Tag Archives: black and white

Building 106, Night

Building 106, Night
“Building 106, Night” — Black and white night photograph of Building 106 and surroundings, Mare Island Naval Ship Yard

It has been a while since I have posted new night photography, much less work from this location. I’ve photograph this area extensively over a period of years, often working with my friends from The Nocturnes, the San Francisco Bay Area night photography group. In fact, I was there with them once again on this mid-March night.

Atypically, some of us had begun the evening’s work by shooting in the daylight! Shortly before sunset someone came up with the novel idea, among night photographers anyway, of going out before it became dark to photograph in the golden hour light. So, I started early and gradually worked my way back to the familiar central core of old ship yard buildings. Some years ago when I first visited I was entranced by the most obvious subjects, mostly very large and impressive industrial structures. I still find them impressive and continue to photograph them, but as I returned many more times I began to push out the boundaries of what I know of the place. Eventually I looked for less obvious subjects, sometimes small and out-of-the-way things I had first overlooked, and I began to move beyond the familiar core area to look a bit more far afield. While the location in this photograph isn’t that far from where I started shooting, it is a bit less visited and it was probably the first time that I had explored this particular spot. I was first attracted by some nearby tall structures that look like they might be some sort of hoppers or collection equipment. Then I continued walking and turned up this side alley where nearby artificial lights illuminated the terribly weathered metal walls of old factory buildings, rising from the small one at right, past the taller building just beyond, and culminating that the much taller building near the upper portion of the frame, with its large pipe that must have carried smoke or gas away from its room.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Sandstorm, Dunes

Sandstorm, Dunes
Sandstorm, Dunes

Sandstorm, Dunes. Death Valley National Park, California. April 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Strong winds lift clouds of sand high into the air above desert sand dunes, Death Valley National Park.

Sandstorms are common in Death Valley, especially when I visit, typically in the spring. I wasn’t totally surprised (nor totally pleased!) when one arose on the second day of this early April visit. After photographing all morning, I was back in camp to get something to eat and take care of camp business before heading back out in the mid-afternoon for the second shoot of the day. As I sat by my camp I saw a few pillars of dust out in the valley near dunes, and at that point I had a pretty good idea of what might be in store for me in the next few hours. It wasn’t long before the wind began to pick up, soon becoming strong enough to stir up a lot of dust and blow down any weak tents left by campers who had headed out for daytime activities elsewhere.

In objective terms, a sandstorm is an unpleasant thing. It is hot. It is dry. It is full of blowing sand and dust, and the fine dust gets into everything, no matter what you do to try to protect against it. In the worst cases, the blowing sand can damage the paint on vehicles. However, in visual terms, a sandstorm can be quite interesting – as long as you can find ways to shoot it that don’t risk destroying your photographic gear. It looked to me like the main storm was in the middle of the valley, so I figured I might be able to cross the valley, take road along the other side, and skirt the far edge of the storm, and photograph back into it with the light coming from behind. I drove across the valley and stopped right at the edge of the blowing sand and mostly shot from inside my vehicle so as to minimize the dust contamination. From this vantage point I could use a long lens to photograph the abstract shapes of sand dunes, backed by clouds of whirling and drifting sand that obscured the Cottonwood Mountains on the far side of the valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rat Rock Island, Hills

Rat Rock Island, Hills
Rat Rock Island, Hills

Rat Rock Island, Hills. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Rat Rock Island and hills of the north San Francisco Bay

This remarkable little island sits just a short distance from the shoreline along the northern San Francisco Bay. Several things contribute to its visual appeal. It is unexpected, in that it is not exactly common to find such islands in this bay. It seems that what formed the island might have been a process similar to one found in coastal areas with much rougher seas, where rocky peninsulas are eventually cut off from the shoreline. The area is very quiet, in contrast to the busy north bay areas you typically might drive through to get here, and the main sounds are those of shore birds. The view beyond the island is expansive – the far side of the bay is distant enough that you the hills are little more than a think break along the horizon, and mostly you see sky and water. The shape of the island is almost but not quite symmetrical, and the little bonsai-like trees on the “summit” echo the curve of the island.

I used a nine-stop neutral density filter so that I could get a relatively long ten second exposure for this photograph. The idea was to let the slight motion of the water blur and create a smooth, glassy quality. (If the clouds had been moving faster, they might also have been blurred. Although it probably isn’t apparent in the photograph, this image is partially the result of quite a bit of work during the post-processing phase.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sea Stacks and Coastal Bluffs, Northern California

Sea Stacks and Coastal Bluffs, Northern California - Haze obscures sea stacks and bluffs along the rugged Pacific Ocean coastline of Northern California
Haze obscures sea stacks and bluffs along the rugged Pacific Ocean coastline of Northern California

Sea Stacks and Coastal Bluffs, Northern California. Mendocino Coast, California. October 30, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

Haze obscures sea stacks and bluffs along the rugged Pacific Ocean coastline of Northern California.

I made this photograph almost a year ago, from just about the same location as a more recent photograph of this scene that I posted a month or so ago. The location is along the Mendocino County coastline of northern California, a rugged and beautiful section of the state. Here the coast highway travels very close to the water along high bluffs that overlook the Pacific, and this particular cove holds this two-peaked island or sea stack and is backed by receding coastal bluffs that extend out into the water. In the far distance the shoreline to the south curves gently back towards the west, creating a large and very shallow bay.

The personality of this land and seascape changes constantly. On a (rare) completely clear day, the view to the farther shoreline might be easier to make out, but on the many foggy days the foreground scene could well be completely obscured. On this morning, most of the fog had cleared back from the coast, leaving a softly hazy atmosphere that amplified the effects of distance, and the surf was creating low clouds of spray along the coastline.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.