-known park that extends along the abandoned path of an old elevated railroad bed. The park is very popular, and even on a winter day there were many, many people out walking along it, and the surrounding neighborhoods were also filled. Of course, there is a lot going on in this Chelsea neighborhood — the Whitney Museum is now open at the southern end of the park, there are lots of restaurants and more along its length, and the north end now terminates at the busy construction site of the Hudson Yards.

When I made the photograph I probably wasn’t thinking consciously about much or than the possibility of isolating the figure of the woman, engrossed in making a close up photograph the bricks, against the small and large patterns of the background wall, with the slight natural intrusion of the tree at the right edge. Later I thought about what she was photographing, and how most people might simply wonder what the heck she sees there, in a place where there is nothing apparent to photograph. This might be a bit of a metaphor for lots of photography, where the act of capturing “something you see” defines your world and presents a personal vision of it to others. And I still do like the complex set of interlocking patterns of the wall, the wooden structure, the window, and the single figure.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Eastern Sierra Sunrise, Autumn

Eastern Sierra Sunrise, Autumn
First light on rugged, snow-dusted ridges above aspen-covered Parker Bench

Eastern Sierra Sunrise, Autumn. Eastern Sierra Nevada, California. October 11, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

First light on rugged, snow-dusted ridges above aspen-covered Parker Bench

This is a special place, high along the eastern escarpment of the Sierra Nevada and open to the first dawn light from the east. It is also just far enough off the beaten track and difficult enough to access that it is usually not very crowded. (Don’t worry if you can’t get to it, there are thousands of other places where you can have a similar experience in the eastern Sierra.) We recently got up early enough to drive here and arrive well before sun rise. To this day, despite seeing many sunrises, I still often am surprised at how quickly the light comes and how silently. Living in a culture in which every spectacular thing, or thing that we are supposed to regard as being spectacular, is pumped up with loud music and lots of action, the sunrise comes often comes in complete silence and with little warning — you look up and notice that the light has already struck some small element of the scene, and soon you discover it moving across the landscape and quietly lighting more and more bits and pieces. I made this photograph when this first light had hit the rugged upper slopes above this aspen-covered bench, but before it had worked its way down to the trees.

This photograph also illustrates something I finally figured out about this strange eastern Sierra fall of 2015. This year the season began oddly, with very early first color in many places. In addition, many groves simply did not have leaves — either they lost them so early that I never saw them or perhaps they did not put out leaves this year. In other groves the leaves went almost straight “from green to gone,” with little or not brilliant color phase. Where this happened, I think it was the result of the four-year drought creating tremendous stress on the trees. At the same time, other climate factors thought by some to be associated with the drought also had the effect of delaying the color change of trees that were not as stressed by the shortage of water. Instead, these trees are changing later, likely due to overall warming temperatures. So far, this has been a season not quite like any other I’ve experienced. In this photograph you can spot examples of almost all of these conditions — completely bare groves, groves that have turned and already dropped leaves, some that are going straight from green to having no leaves, and even some trees that are still very green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.