Tag Archives: cottonwood

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains, Clearing Storm

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Desert Mountains, Clearing Storm
An early-spring mountain snow storm clears from desert mountains, Death Valley National Park.

Desert Mountains, Clearing Storm. © Copyright 2023 G Dan Mitchell.

An early-spring mountain snow storm clears from desert mountains, Death Valley National Park.

This photograph comes from a morning in Death Valley when the light, for the most part, was singularly uninspiring. I knew it would be cloudy from the weather forecast, and when I went out before dawn there was just enough light to confirm this. But it was the last morning in the valley, and I was determined to at least see if anything would crop up. I loaded up and walked into sand dunes… where the light remained resolutely gray, the skies overcast, and it even rained a bit. But sometimes a break in awful light can produce glorious light…

… which is precisely what happened for a few moments as the light from the rising sun found some holes in the clouds and illuminated the summit of desert mountains, where the remnants of a passing storm were still dropping snow and rain. It was a reminder that going out on the unlikely days can sometimes produce something wonderful!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

Three Winter Trees at Sunrise

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Three Winter Trees at Sunrise
Three winter trees in soft sunrise light on a misty Central Valley morning.

Three Winter Trees at Sunrise. © Copyright 2023 G Dan Mitchell.

Three winter trees in soft sunrise light on a misty Central Valley morning.

This is another photograph from my first-week-of-March visit to the Central Valley. My objective was to photograph migratory birds one more time before their March departure for the far north. Once on the scene my goals shifted more towards landscape photography, as many of the birds had dispersed a bit more widely than usual and were in areas that were not accessible. Recent heavy California rains had produced pooling water nearly everywhere, so the birds were not all in their familiar locations. Fortunately, the trees had not moved.

In other recent posts I have mentioned the surprise appearance of tule fog on this morning. The day started out crystal clear, and lacking the expected bird subjects I decided to photograph these trees at sunrise. I was so intent on this that the slightly muted quality of the light didn’t trigger my “maybe there will be fog” instincts. But when I look at this photograph now I can see that the conditions were already starting to develop. But at the moment I made the photograph, all I saw was the soft, reddish sunrise light on the trunks of these trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Winter Tree, Evening Sky

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Winter Tree, Evening Sky
A bare winter cottonwood silhouetted against dusk sky, California Central Valley.

Winter Tree, Evening Sky. © Copyright 2023 G Dan Mitchell.

A bare winter cottonwood silhouetted against dusk sky, California Central Valley.

This photograph is an example of why I always try to remember to not get so focused on the primary subject that I forget to look around. I was here to photograph migratory birds, and at this point in the evening they were putting on quite a show, rising and flying in giant circles directly in front of us in the evening light. But when I took a moment to look behind I saw the trees and the colorful evening sky.

This was an “interesting” day in weather terms. I didn’t actually have very high hopes for it as no fog was forecast (and I love to photograph these subjects on tule fog day) and early clouds from a incoming weather system were predicted to turn the sky gray, with extreme winds predicted for the afternoon. All of that happened, but it turned out that the sky cleared again in the afternoon, and the winds may have slowed the birds a bit is struggled to overcome its strength.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: People, Photographs: People In Landscape, Photographs: Photographers, Photographs: Southern California

Photographing the Canyon

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Photographing the Canyon
Patricia Emerson Mitchell photographing in a desert canyon, Death Valley National Park.

Photographing the Canyon. © Copyright 2022 G Dan Mitchell.

Patricia Emerson Mitchell photographing in a desert canyon, Death Valley National Park.

My photographs of desert canyon landscapes are virtually always devoid of people. Without some frame of reference it is difficult or even impossible to judge the scale of these places — a cliff could be four feet high or forty, a rock might be a pebble or a boulder. This photograph includes my wife, Patricia Mitchell, at work photographing a section of a narrow desert canyon in Death Valley back in late March.

I often favor longer lenses for landscape photography, but in these canyons I usually use an ultra-wide lens. The canyon walls are only feet apart in the narrowest places, and often the view forward and backward may stretch no more than a few dozen feet. Photographing as a duo in such a place requires teamwork, and each person typically must work alone — or all of the photographs will feature other photographer! She went first as we re-entered this canyon. I followed, and initially photographed back in the direction from which we came. Once she moved forward I turned my attention into the canyon and then kept my distance so that we would not interfere with one another’s compositions.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.