Tag Archives: california

Pacific Ocean, Clouds

Pacific Ocean, Clouds
“Pacific Ocean, Clouds” — Monsoonal clouds above the Pacific Ocean horizon, Big Sur, California

This photograph and the one that will follow it belong to a small sub-thread in my photography, but a thread that means a lot to me. I think of these photographs as both imaginary and minimalist landscapes. They are “imaginary” in that they are about the subjective experience of the place and an invented or focused way of seeing it, and they are “minimalist” in that they are about simple forms and patterns, and because they often include large “empty” or near empty areas. These are not remotely photographs that are attempting to show the objective nature of places. They are photographs that are about some subjective way of seeing things. I often say that “all photographs lie,” but it might be more honest to say that “all photographs have a point of view.”

I’m not sure that the specific location or subject is all that relevant to this photograph, but since it is my habit to say something about that when I share photographs online, here goes. We spent a few days along the central California coast in mid-July. This is a very familiar place, but several things were unusual this time — and they may have put me in a somewhat different perceptual state. Monsoonal moisture was streaming up the coast from a Pacific Ocean tropical storm near Mexico and bringing clouds and even heavy rain to parts of California, a very unusual situation here. An anomalous plankton bloom turned big areas of the ocean and Monterey Bay an unusual blue-green aqua color. (That is probably the source of the light patch in the water in this photograph.) The swell was out of the south rather than the more typical northwest, and the water was much smoother than is typical, creating unusual reflections of sky and coastal bluffs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Asian Styles

“Asian Styles” — People in front of a San Francisco storefront at night

At about this time last year I made an important “discovery during a trip to Manhattan” — with newer cameras I can photograph at high enough ISOs that it is possible (and even easy) to do handheld night street photography. And since I use a small mirrorless camera for street photography, I can even do this sort of photography without carrying around a big camera and lenses. I’ve long been a night photographer, but generally the type to sets up a tripod and approaches this genre more or less the same way I approach landscape photography, but with longer exposures. Much longer! But this new development is tremendously liberating. Using a large aperture prime I can walk around and spontaneously respond to what I see, and I can capture brief and ephemeral moments in the wild and beautiful light of the urban night.

This photograph exemplifies one way that I’ve always shot street photography, though now adapted to the night. I begin by finding an interesting bit of urban landscape — buildings, light, color, texture, form. I find a composition that will work… and then I wait. Sometimes the wait is brief and sometimes it is long. I wait for people to populate this “landscape,” and to configure themselves into some interesting combination. Since I don’t pose these photographs, I have to react quickly and take whatever the street serves up. This time it served up something special, I think. The storefront itself first got my attention, with its brightly colored merchandise, the light spilling out onto the sidewalk, the aqua windows on the left margin, and the red and yellow vending machine on the right. The small group of people just to the right of the doorway were my first target, and I think I have a photograph of just them taken shortly before this one. But very soon a wonderful and unpredictable conjunction occurred as the man walked out through the store doorway, the woman in blue passed in front of the vending machine, and the two men with the crying child in a stroller passed the store, followed by the woman with the bag. (Two things for those wondering about the title: Most obviously, it is the name of the store, but there’s a less-obvious irony, too.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Timberline Meadow, Morning

Timberline Meadow, Morning
A small Sierra Nevada timberline meadow in morning light, surrounded by rocky alpine terrain

Timberline Meadow, Morning. Sequoia-Kings Canyon National Park, California. September 13, 2013. © Copyright 2015 G Dan Mitchell – all rights reserved.

A small Sierra Nevada timberline meadow in morning light, surrounded by rocky alpine terrain

This photograph comes from a long visit to the Sierra back-country in September of 2013. A group of photographers made our way into the high backcountry of Kings Canyon National Park (with the help of pack animals) and set up there to make photographs in this 11,000+’ region for the better part of a week. We remained camped in one spot for the entire time. That might seem less exciting that moving on and covering more ground in the Sierra — and experience that I have also had. However, by remaining in one spot we were able to learn the personality of that specific little area much more deeply and to see it in various conditions: morning and evening, rain and fair weather, and more.

This is a humble little photograph — no towering peaks, building clouds, dramatic weather here. However, I got to know this little spot quite well during our visit. It was right “in the neighborhood,” and on a morning like this one I could roll out of my tent, lift my pack, walk uphill for five minutes or so, and be in this meadowy glade, filled with granite slabs and boulders and backed by rocky slopes leading to a nearby ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Headlands, Cove, Coastal Haze

Headlands, Cove, Coastal Haze
Headlands stretch into the distance beyond a cove and beach, Big Sur

Headlands, Cove, Coastal Haze. Big Sur Coast, California. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Headlands stretch into the distance beyond a cove and beach, Big Sur

We just returned from a two-day jaunt along the Central California coast. This is familiar territory, as I’ve been visiting this part of California since I was a child, and I have been photographing it almost as long. (Some of my earliest photographic memories include using old film cameras borrowed from my father to make photographs at Point Lobos.) Most of my visits are on day trips, so it is special to be able to spend more than a single day at a time photographing here.

We had unusual conditions and we saw a number of unusual things this time. The remnants of tropical storm Dolores have affected the weather, bringing unusual amounts of tropical moisture to the state and setting of big thunderstorms. We had no such storms on the coast — though they had swept through a day or two earlier — but there was high humidity, a lot of clouds, and warm temperatures. The water was also unusual in several ways. The swell was coming out of the south rather than the typical northwest. Overall the water was relatively calm, and in many places the water’s surface was smooth enough to produce interesting reflections. Sea life seemed unusually abundant: we spotted whales in many places, and large numbers of fishing boats were lined up close to the shore south of Carmel. In the evening as we headed back north towards Monterey the coastal inversion layer began to reassert itself, producing a layer of incipient fog along the coastline and producing haze that enhanced the sense of distance as we looked past successive layers of coastal headlands stretching into the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.