
A photograph like this isn’t always possible and is never easy. Obviously, the sun is extremely bright, and this presents some major exposure challenges. At the same time, the sides of the birds and plants facing the camera is in the darkest possible shadow, being on the opposite side of the sun. But on this morning several factors haled out. the high clouds interfered with the sun just a bit, and closer to the ground a bit of tule fog was still hanging on.
Early morning may be the most compelling time in these wetlands. (Though I’ll hear you out if you want to argue for evening.) After arriving in darkness, the sky begins to glow and the light slowly increases. Fog may mute the light and add a sense of mystery. And the birds are coming to life, warming their wings in the first sunlight and then flying out for the day’s activities.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.
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