Tag Archives: crane

Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Toward Morning Light

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Toward Morning Light
A flock of sandhill cranes flies toward the morning light

Toward Morning Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes flies toward the morning light

This group of sandhill cranes was flying almost into the early morning sun — it was actually just enough to one side to illuminate the side of the birds that was facing me. As the cranes came toward my position I was ready, and I tracked them as they crossed from left to right, repositioning themselves as they passed by.

Sandhill cranes hold a special place for me, and they did even before I had seen or heard them. Many years ago as  college student, an enlightened science professor assigned us to read sections of Aldo Leopold’s “Sand County Almanac.” Leopold was completely new to me at the time — my vocabulary of “nature” writers was more orientated to the Sierra Nevada. But his descriptions of the cranes and the experience of seeing them stuck with me, and perhaps made the experience more magical when I finally saw them many years later.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: Mono Lake Basin, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Ship Yard Buildings, Crane

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Ship Yard Buildings, Crane
Weathered ship yard buildings illuminated by saturated colors of artificial lighting

Ship Yard Buildings, Crane. © Copyright 2018 G Dan Mitchell – all rights reserved.

Weathered ship yard buildings illuminated by saturated colors of artificial lighting

I recently had a chance to return to this old ship yard facility near Vallejo, California to work on night photography. This is actually the place where I first tried out that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph that locations often during the intervening decade and a half, and my night photography expanded from that beginning point to incorporate other subjects and places. (Most recently I have focused on night street photography done with small handheld cameras.)

This photograph is a prime example of several of the things that intrigue me about photographing at night. Scenes that might seem mundane in “normal” daylight are often transformed in the night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this spot, the colors of the light become intense. Here it is the exceedingly green light of a large work light that predominates. Another appealing aspect of night photography is that it lets me make photographs of things that I really can’t see with my own eyes. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal features that I could not see at all, a pure example of “seeing what the camera sees.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Crane, Tree, Morning Sky

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Crane, Tree, Morning Sky
A solitary sandhill crane flies into pre-dawn sky above a silhouetted tree and San Joaquin Valley wetlands

Crane, Tree, Morning Sky. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A solitary sandhill crane flies into pre-dawn sky above a silhouetted tree and San Joaquin Valley wetlands

By now you may be getting the idea that I like the brief pre-dawn interval, especially out in this autumn and winter wetlands of Central California. If so, you are right! There is a period of perhaps a half hour or so when the sky begins go glow, and the wetlands birds start their morning rituals — flying out from their overnight spots and generally raising a ruckus. Aside from their noise and fury, the rest of the landscape can be very quiet, as in this photograph.

On this morning I arrived early as usual, paused to set up my gear for photography, then began a circumnavigation of the area, slowing and stopping as various subject appeared. This bare tree, surrounding by reflecting water and set against the pre-dawn sky, caught my attention and I paused to make a few photographs. During this one a solitary crane passed through the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

D8 Crane, Night

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D8 Crane, Night
The D8 crane at night, Mare Island Naval Ship Yard

D8 Crane, Night. Mare Island Naval Ship Yard, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The D8 crane at night, Mare Island Naval Ship Yard

As all who photographer there know, these huge crane are among the primary iconic elements of the historic Mare Island Naval Ship Yard. Their size makes them visible from many places including the opposite shore in the town of Vallejo across the harbor. Their appearance is striking, especially at night, when their organic forms are usually lit from below, especially now that they are once again in use as part of a project to dismantle the ships of the old “ghost fleet” that was long moored near the Carquinez Bridge.

Their reactivation has created some photographic opportunities that were rarely available when I first began photographing at Mare Island a dozen or more years ago. Back then the cranes, which can be moved around the dry docks along a system or railway tracks, were often parked in inaccessible locations and seldom well-lit. But on this visit we found two of them had been moved out from behind the security fences and along a closed roadway. We were able to photograph them close-up and from a range of positions and angles. Each has a sort of personality. The closest one is bright yellow in the artificial light, while the further crane has a dark and weathered appearance.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.