Red rock sandstone formations, Capitol Reef National Park, Utah.
I’m afraid that our time in Capitol Reef National Park during our early April visit to Utah was extremely limited – essentially we just passed through on highway 12 on the day we travelled from Zion (where we had spent several days) to Moab. I wish I could have had some real time to explore this area, but at least I got a glimpse of it – enough that I know to put in on my list of places to revisit when I have more time on a future trip.
As we passed through Capitol Reef, aside from viewing things from the car, we made two stops. One was in the Fruita district area to see some petroglyphs and the other was this viewpoint along the highway, from which there was an impressive panorama of the beautiful red rock country. Although this was perhaps not the ideal time of day for photography, the weather gods cooperated enough to give me a bit of high, thin overcast to soften the light and to place these beautiful layered clouds above and beyond the sandstone ridge.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The skeletal remains of a dead tree stand in front of a sandstone cliff, Zion National Park.
I’m a bit embarrassed to admit that I don’t recall exactly where I made this photograph. I’m pretty certain that I made it near the start of a walk up the Virgin River in Zion National Park in the afternoon, near the feature known as the Temple of Sinawava. Actually, I’m certain of all of that with the exception of knowing precisely where in the Temple of Sinawava area I made it. I do recall paying special attention to these red rock walls and looking for various subjects that I might combine with them to make photographs.
Speaking of the sandstone walls… on this side of the canyon and at this mid-afternoon time of day, little to no direct light makes it down to the floor of the canyon. So the lower walls are almost entirely in shade. However, the sun most certainly is still striking the upper canyon walls, and the reflected light from the sun-lit areas works like a giant light panel, reflecting softly diffused light down into the canyons and gently warming the colors that would otherwise be quite cool. (In other words, blue.) The diffused light causes even the shaded areas, such as recesses in the rock, to retain some details. And because the light is reflected from and into red sandstone canyon walls, the color of the light only gets warmer, and down in the canyon the color can be quite beautiful.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The full moon rises through thin clouds above sandstone towers, Arches National Park.
This was a very challenging evening for photography, but I’m happy with some of the results nonetheless. We had gone into Arches National Park and made it to the first big group of arches and other formations not far from what I recall was identified as Balancing Rock. Not far from here there is an impressive amphitheater of red rock sandstone, and all through this area a truly astonishing number of arches of various forms and sizes may be found. Since it was late in the day, we figured we would stake out our ground for golden hour and dusk shots right around here.
However, there were a few challenges. First, we were arriving at this spot for the very first time, with no previous research, and it was basically time to start shooting right about now! There was little to no time for scouting, so I headed up a trail towards a likely looking area of sandstone to see what I could find as the sunset approached. I soon discovered a second issue, or perhaps realized that an issue I had known about was going to be more challenging than I had hoped – it was very windy! As the light dims this becomes more of a problem as exposures necessarily lengthen. At some point, there is virtually no tripod that is steady enough, even when weighted, to hold a camera and lens rock steady in a near gale. I have some tricks up my sleeve though, and eventually I searched out some camera positions that were sheltered by rock towers and walls. By this time, the sun had dropped below the horizon and I was now shooting it twilight, which can provide some of the most beautiful light of the day when the right sort of “glow” occurs. It turned out that the full moon was just rising, though not over the main, iconic formations. There is usually a narrow window of exposure opportunity for photographing the moon. The moon is hard to shoot effectively in full daylight, but after dark it is far too bright for the ambient light – so one ideal is to shoot it in this time right around dusk when there is just the right balance of moon light and ambient light. Lucky for me, high thin clouds moved across the sky to the east and moderated the brightness of the full moon, allowing me to continue shooting in darker conditions so that I could make this exposure of the moon rising above nearby sandstone formations.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Spring manzanita flowers, Yosemite National Park, California.
Manzanita Plants in Bloom. Yosemite National Park, California. April 15, 2012. Copyright 2012 G Dan Mitchell – all rights reserved.
Spring manzanita flowers, Yosemite National Park, California.
The manzanita plant and its pink blossoms are ubiquitous in California – and, I imagine, in other places as well. I photographed these on a bit of granite slab in Yosemite National Park in mid-April, just as the (meager, this year) spring snows were melting away and spring growth was starting, at least in this exposed spot that is open to the western sun.
This might qualify as a bit of an “accidental photograph” – a photograph that came about as the result of some combination of finding myself somewhere for some reason, getting distracted by some other thing than what I came for, and then noticing yet another subject while photographing the first distraction! This particular photography day was one of those during which things were “difficult.” I had gone up the Yosemite area for single day, with some ideas about photographing California poppies and redbud in the Merced River Canyon outside the park boundaries. I arrived in that area in the early morning and photographed some blooming redbud plants, but poppies weren’t really an option because they don’t open until they get the brighter sunlight that comes to these parts of the canyon a bit later in the day. So, mid-morning arrived and I sort of felt like I was more or less done for the morning in the canyon, so I drove up into The Valley looking for whatever. I found a bit of “whatever” in the form of some dormant trees along a stretch of the Merced, but then the light went flat, I was tired, and I wasn’t “seeing it” – so I parked the car and took a nap! (This was perhaps necessary given my 3:55 a.m. wakeup time.) A bit later the light was still not inspiring me – hey, it happens. I killed a bit of time by visiting the Yosemite Renaissance show in the Valley, and then driving off to visit another potential subject… that turned out to not work in the light of that particular late afternoon. In case you are starting to think that this sounds like a pretty sad and disappointing story… I’ve learned to be philosophical about it when I run into “blah” conditions or otherwise am just “not seeing it.” I really do understand that the counterpoint to those moments when something astonishingly beautiful happens in the landscape are those other moments when less astonishing things are all that I can find. In any case, after my drive to this other unsuccessful subject, I turned back toward the Valley and as I descended toward Wawona Tunnel I decided to stop at a turn out before the tunnel that provides an impressive view of the Valley. I stopped. The view was impressive… but still not worthy of a photograph. But I looked across the road and saw a possibly interesting little rivulet of melt water running down a crack in a granite slab, so I hoisted my gear and wandered over there to see what I could do with this subject. While photographing this feature, some clouds obscured the sun and made for temporarily poor light so I looked around a bit while waiting for the light to return, spotted thick bunches of manzanita flowers nearby that I had overlooked before, and went over and photographed them in the soft, cloud-filtered light.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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