Tag Archives: clouds

Evening Storms

Evening Storms
Evening rain clouds and dust storm above the Panamint Mountains, Death Valley National Park

Evening Storms. Death Valley National Park, California. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening rain clouds and dust storm above the Panamint Mountains, Death Valley National Park

This was a wild evening in Death Valley. While the clouds were generally moving toward clearing, we first saw extreme weather of several types. Down close to the ground there were big, billowing clouds of sand and dust being lofted above the Valley floor. High above that wildness huge weather front clouds built above desert mountains.

In the evening I decided to go our for one more photographic chase, even though the weather hardly seemed conducive to photography. In this case I resorted to an approach that I’ve used before in storms like this one, namely to put on the long focal length lens and shoot into the maelstrom from a distance. It this case, two storms were present at once: While high winds whipped up the sand and dust storm closer to the ground, overhead the monumental clouds of a rain storm towered over the desert mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Morning, Mountains, Desert Canyons

Morning, Mountains, Desert Canyons
Cloud-filled sky at first light above desert mountains and canyon, Death Valley National Park

Morning, Mountains, Desert Canyons. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Cloud-filled sky at first light above desert mountains and canyon, Death Valley National Park

As I post this photograph on the summer solstice, this location is perhaps not a place you would want to be right now. I understand that temperatures in Death Valley National Park have been in the 120 degree range already this summer. But back on this March morning the scene was a lot different — clouds from a passing Pacific weather front obscured the dawn light, and there was a pleasantly cool wind at this location high in the Panamint range as the morning light arrived.

This view looks down through one of the many gigantic canyons of the Panamint Range, a sight that reminds us of just how important the flow of water has been in the creation of this remarkable landscape. In the middle distance the salt flats of Death Valley are visible at the base of the Black Mountains, and above that the demarcations between mountains and clouds and sky and light are hard to see, and the terrain of the rugged Death Valley landscape almost merges with the ephemeral terrain of this sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

First Light, Cottonwood Mountains

First Light, Cottonwood Mountains
First dawn light descends the eastern face of the Cottonwood Mountains and touches the desert floor

First Light, Cottonwood Mountains. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

First dawn light descends the eastern face of the Cottonwood Mountains and touches the desert floor

A morning like this on the desert flats, surrounded by arid and rugged mountains, waiting for the sun to rise, is very special. We arrived in the dim, pre-dawn light and set out across the flats toward the edge of dunes, passing across scrubby desert plants and over rocky and sandy ground, listening to the steady crunching of footsteps in the silent landscape. We probably should have started a bit earlier, but we lingered a bit too long over coffee, and as we approached the edge of the dunes the sun began to move down the face of the mountains to the west.

The light on the mountains  was set off against a sky darkened by the clouds of a passing weather front, and thin clouds intermittently shadowed the dawn light. It worked its way down from the ridges to the base of the mountains and then it very quickly began to light the terrain around us, first with gently cloud filtered light and soon more intensely. We quickly stopped walking and looked around for any nearby subject that might serve as a canvas for this light — I found a few long plants nearby growing in sand and moved to position them in front of the mountains as the soft light touched them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains, Clouds

Desert Mountains, Clouds
Clouds from a passing weather front and the beginning of a dust storm above desert mountains and valley

Desert Mountains, Clouds. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Clouds from a passing weather front and the beginning of a dust storm above desert mountains and valley

If you follow my daily photographic posts, you just might recognize this scene — given that I’ve been posting variations on it for the past couple of weeks! (As you may have gathered, my daily shared photographs are not the same as my “Best of…” work. Instead they are, among other things, a way to stay “on assignment” and work out and try a variety of ideas.) So far, the variations on this general subject have included both monochrome and color versions and vertical and horizontal formats.

There were several challenges with this scene on location, some technical and some esthetic. Technical challenges included the extreme variations in the light, from the brilliantly lit clouds to the left foreground canyon in deep shadow. This was a challenge for which I realized that part of the solution could come in post, as long as I was careful with the highlights in the exposure. Compositional questions included how much of that dark foreground mass to include (with the presumption that some detail could be retained there), where to place various lines relative to the edges of the frame, and how much sky to include. While I first wanted to keep the hazy light on the mountains on the far side of the valley very brightly luminous, it seemed that their detail could be lost against the large dark areas. In any case, this is one of the current “finalists” among the group I’m considering.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.