Tag Archives: cracked

Weathered Street Art

Weathered Street Art
“Weathered Street Art” — The weathered and worn figure of a man, on a wall in Montpellier, France.

There is a fine line when photographing things like this between appropriation of someone else’s creative work and making the image because the placement and weathering themselves provide independent visual interest. In short, I’m not big on simply photographing what other people create, but I do seek out and photograph things like this bit of weathered street art found on a wall in Montpelllier, France.

I suspect that it has or had some meaning or message that isn’t apparent to me — either because I lack the cultural context to see it or because it has been weathered to the point where it is no longer apparent. For me, that weathering itself is part of the attraction. In this case, the bits that remain suggest something like a genie emerging from a bottle.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Weathered Wall, Zaragoza

“Weathered Wall, Zaragoza” — A weathered and textured wall with a window, roll-up door, and graffiti, Zaragoza.

Travel can awaken the senses in all sorts of ways. It opens ours mind to different ways of living and seeing the world, unfamiliar histories, new (and old) architecture, new food, and much more. Travel reminds us that many things we take for granted fromyour own perspective are open to question. During our travels, among other activities, we wander a lot on foot, taking time to “discover” our own relationships with places.

This photo comes from a stay in Zaragoza, Spain late last fall. We stopped there for several days between stays in France and then Madrid. Zaragoza doesn’t appear to be a very popular tourist destination, but we really enjoyed the areas of the city we visited – mostly the central, older area. I made this photograph on a morning walk that took us past the city’s impressive Central Market.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Concrete Wall Detail

Concrete Wall Detail
Shadows from nearby branches fall across a crached and weathered concrete wall.

Concrete Wall Detail. © Copyright 2023 G Dan Mitchell.

Shadows from nearby branches fall across a crached and weathered concrete wall.

The garden where we recently photographed — where I made my recent flower photographs — is on the grounds of a historic San Francisco Peninsula estate that was once the home of some very wealthy people. Today the facility is open to the public and features tours of the mansion and the extensive gardens. This detail photograph was made in a patio area at the mansion.

Like many photographers I am fascinated by patterns, forms, and textures. I’m sure that this section of concrete wall was once, long ago, a new and perfect thing. But it has weathered in the intervening years. There are patched cracks, a few missing edges here and there, and it appears that lichen is starting to grow in places. The darker slanted lines are shadows of branches above the wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Weathered and cracked numbers painted on the wall of an old San Francisco hotel

50. © Copyright 2019 G Dan Mitchell – all rights reserved.

Weathered and cracked numbers painted on the wall of an old San Francisco hotel.

Photographs like this one have, at least for me, several purposes or rationales. To some extent, walking into a regular city environment and looking for little visual odds and ends is an important exercise in visual awareness. It is so easy to walk through such places and not pay a lot of attention, and when you do so while searching for images you see things that you’d otherwise miss. It is also interesting, I think, to “excerpt” small things from their larger context. (This bit of signage, is small enough that you might barely notice it if you took in the whole building at once.) With this one there is also a bit of that odd characteristic of some photographs, where their age — or the age of the subject — becomes somewhat interesting on its own.

So, what is it? It is a bit of a hand-painted street number sign on a very old (and somewhat iconic) building on a street in San Francisco that I often walk on these street photography visits. What else is it? It is color and form, abstracted to some extent from its original context. But not entirely abstracted, since if you look closely you might notice the extremely weathered and cracked paint and you might wonder about the history of this little bit of a sign, especially in an era when one-of-a-kind hand-painted signage is increasingly replaced by industrial signage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.