Tag Archives: conifer

Trees and New Snow

Trees and New Snow
Trees with new snow in sun and shadow at the base of a Yosemite Valley cliff

Trees and New Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Trees with new snow in sun and shadow at the base of a Yosemite Valley cliff

During this weeklong late-February visit to Yosemite National Park (thanks to an artist-in-residency from Yosemite Renaissance) the weather was quite cold, even for the Sierra Nevada in winter, and there was light snow at times throughout the period. In many ways, this is almost idea for photography in Yosemite Valley — although the snow and cold complicate the process of making photographs, they also have some beneficial effects. Obviously, the snow changes the appearance of the landscape in many ways, and the cold weather tends to reduce the number of people who are out and about.

It had snowed a few inches in the Valley since the previous afternoon. (The storm was varied, and I work up to considerably more snow than that where I was staying, outside the Valley.) Because of the unusual cold — it barely got out of the teens — the snow stayed “dry” and didn’t immediately melt out of the trees. In the photograph you can see a bit of snow in the meadow on the Valley floor, but there was more up higher, and the trees ascending the further slope all were fringed with it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Morning, Fresh Snow

Morning, Fresh Snow
The previous night’s new snow covers the trees of this conifer forest

Morning, Fresh Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

The previous night’s new snow covers the trees of this conifer forest

This is another photograph from my recent week in Yosemite Valley in late February — and a cold and snowy week it was! But that was good news during a winter that had previously bene characterized by nearly a month of no precipitation and by well above-average temperatures. Yosemite Valley is always more picturesque after (or during) snow, but the climatological backdrop made this even more true this year.

I drove down into the Valley on this morning after snowfall the night before. There wasn’t a lot of snow — perhaps 4-5 inches where I had stayed overnight and no more than an inch or two in most of the Valley. But in many ways that was just about the perfect amount. On this very cold morning the snow stayed in the trees, and the thin layer still allowed the darker colors and shapes of the branches and tree trunks to be visible. As I came to this spot I noticed that the snow-lined trees were back-lit, so I stopped, wandered into the forest, and photographed… and before long the sun passed behind the upper edges of high cliffs, the area was in shade, and the opportunity was gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Forest, After Snow

Forest, After Snow
Densely intertwining forest trees after a Yosemite Valley snow storm

Forest, After Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Densely intertwining forest trees after a Yosemite Valley snow storm

My previous day in Yosemite Valley had drawn to a close as snow showers dropped a few inches of snow. A blustery and cold little weather front had arrived, bringing showers — the sort of weather than gives you a few minutes of impressive snowfall, followed moments later by the light breaking through. On my way out of the Valley — I was staying up at Wawona — I had stopped to photograph it before starting that snowy drive back to my cabin.

I suspected that the weather would clear the next morning and that bright light and new-fallen snow could turn out to be my subject. My first thought had been to head for Tunnel View, not usually my first choice for Yosemite Valley photography at this point, but potentially very beautiful in these conditions. But when I arrived there the completely clear skies produced a rather mundane sort of scene, at least by comparison to what I had hoped for. (I know… that view is never actually “mundane,” but I’m more likely to photograph it when something really special happens these days.) But further down in the Valley I passed an area of skeletal trees, mostly without leaves or needles, that still held snow and was back-lit. The location was about as non-iconic as you can find in the Valley, but I stopped and wandered off into this forest scene to photograph the patters of branches, trunks, and snow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Meadow, Autumn Light

Trees, Meadow, Autumn Light, Yosemite Valley
“Trees, Meadow, Autumn Light” — Hazy autumn light and trees in a Yosemite Valley meadow

Every autumn the Sierra Nevada experiences days when the air is full of wildfire smoke. It was only recently that I came to recognize that a large component of what I’ve always identified as “autumn light” is the atmospheric haze from wildfires — not just those nearby in the Sierra, but including the diffused smoke from wildfires further away in California and even beyond California’s borders. Yes, the lower angle light is part of the effect, but it is the soft and hazy atmosphere that is perhaps the most major element. I’m amazed that it took me this long to fully make the connection, but also happy to find there are still new things to “discover” and understand!

The atmospheric light in this photograph is the result of this effect. It was a very smoky day in Yosemite Valley — the sort of day when you might consider wearing a breathing mask. A big fire was still smoldering just south of Yosemite Valley, its smoke collecting each evening and then flowing downwards into the Valley. I made the photograph just as the edge of the shadow from nearby cliffs was beginning to cross this meadow, and the sunlight caused the smokey atmosphere to glow behind the trees. It is easy to think of wildfire smoke as an impediment to photography, but if you turn your thinking around just a bit you soon realize that these conditions can provide some very special and even lovely possibilities, ranging from the muted and slightly sienna tones of the light to enhanced effects of atmospheric recession. The potentials for producing moody and evocative photographs may actually increase on days like this!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.