Tag Archives: black and white

River Bank and Cottonwood Trees

River Bank and Cottonwood Trees
River Bank and Cottonwood Trees

River Bank and Cottonwood Trees. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A thicket of small cottonwood trees leans toward the Merced River, Yosemite National Park

When I first encountered this riverside thicket of small trees, I half-regarded them as a nuisance, believe it or not. My attention was focused on cottonwood trees on the opposite bank of the river and a bit downstream, and I was looking for a good vantage point where I could set up my tripod to photograph them. While I was intrigued by these closely-spaced trees and their beautiful autumn foliage, my initial orientation to them was affected by how difficult they made it to find a good spot for my tripod with a clear view of the other trees! (Yes, I did eventually find a small spot down by the edge of the water from which I could make that other photograph.)

After passing them I looked back and saw the way that the trees varied from almost perfectly vertical in the middle of the thicket to banding almost horizontally over the river closer to the bank in an attempt, I suppose, to find unobstructed sunlight. I knew there was a photograph in this scene but it was a bit tricky. Framing it the way I wanted required the use of a longer lens, but that introduced depth of field challenges. Initially I saw it as a color photograph, especially since the leaves on these cottonwoods were at their peak of intense autumn gold. However, working on the photograph later, it seemed to me that the color wasn’t the main story in this scene, and that a black and white rendition might do a better job of highlighting the varied yet related forms of those tree trunks, and still capture the beautiful side-light coming from across the river and down the Valley at this very late afternoon hour.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fallen Snag, Dry Tarn

Fallen Snag, Dry Tarn
“Fallen Snag, Dry Tarn” — The bleached remains of an old dead tree lie on the rocks of a dry subalpine tarn, Kings Canyon National Park

This year was the second of two very dry years in the Sierra Nevada and much of the west. The snowfall this past winter (2012-13) was far below normal and set records in some places. Last October and November it seemed like we might be starting a very wet season, which would have been welcome after the previous winter’s low levels of precipitation, but then the tap was shut off near the end of the year and there was hardly any more precipitation at all during the rest of the season, the portion when the majority of the Sierra’s precipitation falls. Consequently, this has been a strange summer in the Sierra. Although there may have been more monsoonal rain the usual, the effects of the depleted snow pack are obvious. The spring run-off occurred early and was anemic. By July much of the Sierra looked more like August, and I was already seeing signs of fall by early August.

With all of this in mind, it was no surprise to use to find some unusually dry conditions in the Kings Canyon back-country when we visited for more than a week in mid-September. (Though, in some ways, things were less horrendous than I might have expected. Perhaps this was a combination of going at a time when things tend to be dry anyway and, as a local pointed out to me, some recent summer rains.) On our first day at the location where we stayed to photograph for nearly a week I wandered up some nearby meadows towards a lake that I though I might want to photograph. Very close to my campsite I found several completely dry tarns. (A “tarn” is a seasonal pond fed by snowmelt, and many of them dry up each season.) This very old, sun bleached snag lay across the exposed rocks of this one, creating a stark images.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Trance Entrance

Trance Entrance
Trance Entrance

Trance Entrance. Seattle, Washington. August 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A sign with multiple potential meanings, Pike Place Market

There are so many possible bad puns that could be made about the sign in this photograph, especially considering the city in which it was made and other things that were going on in town at that time. I’ll refrain.

On a free day during a recent trip to Seattle we decided to wander around downtown Seattle and do mostly street photography. We started out near Pike Place Market, where there are abundant opportunities to find not only the coffee and food we were seeking, but also lots of interesting “Seattlish” photographic opportunities. As we walked past an entrancing entrance to the Market, I looked up to see some wildly colorful flowers (not that you can tell here!) growing along the edge of the roof and partially hanging over the sign.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Lake, Granite, and Forest Reflection

Lake, Granite, and Forest Reflection
Lake, Granite, and Forest Reflection

Lake, Granite, and Forest Reflection. Yosemite National Park, California. May 12, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Granite slabs rise above the reflected shoreline of Tenaya Lake, Yosemite National Park

I woke up on this morning in Yosemite Valley, car camping (as in “camping in the back of my car”) so that I could rise well before dawn, get out of the Valley, and drive over Tioga Pass in the morning light on this first weekend during which the road was open. It had actually opened the previous day, and I had made a ritual midday “first of the season” drive to the pass, but it was in light that was less than inspiring – hence my return at an earlier hour this next morning. It was dark when I left the Valley and the sky began to lighten as I headed up toward highway 120 and the trans-Sierra route.

I stopped along the way in the very early light to photograph lakes and rocks and trees and granite, and by the time I arrived at the shoreline of Tenaya Lake I felt like the light was going. However, the stillness of the water and the slight atmospheric recession produced by morning haze caught my attention and I pulled over. The main draw for me in this composition and a few other similar ones that I did at the same time was the reflection of the sunlit granite slabs ascending from the far shoreline. I also wanted to contrast that hard and bright surface with the softer and darker patterns of the forest beyond and the shaded faces above the forest.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.