Tag Archives: black and white

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Driveway, The Cloisters, Winter

January 16, 2014 G Dan Mitchell Leave a comment

The curving driveway at the Cloisters Museum, New York City

We were in New York City during the final week of 2013, visiting family and doing the usual New York things – which, for me, always includes visiting museums and making photographs. We had visited The Cloisters, now part of the Metropolitan Museum of Art but far uptown, on a previous visit – but having not planned very well we arrived on a day when the place was closed! So we only were able to wander around the grounds outside and the surrounding park lands and then down into town below. This time we checked more carefully, and found that not only was it open but that we could use our Metropolitan of Art passes that we used the previous day.

It was a cold day, and when we got off of the long subway ride up from lower Manhattan we were a bit surprised by the wind blowing at Fort Tryon and we didn’t waste too much time in heading over to the museum. I recalled this curving, cobble stone driveway from our previous visit, when we walked up it to get to the front entrance. This time we came from the side and saw it from the top, curving away and toward the barren trees around the museum and cold scene of the city down below the hill in the distance.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains and Valley

January 14, 2014 G Dan Mitchell 2 Comments

Receding desert mountains about the Amargosa Valley, Death Valley National Park

At first look, the general scene here might not have appeared to offer too many photographic opportunities. Although it was still somewhat early in the morning, it was well past the “first light” phase that can make almost any subject look beautiful. There was a great deal of atmospheric haze, and it almost obscured the far mountain ranges. And, as seen in the lower portion of this photograph, while the location is in high and rugged mountains, it is an extremely spare landscape with few plants and only the subtlest of colors from the high desert sage and similar plants.

But, for me, several things were going on here. First, I like haze! Second, a few years ago, after many years of photographing in the Death Valley landscape, I began to look beyond the familiar and more obvious beauties of sunrise and sunset light in dramatic locations in the Valley, and to try to figure out how to photograph more subtle and complex beauties that I encountered at other times and in other locations. I had found myself most often driving through locations like this one, on my way to other places that I presumed would be more interesting. Yet, even though I wasn’t photographing this sort of place, I was having pleasant experiences in them and developing an affinity for them. On one trip it hit me that if I liked being here, there must be some what to make photographs that somehow expressed what it was in these apparently barren places that made me like them. So I stopped here for some time, in a place that might seem like many other places along this route, and I looked around.

Photographs: Music & Musicians

Bill Everett, Bass

January 4, 2014 G Dan Mitchell Leave a comment

This photograph of principal double-bassist Bill Everett practicing backstage at a concert of the Symphony Silicon Valley is among my favorites so far from my three-year project photographing professional classical musicians. During this project I have extensive access to the performers and backstage areas, and I’m attending many rehearsals and concerts – so many and over such a long period that I am able to develop personal relationships with the musicians, find and use interesting little bits of stage lighting that others might miss, and learn to see and photograph elements of the musicians’ work that others might miss.

As I have worked the rehearsal and performance halls I have gradually learned a lot about subtle lighting opportunities in the backstage areas. I know keep an eye out for people who wander into this prime light spots, and when I see them there I quickly take advantage of the opportunity. Bill had, likely with no conscious thought, located himself directly between a backstage work light and essentially cast a vertical spotlight on him and his instrument. I stood nearby with a medium long lens and was able to make several photographs of him as he focused his attention on a bit of music from the performance.

Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Photographs: Nature, Photographs: New York City

Winter Trees, Central Park

December 30, 2013 G Dan Mitchell Leave a comment

Low-angle late afternoon sun on winter trees casts shadows across Central Park lawns, New York City

For this photographer, New York provides a much wilder landscape than anything in the Sierra – though here “wild” may have a slightly different meaning. I like New York a lot, and I find the pace and density energizing, at least for a while. Most of the time, it provides an almost completely different sort of shooting for me (with only some of my San Francisco photographs being a bit similar in concept). I shoot entirely handheld, with a small camera, and almost entirely with a single prime lens. (Contrary to what you’ll here, a reason for shooting with the prime is that it requires less thought, since there are fewer options to consider, thus allowing me to work a lot faster.) I make many photographs, the great majority of which are not wonderful and which will never been seen by anyone else. But every so often something happens in front of the camera that is worth the search.

But this is not that kind of photograph. It was shot handheld and using that very same prime lens, but it is a landscape. On this afternoon in Central Park the winter sun was low in the sky, and beautiful light filtered through hazy sky. There were thousands of people out in the park, having a different sort of “outdoor experience” than I’m used to – not a solitary sort of thing at all. There was the usual assortment of pedicab and carriage rides, food stands, people walking dogs, bike riders and runners… and always beyond the winter-bare trees the skyline of tall buildings. In this corner of the park I found a place to point my camera towards some trees and into the low afternoon sun.

G Dan Mitchell Photography

Tag Archives: black and white

Driveway, The Cloisters, Winter

Desert Mountains and Valley

Bill Everett, Bass

Winter Trees, Central Park

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.