Tag Archives: court

Burger Man

Burger Man
Pedestrians waiting to cross a Manhattan street by the “Burger Man Food Court.”

Burger Man. © Copyright 2022 G Dan Mitchell.

Pedestrians waiting to cross a Manhattan street by the “Burger Man Food Court.”

You might be starting to feel the symptoms of a case of photography whiplash if you’ve been following along recently… as I have alternated photographs from some rather diverse subjects: One day it is a backcountry Sierra Nevada photograph, then next something from New England, and after that another street photograph from Manhattan. By now you know that I don’t constrain myself to one genre or subject, and that has certainly been the case over the past month or two. I will, in fact, continue a bit longer.

This photograph comes from New York City, in case you hadn’t already figured that out. We were there for a few days in August before we headed up to Vermont for a weeklong family event. There’s obviously lots to do in Manhattan and the rest of New York City… but for me that “lots” inevitable includes street photography. The genre can focus on a lot of different things, including the wildly divergent subjects found on urban streets. I may also, as others have noted, provoke you to ask some questions about what you are seeing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cottonwood Trees, Courthouse Wash

Cottonwood Trees, Courthouse Wash
Cottonwood Trees, Courthouse Wash

Cottonwood Trees, Courthouse Wash. Arches National Park, Utah. October 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn cottonwood trees along Courthouse Wash and sandstone towers, Arches National Park

After a second visit to Arches National Park and a few days into that visit, I was beginning to be able to see past the main, iconic towers and arches and other sandstone structures. This takes a while. When visiting a new location, it is natural and, I think, even a good idea to go with the icons at least a bit. They are, as the saying goes, icons for a reason. While I cannot say that I’m yet close to knowing this park nearly as well as I would like to, on this morning I began to feel that I was beginning to see past the main features a bit more. (Though I confess that I did begin the day shooting one of those well know features.)

As we drove out on the main road, I quickly noticed the beautiful cottonwood fall colors down in the bottom of Courthouse Wash. Shortly after crossing a creek bed, we pulled over and I wandered off to photograph these trees. Before I finished here, I had tried a number of different approaches to the subject – shooting mixed brown and yellow leaves collected on the ground beneath them branches silhouetted against morning sky, and here the backlit trees with some of the characteristic red rock towers beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Photography and Freedom of Speech… and War

Taking a break from the usual landscape stuff you’ll find here – don’t worry, it will be back soon! – I’d like to draw attention to a New York Times article posted today:  “Images, the Law and War” (You may need to “join” the site there to see it.)

I’m not going to take sides here – not at the moment, anyway – on the question of whether President Obama is right or wrong to withhold the release of additional photographs that reveal painful truths about our treatment of captives in Iraq and Afghanistan. I have an opinion, but I’d rather you consider the article and the underlying issues it illustrates for yourself. The article, in my view, does an admirable job of laying out the complex and conflicting values that collide in questions like this one.

It also provides clear evidence of the power of photographic images and their ability to affect those who see them.