Tag Archives: blue

Eastern Sierra Lake, Evening

Eastern Sierra Lake, Evening
Early evening light on a high country Sierra Nevada lake in the Hoover Wilderness.

Eastern Sierra Lake, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early evening light on a high country Sierra Nevada lake in the Hoover Wilderness.

A few weeks ago I decided to head to the eastern Sierra for a few days to get up into the high country. The main idea was to do a sort of pre-flight check for some potential backpacking, but I was also interested in photography, of course. I ended up camping at the end of an east side road that departs US 395 north of Yosemite. Despite the number of wildfires in California, I was lucky and the winds blew the right way to give me mostly clear skies. On this afternoon I decided to just hike up into the drainage above the road end to see what I would find.


Because I was looking for late-day light I didn’t start up the trail until mid-afternoon — my plan was to arrive at the high point when the light was getting good, make photographs, and then return by nightfall. After many years of hiking such terrain, this route felt familiar even though it was my first time on this trail. I passed a lake, following a trail through trees along its shoreline, and then climbed again, crossing a rocky ridge before another lake came into view. Eventually I came to my favorite sort of Sierra landscape — flat, meadowy areas with glaciated granite and small trees, with water flowing and peaks above. I stopped hiking and just sat for a while, enjoying the solitude and quiet… and noting that it was starting to get a bit cold. Eventually I made a few photographs and started back down the way I came, pausing to photograph a small peninsula at this lake as the angle of the light lowered.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Headlands and Fog

Headlands and Fog
Thin fog and brilliant autumn sun along the Big Sur coast.

Headlands and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin fog and brilliant autumn sun along the Big Sur coast.

Today’s photograph takes me even deeper into the high key and minimalist landscape frames of reference. For a long time I have been intrigued by the question of just how little detail could be present in a photograph, and the conditions on this morning gave me an opportunity to extend the experiment to the subject of the Big Sur coast.

The light, weather, and geography here often collaborate to produce some remarkable conditions. The potential for various sorts of fog is a given along the edge of the Pacific Ocean. In many sections of this coast the headland ridges descend toward the water repeatedly over huge distances. And because the coast curves a bit toward the east as you travel south, by late morning the sun may be almost directly ahead of you as you compose photographs that include the ocean. I think of this as “the light that is too intense to look at.” Imagine the sun in front of you, the haze glowing brightly, and the details of the scene becoming almost invisible, leaving only the light, atmosphere, and outlines of forms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dusk Clouds, Pacific Ocean

Dusk Clouds, Pacific Ocean
Colorful dusk sky and clouds along the Nothern California coast at Crescent City.

Dusk Clouds, Pacific Ocean. © Copyright 2021 G Dan Mitchell – all rights reserved.

Colorful dusk sky and clouds along the Nothern California coast at Crescent City.

This was an evening of beautiful light, a surprise or two, and at least one missed opportunity that will be hard to find again. We were along the far northern coast of California, primarily to photograph late-spring redwood forest subjects… but it is hard to ignore the Pacific Ocean when it is right next door! In the evening we headed to a nearby coastal area with rocky islands and seas stacks and an open view of the western horizon. — and there were clouds to catch the last colorful light. I photographed right through sunset, until the light was becoming quite dim.

That last point — “photographed right though sunset” — is important. The light show doesn’t necessarily end with the sun drops below the horizon. In fact, some of the most astonishing light often comes quite a bit later as the colors deepen and begin to change from warm sunset tones to the bluer tones of night. The sun was gone in my location, but somewhere far to the west it was reflecting upwards to illuminate the clouds from below, coloring thin clouds and wispy bits of virga.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fiesta Flower

Fiesta Flower
A high key rendition of a blue fiesta flower, Pholistoma auritum.

Fiesta Flower. © Copyright 2021 G Dan Mitchell – all rights reserved.

A high key rendition of a blue fiesta flower, Pholistoma auritum.

This photograph comes from one of my spring wildflower rambles at a nearby park, a place I visit every year to celebrate the start of the season. It isn’t a national park. It is not a famous place. It isn’t even a well-known place in a little-known local park — but it is mine! Here the trail passes through a small, narrow valley where there is space for flowers that prefer the sun and those that thrive in shade.

I decided to interpret this subject a bit more liberally than sometimes, going for a high-key rendition. The question of what it means to interpret a subject via a photograph leads in all sorts of interesting and complicated places that I cannot possibly address in this paragraph. Suffice it to say that while photography carries the burden of the presumption of realism, photographs are anything but “reality,” and the question of whether or how to interpret what the camera captures has many possible answers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.