Tag Archives: black and white

A Bar

A Bar
The view through the open door of a San Francisco corner bar

A Bar. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The view through the open door of a San Francisco corner bar

I felt like a bit of a voyeur making this and a few other San Francisco night photographs — but that is part of street photography, isn’t it? After starting in a very different area at sunset — a less touristy area of Chinatown — then working my way slowly down past the gaudy lights and bright shops of Grant Street — I ended up in the popular area of shops and restaurants and hotels near Union Square.

This place is, quite literally, a “corner bar.” It was quiet inside, and I imagined that at least some of the folks at tables or sitting on stools having a drink might be regulars. A few sat alone and a few were in groups of two or more. The most interesting man (in the world) appeared on the television screen. The door was open and I considered that enough of an invitation to make a few photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Three Men, Urban Garden

Three Men, Urban Garden
Three men sitting on benches in a downtown San Francisco courtyard

Three Men, Urban Garden. San Francisco, California. August 14 ,2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Three men sitting on benches in a downtown San Francisco courtyard

This seemed like a rare quiet scene in this part of San Francisco, along busy Market Street, which is crowded with tourists, locals, buses and taxis at this time of year. While walking through this area with my camera I had taken a break to grab a coffee when I saw this scene right outside the window.

There are many things that strike me about the relationship between urban environments like this one and the natural world that is also a subject of my photography. Places like Market Street are so antithetical to almost the entirety of the rest of the world — they noise and bustle and crowds are truly an anomaly on this planet. In some places it is quite possible to see almost no evidence of that non-human world, except perhaps by looking straight up at the sky. Yet in places like this an image of that world, synthetic though it may be, is constructed — and it brings some quiet and stillness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning, Tuolumne Meadows, Mount Dana

Morning, Tuolumne Meadows, Mount Dana
Lembert Dome and Mount Dana rise above Tuolumne Meadows on a cloudy summer morning

Morning, Tuolumne Meadows, Mount Dana. Yosemite National Park, California. July 13, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Lembert Dome and Mount Dana rise above Tuolumne Meadows on a cloudy summer morning

This is yet another of the stopped-on-my-way-somewhere-else photographs, often made unexpectedly as I encounter something I wasn’t really looking for and get distracted — though another way to put it is that I quickly fall into a different mode of seeing when I photograph, and I begin to recognize the potential in subjects that I might otherwise not have noticed. In this case I was headed towards a specific location that I had planned to visit this morning, with a rather specific subject in mind. I set out and, as almost always, my “photographer’s brain” engages and I start seeing potential photographs everywhere. There is a tricky balance sometimes between stopping for the thing I see right here and sticking to a plan to photograph that other thing that I want to see. (This is an old question in photography with the extreme answers ranging from “never pass up a subject in front of you for one that you might see elsewhere” to “make a plan and stick to it if you want to get the photograph you have in mind.” The truth is complex, situational, and depends as much on good fortune and good guesses perhaps as much as on any rational considerations.)

In any case, I skipped past a few opportunities/distractions but ended up stopping for this one. This is a fairly well-known view in this part of the Sierra, though not everyone sees it right at sunrise. I’ve often stopped to admire the scene and on occasion photograph it, usually with some beautiful haze partially obscuring distant details and perhaps making closer details clearer by contrast. Since I am familiar with the view and had a good idea of what I wanted the photograph to look like, stopping for a few minutes was sufficient to make the photograph… and I was back on the road to my original destination.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Market Street

Market Street
A scene along San Francisco’s Market Street

Market Street. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A scene along San Francisco’s Market Street

Here is another San Francisco street photography image, this one from the “act quick and grab before it is gone” school of photography. When I’m lucky I may spot a scene like this and find that the human (and other transitory) element is unusually static, and I can take a bit of time to compose and wait for other elements to appear in the scene. On the other hand, often it is a matter of making that photograph almost instantaneously before the person moves, the street is again filled with cars, or any of many other elements change.

In this case I was initially thinking about the figures on the far side of the street and the interesting beam of light reflected down onto the street from the windows of tall buildings. As I walked I turned to my left and saw the person in black leaning against the structure and I had just enough time to make one exposure before he moved. As to what such a photograph might tell us or might mean, I prefer to leave that to your imagination. What is the person actually doing? Why is he leaning on the wall? What, if any, compositional relationships to you see between him and the trash receptacle and the angled light?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.