Tag Archives: canyon

Strata and Columns

Strata and Columns, Red Rock State Park
“Strata and Columns” — Red rock strata and vertical columns

For years I have passed by California’s Red Rock Canyon State Park on my way to or from other places, most often Death Valley National Park. My winter route between the San Francisco Bay Area and Death Valley almost inevitably takes me south over Tehachapi Pass and then north, where the highway cuts through this state park. Every time I have passed through I have marveled at the beautiful rock formations rising from the desert and thought about stopping… but kept driving, anxious either to get to DEVA or to get home after a long time on the road.

This time we made a plan to stop, booking a motel in a nearby town for the night to more or less force a stop. We made a fairly brief visit, but we did go this time. This visit, although brief, may have finally cracked the door open a bit to the idea of returning and photographing here again. Being unfamiliar with the park I cannot be sure, but I would guess that this formation may be one of its “icons.” It stands in an easily visited location and presents a striking appearance. It also seems to me to tell a bit of a story. One of the first things that got my attention is the way that its thick band of red rock tilts the opposite direction from the similar rock in the sculpted cliffs that stand behind it. It seems to me that this piece must have dropped off the face (probably with a big bang and lots of dust!), landed in the softer material at the base of the cliff, and momentarily leaned toward falling over to the right, but then managed to just keep its balance enough to be locked into this off-kilter tilted position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Canyon Reflections

Reflective mud and shallow water in a Utah clot canyon
“Canyon Reflections” — Reflections of canyon and sky in the muddy bed of a canyon stream

I was tempted to title this “More Mud.” But I didn’t, even though canyon mud is a very interesting subject throughout this area of the Southwest. I had been in one south Utah location for a few days and it was time to travel to different area to meet up with a friend. Rather than taking the paved routes I decided to follow about 50 miles of gravel back roads — the mileage was shorter but the time was longer. Better yet, this route took me past several interesting sites that I wanted to explore a bit.

One of these is a little canyon that I first visited a few years ago with friends. In fact, this spot was my very first time in one of these deep and narrow canyons. I recall that the entire experience was foreign to me on that first visit — from walking up the middle of a shallow running stream, to shooting in midday for the best reflected light, and the new and unusual (to me) sights and sounds of this part of Utah. So I figured that it might be fun to make a brief stop on this drive and wander back up the canyon for an hour or two. The canyon has many attractions, but one is that its regularly running steam keeps the canyon floor mud damp and reflective. Another is that high red rock walls reflect lovely bright colors down onto the water and the mud. After hitting my turnaround point, as I retraced my steps back down the canyon I paid special attention to the textures and reflections in the mud, and I was excited to find this spot that combined the red sand, the deep blue reflection of sky, the reddish reflection of canyon walls, and the warm light reflected down into the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Canyon Walls, Reflected Light

Canyon Walls, Reflected Light
“Canyon Walls, Reflected Light” — Light reflected from blue sky and sunlight canyon walls illuminates the lower reaches of a Utah slot canyon

On this day I visited — though just barely — an area of slot canyons in southern Utah. I rarely do much advance research when I plan to photograph in a new area, generally preferring to discover the place for myself. This has both advantages and disadvantages. I certainly make my share of missteps and sometimes miss spectacular locations on my initial visits. On the other hand, when I come with few preconceptions I am free to make my own relationship with these places and perhaps I am forced to look a bit more carefully at what I see.

I had a vague plan to visit an area where there are some fairly well-known features, though I did not plan to visit the most popular of them, preferring to avoid the need to special permits and the attendance line-waiting. So I got a map (one without a lot of detail) and figured out where to find a gravel side road to a place with a name I had heard of, and I headed that direction. I parked at another place with a name that sounded familiar, loaded up and started walking down a valley with a good size wash. Soon the walls closed in on both sides and I entered an area of slot canyon. There is much to see and feel in these canyons, but my attention is often focused on the light, which does astonishing things when it bounces down between higher red rock canyon walls. As I came to this spot I was taken aback by the intensity of the brilliant blue tones when open sky reflected on the shiny surface of the rock, contrasting with the intense reddish tones of red rock illuminated by red reflected light, and creating almost sensuous forms in the rock walls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dry Mud and Sand

Dry Mud and Sand
Dry Mud and Sand

Dry Mud and Sand. Grand Staircase-Escalante National Monument, Utah. October 25, 2014.© Copyright 2014 G Dan Mitchell – all rights reserved.

A dry and curled layer of mud atop red sand in the bottom of a Utah canyon

It might be amusing for “normal people” to encounter a group of photographers in the bottom of a narrow Utah canyon, where the photographers might be found clustered attentively and enthusiastically around… dry mud. That was the case here, as a group of use suddenly halted our progress down a small (though much larger later on) canyon to set up tripods, fit just the right lenses, and spend about a half hour making photographs of mud.

However, as is often the case in landscape photography, it turns out that even dried mud may have a lot more going on than a casual glance would suggest. For people who are not particularly conscious of their “seeing,” it would be easy to walk past and think, “that curled mud is very interesting” and not pay much more attention to it. However, a bit of time spent in these narrow canyon walls teaches you to become alert to the possibility that you might be missing certain things. One bit of visual magic in these canyons happens during the middle part of the day, when the sun directly strikes the red rock canyon walls and reflects this red-saturated light down into the bottom of the canyon. Once you train yourself to see past what your visual system tells you it is seeing (brown mud) you can begin to see the intensely red coloration of this light and even begin to notice that there is a blue component where direct light from the open sky reflects off of some surfaces. And then, you may also find yourself intently focusing on making a photograph of a small patch of dry and cracked mud sitting atop red sand.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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