G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
New spring leaves and seeds appear on the branch of a box elder tree, Zion National Park, Utah.
Among the places I photographed on my recent Utah trip was Zion National Park – I place about which I have heard and seen much, but which I had not previously visited. A friend described the Virgin River Canyon in this park as “Yosemite Valley in red,” and this seems like an apt description. I responded differently to each of the parks we visited. Canyonlands was huge and austere. Arches was literally “fantastic,” and elicited the most intense response. But Zion seems like a place that is more subtle, with a lot to see and get to know.
Among the features that seem to me to typify this area are the cottonwood, box elder, red maple, and other trees. During our visit they were just barely beginning to get their new spring leaves – in some places we saw bare trees, in a few we saw trees that had almost a full set of leaves, but for the most part we saw trees that had just a hint of the bright green color of new leaves. One morning we took the short walk to weeping rock in Zion Canyon. While I didn’t quite see photographs in this feature itself, I did spot this box elder branch suspended just about the trail, backlit by morning light and with the faint colors of sandstone cliffs and canyon bottom plants beyond.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Egret in flight above water at Cosumnes River Wildlife Preserve, California.
I’ve been fascinated by egrets since I first found out about them in a class back in college. Later I discovered that they are quite common in my part of California – back when I was a cyclist riding a few hundred miles every week, often in the country, I discovered that one or more can be found in just about any drainage ditch, slough, or creek bed with water in it during the winter months. More recently I realized – yes, I’m slow about some things! – that they are also found during the winter at places like Point Lobos, where they walk on top of kelp to hunt for small fish.
So I wasn’t the least bit surprised that a couple egrets were the first recognizable birds (to me – I’m no bird expert!) at the Cosumnes River Wildlife Preserve and in the surrounding countryside. Shortly after I crossed the road towards the slough, where many birds are found in the shallow water there, I spotted one alongside a creek bank nearby. I was able to get fairly close to this one and make some photographs as it more or less stood around on the bank doing whatever it is that egrets do. But soon it became uneasy about my presence, even though I was almost completely still and quiet, and it took off for a spot a bit further away. As the bird took flight I panned along with its motion, not paying a lot of attention to anything but the white bird, and I got a short series of photographs as it passed behind some brush alongside the water.
While I can and did make some very sharp photographs of this and other birds standing almost still near the water, I prefer this one with its bird slightly blurred from motion as it flew, and with the out of focus intervening vegetation somewhat interfering with the view of the bird. To me this sort of image better captures the dynamic nature of the bird in low level flight.
Leaves transition from summer to fall colors in a deeply shaded area of forest in Lundy Canyon.
Since it was the second week of October, and the time at which I’ve seen Lundy Canyon aspens change color in the past, I headed up into the canyon on the last day of this visit to the eastern Sierra to look for aspen color. As I drove up the canyon from highway 395 I could see some brilliant color far above on the ridges above the canyon, but I wasn’t seeing much down in the bottom of the canyou. I continued up the canyon past Lundy Lake and the resort – closed up for the season – and then continued on the one-lane dirt road that goes on up to the trailhead, passing some flooded flats along the way. There is often color in these areas and then again in the grove of aspens near the trailhead… but not this time.
(Looking back on this “aspen season” from an early-December perspective, it was a bit of a strange one. It seemed to begin early at the higher elevations and there were stunningly colorful trees up high during the first week of October. However, storms soon came in and took down many leaves – and then there was a “dead zone” period of nearly two weeks before the color resumed at lower elevations. This visit to Lundy Canyon took place near the start of this slow period.)
After figuring out that the color I had coming looking for was not to be found, I started back down the canyon. I stopped briefly by the ponds but the light was not quite what I was looking for – it was still a bit too early in the afternoon and the light was harsh and coming from the “wrong” direction for my purposes. However, elsewhere in the canyon I decided that I had to photograph something before leaving the canyon for a planned evening shoot nearby, so I simply pulled out on a short dirt side road where I had earlier seen some tree trunks leaning against rocks. It turned out that I couldn’t find a composition there either – sometimes this is just the way it goes! However, I found these leaves nearby next to the path I had taken down to the river. I thought that the contrast between the green and yellow and the very dark forest floor might be interesting, so I put on a long lens (to minimize depth of field and to give myself some working distance) and I made a few exposures.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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