Day lilies growing in the Commemorative Garden at the Gene and Irene Wockner Hospice Center, Kirkland, Washington.
Thanks to the several people who have told me that these are almost certainly daylilies. (I originally used two words, “day lilies,” to title this and I’m going to leave the title that way for now.) I’ve also been told that the name reflects the short blooming period of the individual flowers, which might remain in full color for only a “day.” While I did not know the name of the flowers, I certainly could tell that the blooms did not last long. In fact, in this photograph, the buds of incipient flowers are visible above and to the right of the main flower, and one that has already run its course is near the top of the bright red and yellow flower.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Flowers photographed in the Commemorative Garden at the Gene and Irene Wockner Hospice Center, Kirkland, Washington.
During the past week and a half I spent a great deal of time in view of the beautiful and quiet garden in which these flowers were found. I think they are lilies, but I’m not the world’s greatest flower identifier (to say the least!), and I would welcome an accurate identification from anyone who knows. After looking at the garden from indoors for a week, I finally decided to take a slow and quite walk through it one afternoon, and I made a few photographs as a sort of meditation.
The reason I was at this place was not, of course, a happy one. My mother, Elinor Danforth Mitchell, entered the hospice a week and a half ago after suffering a serious stroke at the age of 93, a stroke that was the sort she was undoubtedly thinking about when she gave us advance instructions (which was so like her!) about what to do should this happen. She not only lived to 93 (like her sister “Dolly,” and her mother Nora), but she was amazingly resilient as she faced a series of challenges during the past few decades, beginning with the loss of her husband, Richard S. Mitchell, over 20 years ago and continuing with health challenges including arthritis and macular degeneration that left her nearly blind. (A bright spot though – in the past month or two, a procedure she had earlier this year had actually given her back some of her sight, much to the amazement of all of us and much to her pleasure.) Through it all, she remained as positive as she had always been. About her blindness, she had said that getting angry or depressed wouldn’t help, so she was just going to accept it and move forward – and she did. So in her eighties she figured out how to be almost completely self-sufficient in her apartment, and people who met her often did not even realize at first that she had lost her sight. Perhaps most important to her, she kept her mental acuity right up until her stroke. She could – and frequently would! – recite the birthdays of four children, four children-in-law, eleven grand children and more. As my sister wrote recently, she could probably tell you, to the penny, what she paid for the Thanksgiving turkey in 1976!
All four of her children were scheduled to visit to help her with a move from her apartment to new living arrangements, and two were to arrive on the day of her stroke. This meant that all four of us were able to be with her during the week and a half until she passed away quietly on August 2, 2012.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
“Towers and Sky” — Two downtown San Francisco buildings and a patch of clear sky.
Whether or not it is apparent, this photograph is the result of some simple shooting and some significant post-processing work. The shot was made handheld during an early evening walk through a portion of San Francisco’s financial district. In addition to looking for the usual street stuff, I was giving my attention to what was above me. I made a series of photographs of very tall buildings, shooting almost straight up and from very close to the bases of the buildings. In “street” style, I was working with a 50mm prime and framing subjects within the constraints of that lens. (Since the subject comes up in this context from time to time… no, I’m not making any statement about the “right” lens to use for street. Sometimes I just like to work with a prime. Sometimes I like to work with a zoom. Sometimes I like both!)
When photographing these subjects in this way, the vertical shooting angle and closeness to the buildings can eliminate the reflections of other buildings and let each structure be seen apart from its surroundings to some extent. In this photograph, the windows (almost) do not reflect anything but sky. In order to emphasize the presence of those windows I chose to apply a blue (!) filter in post, which also had the effect of making the sky almost perfectly white, especially after some curves adjustments. I applied a few other processes as well to get the look I was after here – but those can be my secret!
For probably 90% or more of my photography, I’m pretty much a tripod kind of guy. Working without the tripod, walking through urban areas, and responding somewhat quickly (as least compared to some of my landscape work) to subjects, and then moving on – all of this can be a welcome change from my more typical shooting style.
A Brooklyn Bridge lamp-post stands against a backdrop of several iconic lower Manhattan structures, New York City.
I was surprised to find that I apparently never posted this photograph after our August trip to New York City. We had taken the subway over to Brooklyn very early in the morning to meet our son, and then wandered around some areas of Brooklyn near the waterfront where there is a view of lower Manhattan. Eventually we worked our way over to the Bridge with the plan being to walk back to Manhattan.
As we walked along I noticed several things that seem to characterize this bridge. Some of the features are pretty obvious to the point of being iconic – the pattern of the support cables for example. But these lamps kept distracting me, so I decided to see how I could photograph them. At this point, it occurred to me that I could actually leave out most of the bridge except for the lamp post (and a bit of the top of one of the towers) and then line it up with a bunch of other recognizable stuff on the lower Manhattan skyline. I chose to desaturate this image quite a bit in post, which explains the somewhat unusual color palette.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
