Tag Archives: branches

Photographs: Central California, Photographs: Nature

Winter Trees and Grass

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Winter Trees and Grass
Winter grass beneath a thicket of dormant trees on a foggy morning in the Central Valley.

Winter Trees and Grass. © Copyright 2022 G Dan Mitchell – all rights reserved.

Winter grass beneath a thicket of dormant trees on a foggy morning in the Central Valley.

This photograph comes from a particular moment of transition on a winter tule fog day in California’s Central Valley, the point when the nearly impenetrable gray blanket of the fog begins to thin, the view opens a bit, and the light becomes warmer and slightly directional. A half hour earlier this scene would have been almost devoid of color, and many of the trees would have been nearly obscured by fog. (An hour later the scene might be overly bright and harshly lit.)

This spot holds several things that characterize the the Valley at this time of year: the fog-to-sunlight transition, of course, but also the dormant trees along the edge of farmland and the very green newly sprouted winter grass. That grass is a distinctly California thing that often surprises visitors from colder climates, where the seasonal cycle is almost reversed. A spot like this will be dry and brown in summer and fall, but winter rains trigger our”impossible green” season as the plants respond to the moisture.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Agriculture, Photographs: Central California, Photographs: Nature

Dormant Trees and Fog

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Dormant Trees and Fog
Dormant trees in Central Valley winter tule fog.

Dormant Trees and Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Dormant trees in Central Valley winter tule fog.

This is the second in a series of photographs I made of this Central Valley orchard on a very foggy winter morning. On a typical morning with these conditions, there comes a time when the fog begins to move and thin and the light begins to come through the fog and make it glow. (This is tule fog, which forms at night when the moisture level is right, and ends up producing a thin but often very dense layer of low fog.) I had been photographing birds in thicker fog, and when the thinning process began I moved to this location where I thought the trees might be an interesting subject.

In some ways it is an easy matter to photograph a subject like this one. It is naturally mysterious and compelling, both from the fog itself and from the vaguely anthropomorphic forms of the dormant trees. However, once I begin to work with such a subject, things invariably start to become more complicated than I expected — how to create a balanced composition? What camera position gives the most interesting juxtaposition of trunks? How much to focus on trunks and how much on the upper branches How to deal with inevitable intrusions of branches into the scene. My solution is a combination of looking and thinking, relying on intuition, and trying many different approaches.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Red-Shouldered Hawk

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Red-Shouldered Hawk
A red-shouldered hawk perched in a wetland thicket.

Red-Shouldered Hawk. © Copyright 2022 G Dan Mitchell – all rights reserved.

Description

I had several opportunities to photograph what I believe was this same red-shouldered hawk on several days in early 2022. While visiting a location in the Central Valley on New Year’s Day I (and several friends) saw a hawk just like this one in almost this exact same spot. I made this photograph a few days later on a return visit. Is it the exact same bird? I can’t say. But it was perched very close to where the previous bird was and it was equally willing to allow me to be close enough to photograph it. (For those who wonder… I was photographing from the “mobile blind” of my vehicle and using a very long lens, both of which allow me to minimize any disruption to the bird.)

If you look closely at trees in places like this you’ll almost always spot some sort of predatory bird — hawk, owl, or similar — hanging out in the branches. In fact, there are a few trees I’ve gotten to know rather well over the years where I can pretty predict the specific branches on which such birds will be perched. Most of the leaves had fallen from this tree, making the bird easier to spot, and the filtered sunlight illuminated its features.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Orchard, Fog

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Orchard, Fog
“Orchard, Fog” — Thick winter tule fog spreads through a Central Valley orchard.

The primary goal of my visit to the Pacific Flyway on this early-January day was to photograph migratory birds in the tule fog. I regularly check the weather predictions at this time of year, since it is the time of “interesting weather,” and this can make all the difference when it comes to the photographic potential of a location. On the day before I made this photograph, my check revealed a very good chance for dense tule fog — the kind that sane drivers try to avoid but which attracts photographers. So I was up very early, ready to drive through the fog for the chance to photograph it.

Local conditions can vary a great deal on days like this. Out where I was photographing birds the sky was beginning to clear, but I still wanted fog. So I drove a ways in a direction where the sky seemed darker, and before long I was once again engulfed. I had this orchard in mind as drove, and when I got there I took a gravel side-road to a spot where I could see an uninterrupted expanse of tree silhouettes fading into the distant fog where the sun was trying to break through.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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