Tag Archives: blue

Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Great Blue Heron in Flight

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Great Blue Heron in Flight
A great blue heron flies above San Joaquin Valley wetlands

Great Blue Heron in Flight. San Joaquin Valley, California. December 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A great blue heron flies above San Joaquin Valley wetlands

This photograph may tend more toward “clinical” than toward “evocative,” but I was happy to have a chance to photograph such a bird this closely as it flew past. The great blue heron is the largest bird that I typically get to photograph in the San Joaquin Valley wetlands where that I visit so often in the late fall and winter.

This bird is not exactly rare, though it is less plentiful than the white egrets that we often see near wetlands. The heron usually is seen alone, often in areas similar to those that attract the egrets, though also perhaps a bit more likely to be in dry fields. Most of the time they stand relatively still and they don’t show obvious signs of being upset or annoyed by the presence of humans… unless you get too close. The boundary between “that’s OK” and “that’s too close” is hard to determine, except that if you cross it the great bird quickly takes to the air and flies away from you.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Winter Wetlands and Sky

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Winter Wetlands and Sky
Ross’s geese flock on California Central Valley winter wetlands

Winter Wetlands and Sky. Central Valley, California. January 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Ross’s geese flock on California Central Valley winter wetlands

To simplify, there are two common conditions in California’s Central Valley in winter: dense tule fog that reduces the visibility to mere feet, and immense open skies above the flatlands that reveal the distant snow-covered mountains. Sometimes both condiments — and, to be fair, some other possibilities — reveal themselves on the same day, as happened on this New Year’s Day visit.

We headed out to the Great Valley before dawn, arriving to a combination of scattered tule fog that continued to fill in as the morning went on, eventually turning the day rather gray. We spent the morning photographing this landscape and the tens of thousands of migratory birds that occupy it this time of year. By mid afternoon the sky began to clear as winds blew away most of the fog to reveal a clouded-studded blue sky above the expansive wetlands. Here that sky is reflected in a wetland pond — and a bit further out from the camera position you may be able to make out the flock of many thousands of Ross’s and snow geese on the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Five Cranes, Sunrise Light

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Five Cranes, Sunrise Light
Five lesser sandhill cranes fly toward the sunrise

Five Cranes, Sunrise Light. San Joaquin Valley, California. December 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Five lesser sandhill cranes fly toward the sunrise

“High horns, low horns, silence, and finally a pandemonium of trumpets, rattles, croaks, and cries that almost shakes the bog with its nearness, but without yet disclosing whence in comes. At last a glint of sun reveals the approach of a great echelon of birds. On motionless wing they emerge from the lifting mists, sweep a final arc of sky, and settle in clangorous descending spirals to their feeding grounds. A new day has begun on the crane marsh.” — Aldo Leopold, “A Sand County Almanac”

When I began photographing California Central Valley migratory (and native) birds a few years back, the initial draw was geese — snow geese, Ross’s geese, and others. But soon I become aware of the sandhill cranes, and I remembered reading Aldo Leopold’s descriptions of these birds all the way back in college. Something in his description was magical and even though I did not know these birds, I remembered his description.

The cranes’ distinctive cry is the first thing I listen for at dawn in the wetlands. They often seem to settle into places a bit more remote than those favored by geese, at least until later in the season. Their flocks are not as large. They often fly in small groups of three, four, or a few more. Their pattern of flight is more level, their wings work more slowly, and they often glide. They also people. Frequently I’ll spot a group heading straight towards me, but with very few exceptions they divert and take a path to one side.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Italy, Photographs: Urban/Street

Signore Verdi Sings the Blues

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Signore Verdi Sings the Blues
Street art, modeled after a painting of Giuseppe Verdi

Signore Verdi Sings the Blues. Florence, Italy. August 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Street art, modeled after a painting of Giuseppe Verdi

There was street art everywhere we went in Europe and the UK this past summer. In some places, such as Heidelberg, a lot of it was overtly political and it relied a lot on text. In other places there was more that was purely visual or almost so, like this example and some that we saw in Paris. In other places, such as some parts of Bologna,  much of it reminded me of simple tagging, similar to what we see in the US.

This example caught my attention for several reasons. Because of my musical background I recognized it as a riff on a famous picture of Italian opera composer Giuseppe Verdi. (At the time of this posting you can see it at the Wikipedia entry on the composer.) The intense blue color and its juxtaposition with the green (think “Verdi”) plants also seemed interesting. I don’t know what it “means” or why it was here, but I couldn’t help photographing it!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.