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Six Early December Wildlife Photographs

I made this set of photographs on an early December morning in California’s San Joaquin Valley. The photographs feature geese (mostly snow geese from what I could tell) and sandhill cranes, against the backdrop of late-Autumn morning light and light fog.

Geese Landing in Grass
Geese Landing in Grass

Geese Landing in Grass. San Joaquin Valley, California. December 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved. – A small group of snow geese sets down in marshland surrounded by grasses

Flock of Snow Geese in Flight
Flock of Snow Geese in Flight

Flock of Snow Geese in Flight. San Joaquin Valley, California. December 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved. – A flock of snow geese flying against the background of a foggy morning San Joaquin Valley autumn sky

Geese Above Marsh, Morning
Geese Above Marsh, Morning

Geese Above Marsh, Morning. © San Joaquin Valley, California. December 2, 2013. Copyright 2013 G Dan Mitchell – all rights reserved. – A flock of geese flies over a tule marsh in early morning light, San Joaquin Valley, California

Goose-Filled Sky
Goose-Filled Sky

Goose-Filled Sky. San Joaquin Valley, California. December 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved. – Snow geese fill the sky as they approach a landing in a San Joaquin Valley marsh

Sandhill Cranes in Flight
Sandhill Cranes in Flight

Sandhill Cranes in Flight. San Joaquin Valley, California. December 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved. – A group of sandhill cranes flies past in dawn light, San Joaquin Valley, California

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Taking to the Air

Taking to the Air
Taking to the Air

Taking to the Air. San Joaquin Valley, California. December 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A group of snow geese take to the air in early morning light above a San Joaquin Valley marsh

I never know exactly what I’ll find when I go out to shoot a subject like that which I focused on today, namely migratory birds out in the San Joaquin Valley of California. While there is a certain amount of knowledge and technique that goes into photographing this subject in this place, there is also a whole bunch of guesswork, luck, and happenstance. The part that I can chalk up to planning includes the choice to be in this place on a cold morning before dawn, enough familiarity with the place to know where to look for the birds and where the light might be good at certain times of day, and enough experience photographing these birds to have developed some knowledge and instincts that I can put to work.

However, so much is not in my control. On this morning I found a good size flock of (mostly) snow geese in a place where I don’t usually see so many of them, and they were closer to the place from which I can photograph than they usually are. So I stopped and photographed them and waited. Not much seemed to be happening at first – the birds mostly just sat in the shallow water – but the light was interesting, slanting in from the right where the sun had just cleared the horizon. When things seem static, there is no clear answer to the question of whether to wait for something to happen or to move on and look for something else. This time my hunch was that it might be worth waiting. And this time that hunch turned out to be the right one. (Just as often it isn’t!) As I waited I found some slightly better angles to shoot from, and eventually additional geese began to arrive and settle in with the group already there. Often some of the most interesting shots are during very brief instants of action, such as the sudden and unexpected lift-off of a flock of birds. So, after standing and watching and seeing little happen for some time, suddenly a lot may happen almost too quickly to photograph it. It pays to be ready to respond quickly. This group of snow geese was not too far in front of me, and when they suddenly took to the sky I was ready to track them as they lifted off. If you look closely you may be able to see water droplets falling from them as they leave the pond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh Pond and Trees

Marsh Pond and Trees
Marsh Pond and Trees

Marsh Pond and Trees. San Joaquin Valley, California. November 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Reflected fall colors of trees and grasses at a flooded California Central Valley marsh.

One more photograph from my late-November “wild goose chase” to California’s Central Valley. My main goal was probably to photograph migratory birds, including geese, but that never keeps me from also photographing the landscape. Although the skies were completely clear when I left home well before dark for the two-hour drive to this place, when I arrived there a thick fog was developing in this seasonal marshland… which is just what I had hoped for! The final 15 minutes of my drive were in mostly thick fog, and when I actually arrived the early morning light was almost completely muted by fog.

A bit later this morning, after my first circuit of the place, as I began a second lap around the ponds and marshes, the thick fog had given way to a soft atmospheric haze that allowed some sun to penetrate but which also muted the intensity of the autumn colors of grasses and cottonwood trees and other plants. For a few minutes I took off my wildlife photographer hat and put on my well-worn landscape photographer hat (you didn’t know I carried multiple hats, did you?!) and photographed the isolated trees along the levees between the marshes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh Grasses and Fog, Dawn

Marsh Grasses and Fog, Dawn
“Marsh Grasses and Fog, Dawn” — Golden dawn light illuminates autumn fog drifting above marshland grasses in California’s Central Valley.

I went to this place to photograph birds – at least that was my excuse. In the past few years I have become passionate about photographing migratory birds in the Great Central Valley of California between late fall and early spring – geese, cranes, herons, ibises, and more. Once you hear the cries of these birds as thousands of them flock together on the ground or in water or, better yet, as they fly overhead, you can become obsessed. In the fall I anticipate their return and watch for early signs. A few weeks ago we managed to find cranes further up the valley, and I knew that the geese wouldn’t be far behind – so this trip was, literally, a “wild goose chase.”

But the truth is a bit more involved. As much as I love the birds, I think that I’m at least as attracted to landscapes where they are found, and to the weather conditions of this season. You might think that a bird photographer would want clear skies and bright light, but I look forward more to fog, clouds, and mist and other kinds of interesting atmosphere. It occurs to me that the birds may partially be my excuse for visiting this landscape. I was expected that it might be clear on this morning, so I was happy (strange photographer!) when I drove into thick fog a few miles from my destination. I arrived just before dawn as the sky was somewhere in that color range between blue and purple and pink, but just barely visible though the murk. I made a few true sunrise photographs that included a barely visible sun behind fog and clouds, then moved on along a gravel road to try to locate the cranes that I could hear. As I came to a right angle turn, the fog stretched beyond the nearby grasses and straight toward the low sun in front of me, thick enough that all details in the distance disappeared (with the exception of a few barely visible birds) into a luminous glow that was almost painfully intense


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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