Tag Archives: blue

Talus, Reflection

Talus, Reflection
A talus field of large boulders meets the shoreline of an alpine lake

Talus, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field of large boulders meets the shoreline of an alpine lake

And, yes, another “going with the blue” photograph of talus boulders. It is, I admit, turning into a bit of a theme among my photographs from the September backcountry Eastern Sierra photography week. If you follow my posts you probably already know the following, but for anyone who hasn’t read the previous text… we were camped at a lake in a deep north-south oriented valley with very high peaks on either side. Immediately to the east of our camp, across a nearby lake, was a huge talus slope, full of randomly arranged boulders from top to bottom.

Because of the north-south trend of the canyon, early morning and evening direct light was blocked, and we had long periods of “blue hour” shaded light to work with every day. Yes, the light actually is very blue. It comes from having only the blue sky — a sort of giant natural light panel — as the light sources. The question in post is always how blue to let the scene be, since the actual blue can be shocking to viewers. (Our complex sensory system sees this as less blue — the mental process subconsciously says, essentially, “Yes, this is blue, but I know the actual color of rocks, so I’ll pretend I don’t see the blue!”) The photographer gets to make the subjective call on how blue things should be. At times I’ve gone so far as to completely neutrally the blue tones, and if I did so here you would probably feel that it looked natural. On the other hand, it is interesting to me to “go with the blue” and think about the real color of light and the effect that it has on our perceptions. (To be honest, I have actually reduced the amount of blue in the scene!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Alpine Lake, Evening Reflections

Alpine Lake, Evening Reflections
A rocky peninsula, an alpine lake, reflections of the headwall in evening light

Alpine Lake, Evening Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rocky peninsula, an alpine lake, reflections of the headwall in evening light

In high places like this, where cirque walls tower over alpine lakes and block the light early and late in the day, evening quiet can come early. I had been walking to this spot almost daily for several days to try to make a photograph of a particular group of trees that caught the last sunlight in the late afternoon. On this day my timing was (finally!) right, and after I made that photograph I turned my attention to the rest of the scene, which was now in shadow.

To my left a small rocky peninsula pushed out into the lake near its outlet stream and supported a few trees and small plants that could gain a foothold it its cracks. Across the lake piles of talus lay at the bottom of the solid rock face of the valley’s headwall, where one snow patch remained, reflected in the quiet surface of the lake. That surface also reflected the rest of the face, including parts so high that they are not in direct view. The entire scene was illuminated by the soft blue light coming from the open sky above and behind me.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Subalpine Lake, Late Afternoon Light

Subalpine Lake, Late Afternoon Light
Late afternoon light on a rocky peninsula on a subalpine Sierra Nevada lake

Subalpine Lake, Late Afternoon Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late afternoon light on a rocky peninsula on a subalpine Sierra Nevada lake

This is a photograph that required a bit of persistence! During our September stay in the Eastern Sierra Nevada backcountry, I first walked up to this lake several days before I made this photograph. When I arrived for the first time I made a guess as to where I might find a photograph, but the guess was wrong! As the light faded I tried a different spot, and I found a good one, but I missed the best light. I made a mental note to come back, and even noted the specific spot to be in. A day or two later I headed back in that direction late in the day, with plenty of time to get there before the good light arrived… but then I got distracted by some other attraction, spent too much time on it, and arrived at this lake — you guessed it! — about three minutes too late! However, I did have a bit more time to consider the location and timing of the shot I had it mind.

I went back one more time, and this third time was almost not a charm. I got there plenty early and found my spot well before the good light… and discovered a woman set on fishing from the lovely rocks on the peninsula in the center of the photograph! Since I was early I decided to wait quietly and not try to convince her to get out of my shot, but I did explain what I was there for. I waited. She continued to fish. I began the internal debate about just how aggressive I should be about trying to get the shot. I think she figured out that I really wanted this photograph, since about five minutes before I made it she moved on to another spot on the other side of the rock. (She continued to fish, and I had to time my exposures between her casts, when sent line right into the water beyond the rocks.) In the end my persistence paid off, and I got a photograph that I like — to me it seems to capture that lovely late-day, late-summer light in the high country, and it even includes some really lovely color in the water. I finished the photography here… and had time left over for a short hike to the top of a nearby pass before the light faded.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Shoreline, Glacial Moraine

Shoreline, Glacial Moraine
An old glacial moraine reflected the water of an alpine lake in blue hour light

Shoreline, Glacial Moraine. © Copyright 2018 G Dan Mitchell – all rights reserved.

An old glacial moraine reflected the water of an alpine lake in blue hour light

Over the years — decades, actually — I have learned to recognize more patterns in the backcountry landscape. (Which is not to say that I recognize or understand everything — there is still more to learn!) In places where I used to, and still do, respond with, “beautiful scene!,” I now ask additional questions: What makes it beautiful? Why does it look this way? How are these features connected? What processes are at work here? How is this changing? I have always known that glaciation played a big role in the formation of the Sierra Nevada. It is hard to miss this when crossing glacial polish on a granite slab or when tracing the shapes of Yosemite Valley. But it took longer to become aware of subtler effects.

For many years I hiked a particular route out to the Sierra crest that begins not far from Tioga Pass. There is considerable up and down in the first section of the hike — notable enough that I remember three specific such locations. It wasn’t until I had crossed them quite a few times that I realized that they were the remnants of very old lateral/media moraines. That doesn’t make them any easier to cross, but it does “excuse” them! This photograph includes another of these patterns, in this case a mound of gigantic boulders and smaller talus that was clearly pushed up by a small but long gone glacier that stopped just short of the shoreline of this lake. I made the photograph in blue hour light, in the shadows of the ridge above the talus field, and that light and the nearly smooth water evoke for me the stillness and deep quiet of such places.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | FacebookEmail


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.