Tag Archives: country

Wild Horses

Wild Horses
A herd of feral horses in high desert hill country east of the Sierra Nevada

Wild Horses. © Copyright 2016 G Dan Mitchell – all rights reserved.

A herd of feral horses in high desert hill country east of the Sierra Nevada.

Those of us whose orientation to the Sierra Nevada and points east comes mainly from visits as outsiders can overlook aspects of the culture and history of the area that we weren’t looking for. As someone who came to these mountains, starting many decades ago, as a camper and backpacker (and, at times skier, climber, and photographer) my orientation held that the range was mainly a place about wilderness. It is that, in many ways, but that’s not all it is. Over time I learned and accepted that there are other threads: prospecting and mining, fishing (I tried, but little luck!), ranching, and more.

This herd of feral horses is probably a remnant of some of those “other” threads. Over decades a number of horses managed to get free, and they also managed to survive rather well in some of the areas east of the Sierra. (I first saw them decades ago way out in Nevada.) I ran into this herd on an exploration into less-visited areas roughly east of Yosemite a few years back. I had rumors, but wasn’t necessarily expecting to see them — but was thrilled when I came over a low saddle and spotted them up ahead. (It might seem surprising to some that I’ve put this photograph in the “wildlife” category, but these horses are no longer domesticated critters.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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High Country Meadow, Evening Light

High Country Meadow, Evening Light
Late-day light on a stormy evening high in the John Muir Wilderness

High Country Meadow, Evening Light. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Late-day light on a stormy evening high in the John Muir Wilderness

For more than the past week, we occupied a Sierra Nevada backcountry landscape full of surprises and riches — more than enough variety of conditions and subjects to keep us busy. A group of eight of us hiked over a 12,000+’ Sierra crest pass (with assistance from pack train support) and set up a base camp from which we set out each day to explore and photograph the spectacular surroundings. The pleasures of such a trip extend beyond photography — to include contemplation of this landscape, occasionally without a camera, and the joy of sharing the high country with a small circle of like-minded friends. This time it was even more special, as Patricia Mitchell returned to the back-country with me for the first time in many years.

I made this photograph on an evening when late day sunlight filled this subalpine meadow and storm clouds cast shadows over the distant peaks. There was a trail to this meadow, but it was hardly necessary, and once in the meadow we were free to explore all of it and the surrounding domes and peaks — which we did on many mornings and evenings. Those with Sierra Nevada high country experience may be surprised that this photograph was made near the end of August when meadows are typically turning golden brown. Last winter’s extraordinary snowfall delayed the onset of summer conditions, and the meadows were still green and wildflowers were everywhere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Lake and Mountain, Morning

Lake and Mountain, Morning
Dawn light comes to mountain slopes above a reflecting High Sierra backcountry lake

Lake and Mountain, Morning. Hoover Wilderness Area, California. August 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dawn light comes to mountain slopes above a reflecting High Sierra backcountry lake

I woke up early on the third and final morning of this pack trip — not early by photographic standards, but just before dawn, nonetheless. The rest of my party — perhaps because they are not photographers — continued to sleep in for another hour or more as I crawled out of my tent, gathered up my (downsized for this trip) camera equipment, and wandered off to see what I could see.

The sun had still not quite risen as I came to the top of a small hill above the lake, but very soon its light began to touch the highest peaks and stream across the shoulder of the large peak towering above the opposite shoreline of the lake. Sometimes the scale of a subject such as this mountain seems more obvious to me when I choose to not include all of it, so I chose to crop tightly enough to not show the peak — or the relatively uninteresting plain blue sky above it. (My theory is that a photograph framed so that the entire subject isn’t visible can sometimes produce an impression that the subject is so large that it cannot be contained within the frame.) As I made this exposure the first light was hitting the rocky face of the upper slopes of the mountain, and that light was reflected in the undisturbed early morning surface of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Rain, Reflection

Evening Rain, Reflection
The reflection of an evening thunderhead on the surface of Mono Lake

Evening Rain, Reflection. Mono Lake, California. July 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The reflection of an evening thunderhead on the surface of Mono Lake

During the past few days I was once again in the Sierra, camping just outside Yosemite’s Tioga Pass entrance and photographing in the surrounding areas. There is a lot to write about: the tremendous amount of snow still in the high country, the remarkable amounts of water everywhere, how odd it is to see all park campgrounds along Tioga Pass road still closed, the challenges of hiking in these conditions. I’ll save most of the details about those things for another post for now, except as they may relate to this photograph. After photographing elsewhere very early in the morning and then killing time in camp until about noon, I decided to hike into an east side canyon. It was a beautiful hike, though because I was alone and had not brought trekking poles, I eventually turned around soon than I had planned rather than risk solo crossings of high-water creeks. Coming back down from the hike I was surprised to see a thunderstorm brewing over the lower end of the canyon, and I quickly found a high overlook from which to watch the show. Before long the show became a bit too exciting! Heavy hail and rain developed — too much so for photography — and I high-tailed it down to Lee Vining.

As often happens, the convective action was mostly developing to the east of the Sierra crest, so I found a (not very secret!) location from which I could watch the evening light develop above Mono Lake. Multiple thunderstorms continued to develop right through the sunset, dropping rain on the high desert mountains and reflecting the evening light onto the surface of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.