Tag Archives: blue

Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Two Poles, Three Doors

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Two Poles, Three Doors
Two unility poles in front of an abandoned industrial. building with three doors.

Two Poles, Three Doors. © Copyright 2021 G Dan Mitchell – all rights reserved.

Two utility poles in front of an abandoned industrial. building with three doors.

This is another take on a subject that I posted about recently while sharing a portrait-orientation image of much the same scene. Keeping in mind that photographs posted here are often part of my “working out” process with images, trying out different ways of seeing them, here’s a bit of my thinking. In the previous version I chose the alternate orientation in order to include more of that sky (a reference to my landscape photography?) and the full height of the utility poles. This time I left only a sliver of the sky, and you have to imagine how tall the poles are. (That’s an important visual concept about which I could write an article, by the way.) So here, I think, we see the geometries of the structure, the poles, and the slanting shadows more prominently.

In that earlier post I wrote something that wasn’t completely accurate regarding the building. I pointed out accurately that it is in a former produce canning area and that it is no longer part of that industry, but I also stated that it is “abandoned.” Technically, it _was_ abandoned, but it appears that the building is now being used as some sort of warehouse or storage area. Of course, you would not see that from the outside where I was, as there are no commercial markings at all — which is a very unusual thing in this country.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: Urban/Street

Blue and Billboard

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Blue and Billboard
A billboard portrait loomes over urban reisdences.

Blue and Billboard. © Copyright 2021 G Dan Mitchell – all rights reserved.

A billboard portrait loomes over urban reisdences.

Photographs like this one are sometimes a bit difficult to “sell” (in the sense of “persuasion”) to folks who mostly think of me as a “landscape photographer.” There’s a whole lot I could write about this, and I’ll share a little bit of that below, but one reason that I’ve photographed some subjects like this recently is that they are available to me! I carry a camera while out walking, and every so often something catches my eye and I pause to photograph.

In a sense you could think of these photographs as an extension of my landscape photography into the “urban landscape” that I live in. While the subjects seem completely different, there are connections that you might imagine if you think about it a bit. There is also a practical aspect to this kind of photography — it is available to me simply by walking out my front door, unlike the more familiar landscapes that require more travel and logistical preparation. In addition, there are benefits to keeping my seeing skills tuned up by trying to find things to photograph no matter where I am. Beyond that, there are a few things to ponder about regarding the juxtaposition of elements found here.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Slot Canyon

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Desert Slot Canyon
Desert canyon narrows curve past sculpted rock walls, Death Valley National Park.

Desert Slot Canyon. © Copyright 2021 G Dan Mitchell – all rights reserved.

Desert canyon narrows curve past sculpted rock walls, Death Valley National Park.

No, I’m not quite done yet with the photographs from this year’s foray to Death Valley. Visiting the park is an annual tradition for me — sometimes more than once. I often go around the end of winter or beginning of spring, and I would have missed last year’s visit but for the lucky timing that took me there in January of 2020. Since then I had wondered whether the pandemic was going to force a break in the annual ritual, but after being vaccinated it seemed plenty safe to go there and stay (mostly) in uncrowded, out-of-the way places. I was wonderful to be back there!

This is another photograph made in one of the narrows of a canyon that is a bit off the beaten track. (Despite the prominence of some well-known icons in this park, the place is full of other wonders that are far enough from pavement to decrease the number of visitors.) I camped in complete solitude near the entrance to this canyon, and that gave me the chance to explore in in both late afternoon and early morning light. The the narrower sections of the canyon there can be wonderful contrasts between the warmer colors where the canyon walls get a bit of sun and the darker sections that remain in the cool-colored shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Rocky Shoreline, Reflections

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Rocky Shoreline, Reflections
“Rocky Shoreline, Reflections” — Talus boulders and their reflection at the edge of a Sierra Nevada lake.

Three summers ago a group of us (yes, THAT group) spent a week camped at a little backcountry lake on the east side of the Sierra Nevada. The lake is a pretty one, with forest on one side, rocks on the other, and a few areas of meadow and granite slabs here and there. All in all, a fairly typical sort of scene in the range. Beyond the lake itself, the valley that holds in also contains many other small lakes and is surrounded by ridges and peaks, all of which gave us plenty to photograph.

This photograph comes from the rocky side of this lake. A common pattern with high country lakes is for there to be some flat area(s) along one side and perhaps at the inlet and outlet streams, and for one side to be close to some sort of slope. Anyone who tries to circumnavigate such lakes is familiar with the difficulties of finding a way along that rocky side. The rocky slope next to this lake was exceptionally rough, with large boulders extending right down to the shoreline. What it lacked in “walkability” it made up for in reflections. A much higher ridge above the rocks left this area in shadow late in the morning, producing a nice blue tonality to the light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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