Tag Archives: black and white

Fly Space Rigging

Fly Space Rigging
Fly Space Rigging

Fly Space Rigging. San Jose, California. March 23, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Looking straight up into the fly space of the California Theater, San Jose

As I work on my three-year project photographic classical musicians, I spend a lot of time around their rehearsal and performance spaces. In addition to photographing the people, I have also photographed the environment within which they work, and not always the obvious parts that are visible to those who attend concerts and see the formal appearance of the stage.

A lot of interesting things exist in the backstage world. In contrast to the stage itself, at least as viewed from the perspective of the audience, this is a world seems as much industrial as artistic, but even that “industrial” aspect is an interesting combination of some very modern technology (such as lighting and sound systems) and some very old technology (the equipment for hoisting sets and other equipment on and off the stage). This photograph looks straight up into that equipment and the catwalk near the highest point in the backstage fly space.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fog, Trees, and Pond

Fog, Trees, and Pond
Fog, Trees, and Pond

Fog, Trees, and Pond. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Tule fog nearly obscures a San Joaquin Valley pond and surrounding trees

This particular fog condition developed quickly as we were out in the San Joaquin Valley early on a winter morning photographing birds. The winter tule fog in the Valley is often quite thin — so thin, in fact, that you can sometimes seen the stars and moon above on a night when you can barely make out object 100 feet in front of you. This was that sort of fog, but a gentle breeze was also moving it around and changing the conditions from moment to moment. I recall coming to this spot, where the marshland water extends for some distance, and noticing that the trees were alternating between the state of “barely visible” and “not visible at all,” and the fog was brightly lit from the morning sun and sky.

This sort of subject is a bit challenging to photograph and to work with in post. The contrast is obviously very low, and details are hard to see, making focus a bit tricky. And the low contrast almost certainly requires a bit of work in post to get the right combination of diffuse, luminous atmosphere and enough detail to produce an image that makes sense. Here, since the sky was actually quite bright, I wanted to push the sky close to white but still retain the subtle shapes of the high clouds. And beyond all of that, I wanted the photograph to evoke the feelings of stillness and mystery that arise on such a morning.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Point Sur, Winter

Point Sur, Winter
“Point ur, Winter” — Winter surf along the Pacific Ocean coastline at Point Sur

This is a companion to a photograph of this scene that I posted earlier. The primary difference here is the vertical composition. I’m still thinking about which I prefer. Each has its attractions. The horizontal (or “landscape”) orientation shows more of the “point” itself where the lighthouse is located and more of the ocean off the beach. On the other hand, this version seems to me to bring more attention to the water and the curve of the waves leading toward the point and the horizon.

Point Sur is a wild place, often with strong winds and big surf coming straight on towards the beach, which faces north or northwest. The point is connected to the main land by a low, sandy peninsula, and it is easy to imagine it being overwhelmed by the sea, perhaps during a tsunami. I have read that the lighthouse was originally a very isolated place when it was first constructed in the late 1800s, with the lighthouse keepers and their families largely cut off for months at a time, to the point that they grew their own crops. Of course, today it is easy to forget that relatively recent history, since thousands of visitors now pass by daily along the Pacific Coast Highway.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Big Sur Coast Near Bixby Bridge

Big Sur Coast Near Bixby Bridge
Big Sur Coast Near Bixby Bridge

A trip to the Big Sur coast last week got me thinking again about the photographic possibilities of that area, and about the fact that I need to photograph there more often! I’ve visited this coast since I was a child, and perhaps because it is so familiar to me I tend to overlook it, even though it is close enough that I can be there and back in less than a day.

In addition to my more recent visit, I was there much earlier this year, back in winter when we visited in late January. So, thinking about Big Sur this week, it seemed like a good time to start going back through those older photographs to see what emerged. (While I often share some photographs immediately after shooting a subject, I also like to revisit the images months or even a year or more later, when I think I can see them more clearly for what they are sometimes.) As I looked at these older photographs they seemed to me to have potential as monochrome images, and I ended up interpreting several of them that way. This photograph was made in the morning, and from a fairly iconic overlook in the upper section of the Big Sur coast, where ridge after ridge descends to the shores of the Pacific Ocean.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.