Tag Archives: cliff

Talus, Cliff, Shoreline

Talus, Cliff, Shoreline
A talus field of giant boulders tumbles to the edge of an alpine lake at the foot of a cliff

Talus, Cliff, Shoreline. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field of giant boulders tumbles to the edge of an alpine lake at the foot of a cliff

There are multiple ways to look at this photograph. One is to think of it as a record of a specific place at a particular time. That is perhaps important to me and to the others with whom I shared this week in the Sierra Nevada backcountry, but I think it is far less important to others who may view it. Another way to view it is as an example of a particular kind of landscape — the subalpine terrain of the eastern slope of this mountain range — and to note the cliff face at the left, the base of the talus field that reaches to the shoreline, and the lake itself. Sierra travelers probably have their own collection of memories of similar places.

A third way to view it is to try to step back from the seeming objective reality of location and subject, and to try to look at it as a structure of colors and forms and textures. This isn’t always easy, and it perhaps it isn’t for every viewer… though the elements mirrored in the reflective surface of the lake may encourage a viewer to try. In fact, this gets a little closer to how I see such things and such places. Yes, I do respond to them a real locations and as examples of the Sierra terrain I love. However, in most cases that isn’t enough for a photograph, at least not to me. I’m always looking for shape and texture and color and relationships in these subjects. (Of the recent photographs of talus slopes, water, and soft light, this may be my current favorite.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Blue Hour Talus, Cliff and Lake

Blue Hour Talus, Cliff and Lake
A talus field extends across the shore of an alpine lake

Blue Hour Talus, Cliff and Lake. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field extends across the shore of an alpine lake

During my recent September backcountry expedition to photograph areas of the John Muir Wilderness, we were fortunate to find ourselves in a place with lots of rocky terrain — tall peaks above, mountain slopes all around, talus fields leading into alpine lakes. The lower Sierra country with it forests and gentle steams is wonderful, but I really love the higher and more rugged country, where stunted trees grow among tarns and small lakes, and where the landscape is more and more rocky as you ascend.

Near the lake at which we camped a gigantic talus field descended from the nearby ridge. At first glance such things can appear almost random and undifferentiated, being the rock equivalent of beach sand. But in the right light, looked at in the right way, and especially with a smooth lake surface to reflect their forms, structural patterns and flows begin to appear from the complexity of this landscape. In direct sunlight these rocks can be almost too harsh to photograph, with huge contacts between black shadows and brilliant reflective highlights. But during the morning and evening “blue hour” periods the light is softened, filling in shadows, and adding a different sort of coloration to the scene.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cliff Face, Detail

Cliff Face, Detail
Abstract forms and colors of a weathered and stained Sierra Nevada cliff

Cliff Face, Detail. © Copyright 2018 G Dan Mitchell – all rights reserved.

Abstract forms and colors of a weathered and stained Sierra Nevada cliff

As I do almost every summer, I headed into the Sierra Nevada backcountry with a group of friends and photographers over the past week and a half of so. The group has been doing this since about 2001, and I began to work with them nearly a decade ago, eventually moving from showing up as a solo backpacker for a few days to participating fully in the visits. Typically we get packed in to a location with lots of photographic possibilities — a pack string brings in a lot of the gear, while we typically carry in our camera equipment. Once set up we can “work” the surroundings intensively, looking more deeply into the landscape and viewing it in various conditions and light. This provides us with special opportunities to learn the nearby landscape more intimately than if we were just passing through or hiking in and out each day. Equally important, as we live and work together for a week we form a very special little photographic community.

This year we were (again) in the John Muir Wilderness of the Eastern Sierra Nevada. Every place has its own visual personality. In this location high mountains surrounded us and produced several hours of soft, shaded light in the morning and evening, with fill light reflected from surrounding peaks rising into the sunlight…

Beneath The Fog

Beneath The Fog
Pacific Ocean bluffs beneath summer fog, Big Sur coast

Beneath The Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Pacific Ocean bluffs beneath summer fog, Big Sur coast

We often photograph this coast when it is sunny, and even then we tend to photograph at the colorful early morning and evening hours. The light at those times and in those conditions is, indeed, amazing, and who could blame photographers for seeking it out? In addition, along the Big Sur coast the clearer skies often produce great vistas that stretch over immense distances.

I often wonder how people who are familiar with this area from photographs and guide books — with their sunny photographs — must respond when they discover that fog is very common, especially during the prime summer tourist months. In fact, much of the California coast is like this — it can be (and was on the day I made this photograph) ninety degrees or hotter a few miles inland and cold, windy, and foggy along the immediate coast.  I made this photograph right at one of the best known and most iconic locations along the Big Sur coast, but in these more typical foggy conditions.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.