Tag Archives: california

Couple, Night

Couple, Night
A couple out for the night in San Francisco

Couple, Night. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A couple out for the night in San Francisco

Although it is not particularly apparent in this photograph, one of the things I like about photographing at night is the way that the darkness, lit by multiple artificial light sources, becomes magical. You’ll never see shadows like those on the wall behind this couple in sunlight! This light, and the responses to the night of the people who are out and about, make the nighttime environment very different from the daytime world, and places that might be mundane in daylight can become special at night.

This must have been a quick and spontaneous photograph… because I don’t even remember making it, much less precisely where I was! I think I may have been along Grant Street somewhere below Chinatown and getting closer to Union Square. In all likelihood, I saw the two of them and quickly lifted the camera to make an exposure and kept walking. I love the expression on the woman’s face.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Man With Flag

Man With Flag
A man with a flag organizes a group of tourists on a San Francisco street

Man With Flag. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A man with a flag organizes a group of tourists on a San Francisco street

I think this is another “there’s more going on here than you might first realize” photographs. Yes, there is a man marching out of this store carrying a small flag, but why? The answer to that question is pretty easy — he is apparently leading a group of tourists through this part of San Francisco, and the flag is his way of letting them know who to follow. (You’ll see this phenomenon in almost any city or other area that is popular with tourists.) But there is something else interesting — at last to me — about this photograph. Many of the people in the scene have apparently just become aware of me and are looking my direction, apparently not quite certain how to respond just yet. (I’m discreet, so I probably didn’t have the camera to my face, and it isn’t a large camera.)

Pools of light like this one are prime spots for me when shooting urban areas at night. I love the way the light spills out onto the sidewalk, creating shadows leading away from the people. I can also play with this light. I might shoot straight into it and make shadow the main subject. Or I can sometimes get just a bit between the subjects and the light, and then it can light them quite beautifully, especially when there are multiple light sources. If I recall correctly, it was the light and then the bricks that first caught my eyes here, and then when the people appeared in the doorway the photograph was complete.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Landing

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

California’s brown pelicans are probably my favorite coastal birds, and I love to photograph them — from bluff tops which they pass as the coast along on Pacific winds, to the ocean as they skim just above the water, to places where they can be found resting between flights. These are large birds, with an almost prehistoric appearance, especially when a group of them floats by in a row, sometimes hardly moving at all. We spent a couple of days on the coast in mid-July, and on the last day as we headed home we passed a small, rocky island just of the shoreline. When we saw that it was covered with scores of these birds, so many that some had to land nearby instead of on the island, we grabbed our equipment and spent some time photographing them. I had tracked this pelican on its inbound flight. Most of them came from my right, passed the island, then turned to face into the wind before landing.

This photo also serves as a bit of a technical test, too. I made the photograph with my new Canon 5Ds R, using the EF 100-400mm f/4.5-f/5.6L IS II lens. To get a bit more “reach,” I added a 1.4x tele-extender, which made the longest focal length 560mm. Since this wasn’t possible on my previous camera (which could only autofocus at f/5.6, not the f/8 aperture produced by using the converter), I was interested to see how well this would work — would image quality be sharp enough and would the lens/extender combination focus quickly and accurately enough. In fact, it did work. Quite well, actually.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Monsoonal Clouds, Pacific Ocean

Monsoonal Clouds, Pacific Ocean
“Monsoonal Clouds, Pacific Ocean” — Monsoonal clouds above the Pacific Ocean, Big Sur coast, California

Driving along the central California Big Sur coastline in mid-July we experienced a very unusual coastal summer day. Summers in this area typically feature morning and evening fog and relatively cool temperatures, interspersed with clearer days when the temperatures might rise to near 70 degrees. But for a few days this July, California was affected in an unusual way by a dissipating tropical storm and the early phase of El Niño, and we had unusual light and atmosphere. There were thunderstorms, some of them quite heavy. The ocean was smoother than usual and the swell came from the south rather than the north. Layers of monsoon clouds filled the sky.

This photograph belongs to what I categorize as both minimalist and imaginary landscapes. I wrote more about this in my previous post, so I’ll keep it short here. The idea is to work with simple materials and often not with an obvious central subject, to focus on some kind of subjective reality rather than creating the illusion of objective depiction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.