Tag Archives: california

Inside The Oculus

Inside The Oculus
Play of midday light and shadows on the walls of the Oculus, SFMOMA

Inside The Oculus. San Francisco Museum of Modern Art. July 13, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Play of midday light and shadows on the walls of the Oculus, SFMOMA

This week we made a visit to the San Francisco Museum of Modern Art (SFMOMA) to see and hear the Soundtracks exhibit, which presents objects and installations of sonic art of various sorts. To be honest, I wasn’t that hopeful about this exhibit — I’ve often found that many visual artist’s ideas about sound art can be naive and banal in too many cases. However, the exhibit was (is, and you should go) excellent, with a wide variety of work that is interesting in a range of ways.

In any case, virtually every visit to this museum is also an excuse to make at least a few photographs, often of the architecture of the place. The central “Oculus” structure (which housed one of the sonic art pieces, too) is interesting to me as much for the play of light and shadows on its curved walls as it is for its own architectural form. I have photographed it many times, but being so close to the summer solstice the shadows took on different qualities than I had seen before. Here shadows from the structure of the upper window fall across a curved wall that is perforated by a pattern of large holes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Clearing Sierra Nevada Sunset Clouds

Clearing Sierra Nevada Sunset Clouds
Last sunset light on clearing storm clouds above the Sierra Nevada, photographed from a commercial airline flight

Clearing Sierra Nevada Sunset Clouds. Above the Sierra Nevada, California. July 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Last sunset light on clearing storm clouds above the Sierra Nevada, photographed from a commercial airline flight

We spent the past week in New York City, visiting family and hanging out and doing some photography. (More urban/street photography from the visit will be coming soon.) Our final day there started out with driving rain, but cleared it up in time for us to make our way to the Newark airport for our flight back to California. There were rumors that the storm front passing over the east coast might interfere with our flight, but we were airborne only a few minutes later than scheduled, though the pilot came on the address system to let us know that they had been given a much more southerly route to follow, due to storms further north, and that this might delay our expected 8:45 PM arrival by about 15 minutes or so.

Most people might regard that as a minor inconvenience, but I quickly calculated that this would probably put us right above the Sierra Nevada almost exactly at sunset, possibly providing some interesting opportunities for aerial landscape photography. An hour or so before landing the pilot again came on the system to announce that storms above the Sierra might call create some turbulence. Again, I thought that sounded fine as long as that meant great clouds. There must have been monsoon conditions, as there were already thick clouds well east of the range, and before long I could see a wall of very high storm clouds stretching along the length of the Sierra ahead of us. In fact, the clouds were high enough that they blocked the sun, and I began to doubt that anything photographically interesting would occur. Apparently the crew was looking for an opening through the clouds, since they soon turned a bit to the left/south, and I could see an opening ahead with colorful backlit clouds. As we passed to the south of the cloud wall — and I never could figure out exactly where we were above the range — the last light of the setting sun passed almost horizontally over these thinning clouds, producing brilliant colors and allowing a brief view of snow on the mountains below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Food Truck

Food Truck
The food truck vendor behind dark blue glass

Food Truck. San Jose, California. June 21, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The food truck vendor behind dark blue glass

There is a bit of a strange story behind this photograph and a few others I made on the same evening. I was at a brewery that isn’t too far from where I live — we had been meaning to visit the place for some time, but when we heard there would be a Fujifilm camera demo event with loaners we decided to go. The Fujifilm representative showed up with a table full of goodies, and they let us check them out for about 15 minutes at a time.

I decided to go with something basic and try the X100f, the new Fujifilm rangefinder style camera. The photographic subjects were a bit limited. There were a couple of models hired to come in for the event, but that’s not really my thing. But the street photography presence of a beaten up old food truck was irresistible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Grove of Slender Aspens, Autumn

Grove of Slender Aspens, Autumn
An eastern Sierra grove of slender aspens with a hint of fall color remaining

Grove of Slender Aspens, Autumn. Eastern Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

An eastern Sierra grove of slender aspens with a hint of fall color remaining

There are interesting subtleties to the autumn transition of aspen color in the eastern Sierra. Unlike forests in some other areas, where the trees are more similar across wide areas, and thus tend to change colors at the same time, in the Sierra the color change has many variations of region, climate, moisture, and elevation. It is quite possible to arrive at a grove to find that almost all of the leaves have fallen… only to visit another grove not too far away where the color change is still getting underway.

This is a somewhat unusual little grove. The trees are very slender and crowded closely tighter. They are also, generally, smaller than those in the more-or-less typical Sierra aspen grove, where trees may be larger but also tend to be bent and even misshapen. These slender trees stand tall and straight, and at the time I made the photograph they had lost nearly all of their leaves, leaving a somewhat ghostly forest of bare trunks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.