Tag Archives: blue

Headlands and Fog

Headlands and Fog
Thin fog and brilliant autumn sun along the Big Sur coast.

Headlands and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin fog and brilliant autumn sun along the Big Sur coast.

Today’s photograph takes me even deeper into the high key and minimalist landscape frames of reference. For a long time I have been intrigued by the question of just how little detail could be present in a photograph, and the conditions on this morning gave me an opportunity to extend the experiment to the subject of the Big Sur coast.

The light, weather, and geography here often collaborate to produce some remarkable conditions. The potential for various sorts of fog is a given along the edge of the Pacific Ocean. In many sections of this coast the headland ridges descend toward the water repeatedly over huge distances. And because the coast curves a bit toward the east as you travel south, by late morning the sun may be almost directly ahead of you as you compose photographs that include the ocean. I think of this as “the light that is too intense to look at.” Imagine the sun in front of you, the haze glowing brightly, and the details of the scene becoming almost invisible, leaving only the light, atmosphere, and outlines of forms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dusk Clouds, Pacific Ocean

Dusk Clouds, Pacific Ocean
Colorful dusk sky and clouds along the Nothern California coast at Crescent City.

Dusk Clouds, Pacific Ocean. © Copyright 2021 G Dan Mitchell – all rights reserved.

Colorful dusk sky and clouds along the Nothern California coast at Crescent City.

This was an evening of beautiful light, a surprise or two, and at least one missed opportunity that will be hard to find again. We were along the far northern coast of California, primarily to photograph late-spring redwood forest subjects… but it is hard to ignore the Pacific Ocean when it is right next door! In the evening we headed to a nearby coastal area with rocky islands and seas stacks and an open view of the western horizon. — and there were clouds to catch the last colorful light. I photographed right through sunset, until the light was becoming quite dim.

That last point — “photographed right though sunset” — is important. The light show doesn’t necessarily end with the sun drops below the horizon. In fact, some of the most astonishing light often comes quite a bit later as the colors deepen and begin to change from warm sunset tones to the bluer tones of night. The sun was gone in my location, but somewhere far to the west it was reflecting upwards to illuminate the clouds from below, coloring thin clouds and wispy bits of virga.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fiesta Flower

Fiesta Flower
A high key rendition of a blue fiesta flower, Pholistoma auritum.

Fiesta Flower. © Copyright 2021 G Dan Mitchell – all rights reserved.

A high key rendition of a blue fiesta flower, Pholistoma auritum.

This photograph comes from one of my spring wildflower rambles at a nearby park, a place I visit every year to celebrate the start of the season. It isn’t a national park. It is not a famous place. It isn’t even a well-known place in a little-known local park — but it is mine! Here the trail passes through a small, narrow valley where there is space for flowers that prefer the sun and those that thrive in shade.

I decided to interpret this subject a bit more liberally than sometimes, going for a high-key rendition. The question of what it means to interpret a subject via a photograph leads in all sorts of interesting and complicated places that I cannot possibly address in this paragraph. Suffice it to say that while photography carries the burden of the presumption of realism, photographs are anything but “reality,” and the question of whether or how to interpret what the camera captures has many possible answers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Nightmare Plant

Nightmare Plant
A colorful succulent plant covered with tooth-like thorns.

Nightmare Plant. © Copyright 2021 G Dan Mitchell – all rights reserved.

A colorful succulent plant covered with tooth-like thorns.

OK, maybe I took some liberty with the name of this plant. I actually do not know what it is. (I’ll gladly accept identification help.) I think I photographed it during a visit to a particular botanical garden, though the details probably are not important. What is important is that… I really don’t want to run into a gigantic version of this plant in the middle of a very dark night!

Photographing plants is not my main thing, but at times I do find them very interesting — whether just because they happen to be beautiful or because they possess a strangeness that we usually overlook. In many cases they present remarkable graphical subjects, full of textures, colors, angles and more. They also are almost everywhere — so if you are thinking, “I can’t get away to make photographs…” maybe you can just look around and find something close by.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.