Tag Archives: clouds

Black Oaks, Spring Snow

Black Oaks, Spring Snow
Spring snow falls on a black oak grove, Yosemite Valley

Black Oaks, Spring Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Spring snow falls on a black oak grove, Yosemite Valley

It is hard to pick a favorite season in Yosemite Valley. Fall brings much cooler temperatures, diminishing crowds, and autumn colors. Winter brings snow and clouds drifting among peaks and across meadows. In spring the waterfalls flow strongly again as rivers rise, and the Valley’s vegetation comes back to life. Perhaps the ideal time is the transition between winter and spring, when on the ideal day you can experience a bit of both seasons. (Identifying the least favorite is easy. That would be summer, on account of the sometimes extreme heat and the frequent crowds of tourists. I generally stay away between June and mid-September.)

This was one of those spring days that briefly felt more like winter. A quick snow storm came through, dropping temperatures and leaving a few inches of snow on trees and on the ground. (It was almost all gone before noon the next day, when spring returned.) These black oak trees, with their graceful trunks and branches, are always lovely, but when snow falls they are special. There was just enough snow to coat the upper branches of these trees, and snow and mist swirled beyond among the cliffs surrounding the Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dead Trees, Snow

Dead Trees, Snow
Burned forest trees silhouetted against snow storm clouds swirling around a granite face

Dead Trees, Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dead forest trees silhouetted against snow storm clouds swirling around a granite face

I have written before about my long-term process of trying to find ways to photograph the beauty of dead or burned forests, a subject that I was brought up to regard as a tragedy. For decades, Smokey the Bear told me that forest fires were a wholly bad thing, to be avoided at all costs. Eventually we came to understand and (mostly) accept that fire is a normal and even necessary part of the life-cycle of healthy forests, and in places like Yosemite fires are often “managed” rather than suppressed. Currently in the Sierra Nevada the issue is compounded by the sight of millions of trees that fell victim to bark beetles during the recent drought, and whole forests have died in some places. A few dead trees are a normal part of the landscape, but this is unprecedented in the lives of any of us.

This photograph was made on a snowy day in Yosemite Valley, probably the last such day of the current season as winter turns to spring. Beyond the stark trees, a combination of clouds and blowing snow mostly obscured the Valley’s cliff faces. This photograph illustrates something else I figured out about photographing tall trees some years ago. I used to feel that the way to show the vertical scale of tall trees was to move back and show the whole tree, usually in a vertically framed image. I specifically recall the day when I figured out that there is another way. I was photographing in the coast redwood forest north of San Francisco, where I was unable to move back to get the tree-encompassing distance. I realized that I could do the exact opposite of what I had been doing — use a panoramic framing that does not show the whole tree, but instead implies by absence that subject is too tall to fit in the camera’s frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Oak Trees, Snow, Clouds

Oak Trees, Snow, Clouds
Tall winter oak trees silhouetted against granite cliffs and snow-storm clouds

Oak Trees, Snow, Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Tall winter oak trees silhouetted against granite cliffs and snow-storm clouds

Recently I spent a few more days in Yosemite, mostly in Yosemite Valley, working on my Yosemite Renaissances artist-in-residence project. We have settled on a theme for the exhibit, which will open on June 2, with a June 9 public reception. Since the timeline extended, I’ve decided to go beyond winter images and instead look at the transition from winter to spring. Hence, the title: “Transitions: Winter To Spring.” A group of friends and fellow photographers will also be part of the exhibit, and I’ll share more information very soon.

This week probably (though you can never be totally certain) marked the final real winter weather of the season in the Valley. A quick weather front swept through with surprising amounts of precipitation over a brief period, and it was cold enough for snow in the Valley. The snow wasn’t deep, but the cold temperatures allowed it to cover everything, including these lovely old black oak trees, photographed here against the background of clouds and mist and some of the rocky walls of The Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

St. Madeleine Church, Trona

St. Madeleine Church, Trona
The stark architecture of St. Madeleine Sophie Barat Catholic Church, Trona, California.

St. Madeleine Church, Trona. © Copyright 2018 G Dan Mitchell – all rights reserved.

The stark architecture of St. Madeleine Sophie Barat Catholic Church, Trona, California.

I have a bit of history with the California town of Trona, but it has mostly been superficial. I may need to consider changing that. The town is in the far reaches of San Bernardino County, in the desert region between Ridgecrest, California and Death Valley National Park. The entire reason I even know of the place is that it is on the route that I almost always follow into the park. The town has roots that go back to the 1800s, and it seems to be supported almost entirely by the mining/extraction operations that go on there. To this outside, Trona has that utilitarian, dusty, sad, potential ghost town look of so many remote Western towns. I’m sure that some of that impression is the result of my own ignorance, but still…

I’ve passed through Trona annually for about two decades. However I rarely stop, mostly because Trona is either the last step on a very long drive to Death Valley (and I just want to get to DEVA and get to work without delay) or the first step on the long drive home (and I feel little need to stop yet). There isn’t much there for travelers — a drive-in, a restaurant on a side street, a market, a gas station or two. However, with each visit the feeling grows that there is something worth looking at and photographing here, especially in an increasingly urbanized age where fewer people have any experience with such places. So this time, on the way out of the park, we paused briefly and drove around just a bit. I noticed things that I have missed before. (For example, not all of the homes here are abandoned or unloved.) Our final stop before moving on was the parking area next to the St. Madeleine Church. In fact, this was one of the features that first suggested photography here to me some years ago, even though I had not previously stopped. It is a remarkable building, and its brutalist concrete construction and unadorned square shape somehow seem appropriate in this stark desert landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.