A small child on the sidewalk passes in front of Altdeutsche Weinstube
I must have made this photograph while walking up one of the back streets of the altstadt, a few blocks over from the popular main street. I simply grabbed the photograph and moved on, so I don’t know much of anything about the building aside from what I can see in the photograph. (A check of Google Maps suggests that whatever business was in there may now be closed.)
The building itself was fascinating to me, with its badly weathered brightly colored pain and the old script painted signs (partially painted over) on the wall. The small child walking by at that moment — and alone! — was a bonus in many ways. Among them is the strange sense of scale that he provides. Either he is a very tiny child or, more likely, the scale of the building is a bit larger than we might think.
A child appears to yell at a reflective window in front of a London street scene
This is one of those “either you get it or you don’t get it” photographs. We were in London for a bit more than a week, as part of a five-week period on the road through places including New York, London, Paris, Germany, and Italy. I know that not every “landscape photographer” feels the same way, but I love photographing the streets and people when I’m in places like this. In some ways it is a sort of counter to what I more typically do — I can work handheld rather than with a tripod, I tend to carry minimal equipment, and photographing “the street” often compels me to work quickly and instinctively.
We were out walking somewhere in London — I’ve forgotten the exact context — and we ended up on this busy street full of pedestrians. There is a lot to think about and to see in this photograph, at least in my view. The sky blue color figures prominently in many places within the frame. The carefree girl walking toward her reflection is the center of the scene for me, but behind we also see a couple and an older woman walking away.
A man carrying a child walks along a Manhattan street
Beyond the most general location — “Manhattan” — I’m not certain at the moment where I made this photograph, though there is a good chance that it was in Manhattan between roughly NYU and Grand Central Station. It seems, to me, to be emblematic of New York City in many ways, and the incongruity of an individual man carrying a child while walking through the area caught my attention. To be honest, the two of them were a lucky stroke. I”m pretty certain that I had first noticed that scene and thought to photograph it as a sort of urban landscape, but that as I was framing my shots the man and child happened to walk into the scene.
In retrospect, there now seems to me to be something almost poignant in the image of the man cradling the small child in his arms as he walks past and through what appears to be a very run down urban landscape. (The truth is probably a bit less dramatic, as you can find bits and pieces of real estate that look like this in many parts of the city, from what I’ve seen.) I think that it also helps that we is caught in a bit of soft but directed light reflected into the scene from surrounding buildings. I find the details of the graffiti and related stuff on the walls to be interesting, too. Of course, to the extent that I “saw” these things at the time, it had to be largely an instinctive matter, since there is rarely enough time to carefully consider all of these things when on the street and when the subject is walking into and out of the frame!
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A child playing with a toy car on the sidewalk of a busy Manhattan street
I made this photograph on my first real day of shooting in Manhattan. We had arrived the night before, late enough that we only had time to take a cab to where we were staying, have a bite to eat (thanks, Timothy and Margaret!), and fall asleep. The next morning we went over to NYU, where Patty was participating in a music conference for the next five days, and after she got registered I was on my own in Manhattan, and on the prowl with a camera for a good part of the next few days. I often started out with very general plans, but then mostly sort of followed my intuitions as I wandered up and down the island. On this first morning I simply headed uptown toward Grand Central Station with my camera at my side, and began to get in the flow of photographing this busy, dense, and compelling place.
When shooting street I often think a bit like the landscape photographer than I am. This means that I find what I think is a visually interesting place, consider how to compose a shot, and then wait until something or someone interesting enters the frame. However, this shot worked more or less the opposite way. I saw this child, incongruously pushing his combination play car and stroller on a section of this very busy urban sidewalk. Fearing that it might be more than a little creepy to walk up and point my camera at this interesting child, I moved closer to the building wall so that I could instead include him near the edge of a shot of the overall street scene. Placing him so close to the lower left corner obviously made for an unusual composition, though I think it is somehow interesting to see him in a position that seems so peripheral to the rest of the scene. I watched to see if he would do anything interesting, and I made the exposure when he leaned over and looked in my direction. Initially I thought that the photograph might be in color, and as I worked with it the bright colors of taxis seemed to complement the cooler tones of the shaded sidewalk area. But there were problems — that interesting yellow also distracted from the child, and his little “car” was a dark shade of blue. In the end, I had a lot more control over the relative tonality of different parts of the scene with this black and white conversion.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
