Tag Archives: cliff

,Autumn Aspens, Cliff

Autumn Aspens, Cliff
Autumn aspen trees cling to ledges along the face of a cliff in the Eastern Sierra Nevada

Autumn Aspens, Cliff. © Copyright 2016 G Dan Mitchell – all rights reserved.

Autumn aspen trees cling to ledges along the face of a cliff in the Eastern Sierra Nevada.

The aspens in this photograph have fascinated me for years. Nearby are some relatively large, tall, and straight trees, but for the most part the trees in this scene are small, slender, and sometimes even a bit misshapen. They manage to eke out a living on what appears to be solid rock as they send their roots into narrow cracks.

These trees seem to have, at least in my experience, a fairly short period of maximum color. Or at least that is what I tell myself when looking to explain why I have somehow almost always missed their best color. But it also appears that they change colors earlier than some of the other trees in the area — I made this photograph just past the middle of September, nearly two weeks before the typical start of the more widespread fall color season in the Sierra.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Morning, Fog, Surf

Morning, Fog, Surf, Big Sur
“Morning, Fog, Surf” — Bright morning light illuminates fog along the Big Sur coast as storm wave run up against the cliffs

The fog in this photograph doesn’t come from the usual source. Typically, along this section of California’s Big Sur coastline, fog rolls in from the ocean in big, fluffy, low-level clouds. That fog is a dark, damp, gray thing, and — with the exception of the moments while it is clearing — it generally does not let in much light. The “fog” in this photograph, which might more accurately be called mist or spray, comes from gigantic waves from a winter storm breaking along the coast in windy conditions. The waves produced this mist on this day of surf up to 40 feet high.

The photograph could also serve as an example of looking away from the most obvious thing. The location is at or just before a very popular and iconic stopping place along the Coast Highway in the Big Sur region. In fact, many people making a quick trip down from the north choose this spot as their turn-around point. I stopped a bit before the throng and pointed my lens in a different direction, down toward a familiar beach lying at the base of huge shoreline cliffs. The beach isn’t visible — the giant waves were so strong that they ran all the way up to the base of the cliff. I decided on a high key interpretation of this scene in order to reveal the glowing backlight slanting across the cliff from above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Colorful Rocks, Lichen

Colorful Rocks, Lichen
A shadowed rock face with red lichen

Colorful Rocks, Lichen. © Copyright 2018 G Dan Mitchell – all rights reserved.

A shadowed rock face with red lichen

This photograph looks at some details that might be easy to overlook. The rock face was located along a trail we walked on our way to our base camp for nearly a week of Sierra Nevada backcountry photography, and we ended up camping perhaps a half mile from this spot. Most of my focus was on higher terrain, but later during our visit I found the time to walk down-canyon to this spot and photograph this wall.

Several things were striking about this feature. From a personal perspective, I was surprised that I had completely ignore such an interesting source of intimate landscapes when I walked past it the first time. Now, as I revisited it, I realized that the light here was quite special, with some reflections from bright, high peaks across the valley, and additional light coming from the blue sky, with both sources filling in soft light. Here and there small plants found a foothold in cracks, and colorful lichens, ranging from intense reds and oranges through bright greens and yellows grew on the face.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Patterned Cliff Face, Detail

Patterned Cliff Face, Detail
A small section of shaded Sierra Nevada cliff reveals remarkable details of dikes, fractures, color, and stains

Patterned Cliff Face, Detail. © Copyright 2018 G Dan Mitchell – all rights reserved.

A small section of shaded Sierra Nevada cliff reveals remarkable details of dikes, fractures, color, and stains

Most often when I think of large rocky faces in the Sierra Nevada, the clean, smooth, and almost uniform faces of Yosemite granite come to mind — large expanses of nearly unbroken rock shaped by glaciers. However, when I get into the high country and the other areas of the range I am reminded that things aren’t quite so simple. In places you can find mountains cut through by giant dikes of non-granite rock, or you might encounter the remnants of more ancient layers that lay above the granite intrusions and today give us red, black and other colors of material.

Since I’m no geologist, I can’t explain the details of the face in this photograph, but I can share a few observations. It is the headwall of a high bowl that contains a subalpine lake, and the area does show signs of glaciation. The fact is gigantic, and this is just a small section. It is far from uniform, with mostly gray rock cut through by thick intrusions of lighter material, and the whole thing cracked and fractured. In many places the surface has been deeply stained as water has flowed or seeped across it.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.