Tag Archives: boats

Photographs: Netherlands, Photographs: Urban/Street

Canal, Trees, Moored Boats

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Canal, Trees, Moored Boats
Amsterdam canal and reflections of trees and moored boats

Canal, Trees, Moored Boats. © Copyright 2018 G Dan Mitchell – all rights reserved.

Amsterdam canal and reflections of trees and moored boats

It was evening when I made this photograph, and the appearance suggests a calmer atmosphere. Amsterdam, at least during our visit, was a very busy, crowded, and sometimes loud place. (The crowds on our last evening there were astounding… and it was a Sunday night!) In fact, while this scene was a bit quieter than some, it probably looks more still and quiet in the photograph than was actually the case.

This is one of the typical scenes in this city and one that probably attracts tourists. There’s actually a lot to see here. Obviously the canal runs straight off into the distance, and the overhanging trees provide shade and color and a reflection in the water. Boats are moored along the banks, and above them cars and bicycles are parked close to the water. Beyond them there are streets and walkways and even places to stop and eat.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Commentary, Photographs: Netherlands, Photographs: Urban/Street

Buildings and Canal Reflection

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Buildings and Canal Reflection
Amsterdam buildings reflected on the surface of a canal

Buildings and Canal Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

Amsterdam buildings reflected on the surface of a canal

The number of ways people get around in the confines of central Amsterdam is utterly astonishing. Yes, there are cars, though fewer than in a typical American City. There are pedestrians — tons of them. Cyclists are everywhere — I had heard that they love bicycles in Amsterdam, but I wasn’t prepared for the number of them. There are lanes for all three forms of transportation, and those of use who aren’t used to this have a hard time keeping them straight, and we have to be on constant guard against accidentally wandering into a bicycle lane. And, of course, there are canals.

The canals thread through central Amsterdam in surprising ways, passing between and under the other means of transport. If you are on foot you look down at them, but those on the boats have the opposite experience, sitting close to the water and looking up at the rest of the city. Here I photographed across one of the canals so that I could capture the reflections of the colorful — and frequently strangely aligned — buildings running alongside.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco

South Beach Harbor, Morning

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South Beach Harbor, Morning
Morning light on South Beach Harbor and buildings of downtown San Francisco

South Beach Harbor, Morning. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on South Beach Harbor and buildings of downtown San Francisco

On this late-January morning I was up — you know the drill… “hours before dawn” — to catch a train up the Peninsula to San Francisco for a morning of street photographer and a visit to the San Francisco Museum of Modern Art, where an extensive show of Walker Evans photography was nearing the end of its run. (At some point I should write a bit about my response to the show. A quick summary: great show, some brilliant work, some work I identify with personally, some work that makes me wonder why it is on the wall.) For these trips I’m usually up around 4:00 AM, giving me a half hour for coffee and a quick breakfast before I walk to catch a bus to the train station, where I catch one of the “baby bullet” express trains that has me in San Francisco an hour later.

The weather was in flux, and when by the time I arrived it was clear that a dome of solid high clouds was over San Francisco. However, as I left the train just before sunrise I was able to see some light on the underside of the clouds that was apparently coming from a gap in the cloud cover across the Bay to the east. I quickly headed over to the nearest shoreline location and ended up at the South Beach Harbor. I found some unusual light here as the sun rise. The light was coming through a narrow gap between the western edge of the cloud shield and the low, East Bay hills. Meanwhile, the clouds over and to the north of San Francisco kept the sky there somewhat dark. As the light hit the shoreline area where I had gone, the foreground boats and buildings and so forth were lit by this lovely filtered light and set off against that darker sky. The conditions did not last long — soon the sun rose above that cloud gap and the light soon became gray and flat.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Gate and Harbor

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Gate and Harbor
Closed gate and shadows at South Beach Harbor, San Francisco

Gate and Harbor. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Closed gate and shadows at South Beach Harbor, San Francisco

Up early and on the train to San Francisco on a sunny spring morning, I got off at the SF Caltrain Station and began walking along the waterfront. This is familiar territory to me, since “train walks” are a somewhat regular event for me, especially during spring and summer. I get off the train and slowly wander in one or another direction on foot, taking time to look. Sometimes it turns into and out-and-back walk, and sometimes something like a loop. (The latter is what happened on this morning.)

I decided to hear toward the bay, past AT&T Park and then along the waterfront. I angled over toward the South Beach Harbor, mainly because of the luminous and intense light coming across the bay as the fog began to clear — so bright that it was almost impossible to look directly into it. As I passed the harbor this shadow fell across the walkway, so I stepped back and shot straight into its shadow, with the harbor and the bay behind.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.