Tag Archives: cliff

Burned Forest, Autumn Color

Burned Forest, Autumn Color
Autumn colors in a forest of burned trees, Yosemite Valley

Burned Forest, Autumn Color. Yosemite Valley, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Autumn colors in a forest of burned trees, Yosemite Valley

During this final weekend of October I spent a few days photographing in the Yosemite area, including along the road between Oakhurst and the Valley and then in Yosemite Valley itself. I had quite varied weather conditions — pouring rain on the first day as I drove up from the Bay Area, beautiful evening and morning fog followed by a sunny autumn day, and then a weather forecast of heavy rain that convinced me to beat a retreat from the park a day early.

Late on the second afternoon I stopped at a very popular and iconic location in the Valley, but I walked the other way, heading out into an area of rock, dry meadow and oak trees that gradually transitioned into conifer trees and big leaf maples, the latter being at their peak of fall color. Knowing the Valley pretty well at this point, I often prefer to look past the big sights and just wander, and that’s what I did here, eventually ending up in an area that had been burned recently by a management fire, clearing out the underbrush and charring the lower trunks of tall trees. In fact, the lower trunks were so affected that there were no branches to obstruct the view of the maples just beyond or of the vertical granite cliffs a bit further away.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Canyon Narrows

Canyon Narrows
Twisting narrows in a desert canyon, Death Valley

Canyon Narrows. Death Valley National Park, California. April 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Twisting narrows in a desert canyon, Death Valley

On a late spring day of wind and sand storms in Death Valley National Park — and after several days of such conditions — we retreated to one of the deep and narrow desert canyons for an afternoon. After a short walk across the upper edges of a giant alluvial fan, we dropped into the lower reaches of the canyon and headed uphill. Soon the path entered the base of the range and the walls began to narrow, and the wide open world of the desert floor was invisible to us.

The canyons of Death Valley are in some ways similar to the more famous slot canyons of the Southwest. Both are formed by water coursing down narrow canyons, sometimes at high rates that rearrange the geography of the canyons significantly. But there are differences. Here the canyons are most often dry — a year round water supply in such Death Valley places is not typical. And the rock is not the familiar red sandstone of the Southwest, but here a more contorted and broken and often less colorful rock. But sections are very beautiful, and there is something very magical about this section of this canyon, as it narrows and passed between inward curving walls.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Surf, Bluff, Sea Stacks

Surf, Bluff, Sea Stacks
Surf, a steep bluff, and sea stacks lead toward a foggy horizon, Big Sur Coast

Surf, Bluff, Sea Stacks. Big Sur Coast, California. May 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Surf, a steep bluff, and sea stacks lead toward a foggy horizon, Big Sur Coast

I sometimes forget how long this coast has been a part of my consciousness, but a visit or two quickly remind me. I have lived in the San Francisco Bay area since I was four-years-old. Weekend and summer visits to the Monterey Bay beaches and the tide pools of Point Lobos were regular events, and the effect of those visits remains all these years later — and all it takes is a quick visit to remind me of what it means to live this close to the Pacific Ocean.

On this first day of May I made a morning visit to the upper Big Sur coast, getting to some of the best parts before the inevitable weekend crowds arrived. It was a beautiful day, at first looking like it might turn out to be “yet another blue sky day,” but soon becoming more interesting, at least from the photographic point of view, as thin fog began to form just about the meeting of the ocean and land. When I made this photograph looking south down the coastline, it was still early enough that the bluffs and coastal mountains cast shadows along the surf line.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Colorful Granite Cliff and Trees

Colorful Granite Cliff and Trees
A colorful High Sierra granite cliff and trees in soft light

Colorful Granite Cliff and Trees. Yosemite National Park, California. September 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A colorful High Sierra granite cliff and trees in soft light

Sitting here on a late-winter day, this late September week spent photographing in the Yosemite back-country seems so far away. (At the same time, as I watch the inevitable progress of the seasons, the upcoming summer season seems closer and closer!) Three photographers headed out to a back-country lake, where we set up a base-camp for something like nine days of photography. It might seem like photographing in one tiny area for a week might exhaust its possibilities. In fact, at the start of such a trip I often harbor such fears — but by the end of every one of them I am again reminded that it virtually never works that way. The more time spent looking in such a place, there more there is to see, and at the end of such a trip there are, inevitably, things left to be photographed on the next visit.

Not far from our camp was a rocky area that we often crossed in order to make our way around the perimeter of a nearby lake and to get to areas a bit further away. After climbing slabs the route dropped into the lower extent of a deep gully traveling down from higher terrain, and eventually I began to know these rocks and this gully very well. We had “interesting” weather during our stay, and on the day I made this photograph the light was muted by various factors including clouds and wildfire smoke.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.