Tag Archives: black and white

Dunes and Blowing Sand

Dunes and Blowing Sand
Streamers of blowing sand from a rising dust storm along the edges of a tall sand dune.

Dunes and Blowing Sand. © Copyright 2022 G Dan Mitchell.

Streamers of blowing sand from a rising dust storm along the edges of a tall sand dune.

The desert landscape has a way of reminding us how small we are. Sometimes this happens in unexpected ways, perhaps in a moment when the air is still in a quiet, lonely place and a sense of deep time may become overwhelming. More familiar manifestations are common, including such things as the nearly unbearable power of a desert wind storm, or standing on a peak and overlooking hundreds of square miles of what appears to be “empty” terrain.

I photographed these dunes on a windy afternoon and evening. The winds increased as I worked alone At times streamers of sand blew past me, over the lips of folds in the dunes, and sometimes even uphill. I would pause, hunch my shoulders a bit, steady tripod and camera, and resume photographing a moment later. I made this photograph from near the bottom of a tall dune, angling the camera slightly upwards to include its windward face.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sand Dunes, Light and Shadow

Sand Dunes, Light and Shadow
A curving sand dune boundary between light and shadow, Death Valley National Park.

Sand Dunes, Light and Shadow. © Copyright 2022 G Dan Mitchell – all rights reserved.

A curving sand dune boundary between light and shadow, Death Valley National Park.

This particular curving dune section became the subject for a series of photographs I made on this morning. It is a remarkable form, traveling higher and lower on the dune that what you can see in this photograph — a sort of “s-curve plus.” I have previously shared a couple of other photographs of it that were interpreted in color, photographs that show a larger portion of the dune. This one focuses on a small area near its base.

The light here was fascinating. The dunes are backed by a taller ridge, so the morning light does not arrive here until some time after dawn. At sunrise the light on these dunes is fully shadowed, and it has the blue tones of reflected sky. But as the sun rises it eventually sends its light across that ridge behind the dunes, and streamers of light being to slant across the dunes features, creating quickly evolving patterns of light and shadow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Angle of Repose

Angle of Repose
Sand dune patterns, Death Valley National Park.

This “intimate landscape” is a sand dune vignette made in a specific place but which could be found almost anywhere. A close look may reveal some details that desert and sand aficionados may find interesting. The large patterns are typically found on one side of dunes where sand blown over the top of the dune collects below. The smaller “ripples” are a common feature of dunes, too, and these are completely undisturbed since the dunes are somewhat remote. Looking even closer may reveal some tinier patterns and tracks across the face of the sand.

The term “angle of repose” refers to the steepest angle at which a material, such as this sand, might collect without collapsing or sliding downhill. It is also the title of a wonderful Wallace Stegner novel, and that is where I first encountered the term. Fans of the history of the American West, especially the part that came after initial explorations, and especially those who have roots in the west may enjoy the novel as much as I did, with its connections to places and types of people that I know from my own experience.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dune Plants, Morning Light

Dune Plants, Morning Light
Light from the morning sun slants across the face of sand dunes to illuminate desert plants.

Dune Plants, Morning Light. © Copyright 2022 G Dan Mitchell – all rights reserved.

Light from the morning sun slants across the face of sand dunes to illuminate desert plants.

During times of what I consider to be the most interesting light in the dunes — right around sunrise and sunset — the scene changes with remarkable speed. These landscapes are so much about the color and angles of the light, and at these times both of those elements can change with great speed. One moment a subject might be dull and flat, but a moment later as a beam of light comes over a dune it may be spotlighted against shadows or its color may change drastically. I’m always surprised by how dynamic the photography process is in this supposedly static landscape!

I had earlier noticed this creosote bush and its small companion, but passed them by since they were in flat shadows. I turned my attention to something else further away, and when I looked at the nearer landscape a few minutes later I saw that the plants were in the sun and the light was touching the top of the dune in the upper part of the frame. I quickly turned my attention to this intimate landscape, and changed continuously as I made several exposures over what must have been no more than a minute or two.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.