Tag Archives: channels

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Half Submerged

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Half Submerged
“Half Submerged” — The salt playa of Death Valley partially submerged under the shallow waters of Manly Lake.

Part of what I love about this subject is how hard it is initially to understand exactly what we are looking at. (I wonder what you thought it was at first?) My first impression, at least when looking at small versions, is of sky and clouds. It is only when I look more closely that I realize that it is not that at all — it is the playa of Death Valley, where salt flats are partially submerged beneath the water of Lake Manly.

We usually direct our eyes parallel to the ground or perhaps upwards when we view the landscape. But on those occasions when we can look down at it from a distance we see it in a very different light. Features that are barely, if at all, visible from down below become the major points of interest. (There’s a lot more to see in this scene than first meets the eye.) And all of this is enhanced by the subjective feelings that come with looking out from any very high vantage point.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Meandering Channels

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Meandering Channels
“Meandering Channels” — Water flows across the salt playa through meandering channels in Death Valley.

Viewed up close from the valley floor, Death Valley is a mostly flat place blanked by tall mountains. But the details of its huge playa are largely invisible unless you travel off the paved roads and out into it. But even there, the flat terrain makes it difficult to fully understand the landforms. To do that you are better off heading to some place high above the valley and looking down into it from above.

I went one such place very early in the morning, and from there I watched the first rays of sunrise light strike the peaks of mountains across the valley, then work their way down to the valley itself. Eventually the shadows contracted and the full valley was in sun, revealing remarkable patterns of land, salt deposits, and meandering seasonal streams.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Playa and Shadowed Ridge

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Playa and Shadowed Ridge
“Playa and Shadowed Ridge” — Morning sunlight on the playa of Death Valley beyond a nearby shadowed ridge.

On one hand, this is an interesting record of something you can see in high places above Death Valley following a very wet season. On the other hand, there are several stories behind this photograph. It was morning, and I had arrived at this high overlook before dawn. Eventually the shadows of the mountains upon which I stood retreated across the valley towards me, leaving the playa in sun. At the moment that I made this exposure, there was just a small stub of the mountain shadow still in the valley, yet the jagged ridge just below me was still in dark shade.

Far below, there was a lot of water on the desert playa, much more than usual. Heavy rains during recent months had flooded a large section of the valley, and here a large pond is visible among the deposits that spread across the playa. A twisting, meandering stream leads to it. Farther out on the playa there are more channels — this landscape that we think of as being arid and hot was, on this day, full of water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Tidal Flat Reflections

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Tidal Flat Reflections
Blue sky reflected in channels on tide flats, Point Reyes National Seashore

Tidal Flat Reflections. Point Reyes National Seashore, California. July 23, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Blue sky reflected in channels on tide flats, Point Reyes National Seashore

In late July I spent a day at Point Reyes National Seashore, a location that is probably just within a reasonable one-day out-and-back drive for me. (And, yes, on occasion I indulge in completely unreasonable drives to photograph certain special subjects, but that’s a story for a different post.) From looking at weather forecasts, I was hopeful that I would arrive early enough to grab a fresh pastry at Point Reyes Station (success!), make it out to the Seashore before the fog cleared (success!), and then photograph as it cleared away (less success!). I never did break completely out of the fog, and the final destination of my daylong hike was pretty thoroughly socked in.

But along the way there was some interesting light, combined with some fortunate timing. My hike took me along Drakes Estero, the large, shallow estuary that extends inland from the beaches surrounding Drakes Bay. I had not checked the tides before going, but it turned out that I arrived at a rather low tide, and the water had retreated far enough to leave the mudflats high and dry, broken only by twisting channels where a bit of water remained. The fog directly overhead darkened the mud flats, but the water reflected the blue sky from an area of clearing further in the distance. Once again, it was good fortune that made a photograph possible — these abstract blue patterns could only occur at low tide, with fog overhead, and with blue sky at the fog/clear boundary nearby.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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